Superman, Interrupted (and other comics I read this week)

SUPERMAN CONFIDENTIAL #11: This comic is sorta fun. Ah, so that's what happened to that storyline. The Darwyn Cooke/Tim Sale "Kryptonite" saga from Superman Confidential #1-5 pops up many months laters, more than a year after it started, and in the main book rather than (as in Wonder Woman) an annual. Is this the first time a story has ever been interrupted by so many regular issues? But then, while this raises serious questions about the effectiveness of modern Big Two comic book scheduling, it's irrelevant aside from pointing out that the momentum and energy of this story has been mostly lost during the interruption, and a story I loved has slipped to merely being interesting and okay. Tim Sale's artwork, which I normally praise, seems sketchy, rushed, and rough in this conclusion, especially (perhaps intentionally) in Kal's hallucination sequences. That said, it'll probably read better in one sitting or as a trade, and there's still some lovely, personal moments here between Clark/Supes and Lois, most notably the final page. Six months off didn't help this story, but there's still gems to be found in it.


FUTURAMA COMICS #35: This comic is fun. Speaking of flashing back to previous stories, Futurama is a callback to the animated series episode "Less Than Hero", which you might remember better as "The One With The New Justice Team." Like Simpsons Super-Spectacular, it's chock-full of classic comic book references: Zoidberg gets turned down for membership in a scene parodying the cover of Adventure Comics #247; the Legion of Doom's secret headquarters pops up next to the Planet Express building ("It creeps me out having that place in the neighborhood." "Yes, yes, but it helps keep the rent down!"). To deflect fanboy criticism of the type "Yes, but at the end of Episode 4ACV04, The New Justice Team disbands owing to the depletion their tube of Miracle Cream," these new adventures are flashbacks thanks to Bender's new memory chip, and while a few jokes fall flat, there's enough of them in here to populate a decent-sized chuckle-fest, and better yet, the density of dialogue and quips means it'll definitely take you more than five minutes to read this comic. Plus, it features The Best Line[s] of the Week: "I think the heat's giving you an irrational hatred of 1980s bands, Professor." "From hell's heart I stab at thee, Duran Duran!"


BATMAN #673: This comic is sorta fun. I love you, Grant Morrison. But golly, I really haven't the slightest of what's going on in this book. A dream doesn't make a story, and this seems to be mostly an extended hallucinatory sequence in Bruce's brain following his heart attack (I'm not buying that health twist in Batman, but hey, whatever). Nice vibrant and energetic art by Tony Daniel isn't a great help in following a non-linear, head-trip story, which has something to do with Joe Chill and Bat-Mite. Maybe it'll read better in the trade surrounded by other chapters, and I like the dialogue and art, but for the moment I still feel like I'm not smart enough to be reading Batman.


THE SPIRIT #13: This comic is fun. The post-Darwyn Cooke era begin for The Spirit (or, as I keep thinking the cover logo says, "The Spirito"). Hey, wait a minute, there's actually a Darwyn Cooke cover on this issue, but it's an anthology special with three separate stories by different creators. It's billed as a "Holiday Special," which seems odd to come out a month after Christmas, but it actually contains a Halloween story (crooks dress up as The Spirit) plus one that takes place in the rain and another in the snow. That last, by Gail Simone with Phil Hester and Ande Parks on art, is by far my favorite of the three: dialogue is told almost exclusively in pictograms inside word balloons (only the final panel has a true word it in), and it's both funny (a freezing-cold Spirit in his underwear is chased through a snooty restaurant) and touching (Dolan laments the apparent second death of Denny Colt). Inventive and clever, without being cloying, in a style I bet Will Eisner would have approved of. Although I'm looking forward to Evanier, Aragones, and Ploog as the regular team starting next issue, I'd like to see Gail and Company sink their teeth into a full-length, fully-dialogued Spirit comic.


JACK OF FABLES #19: This comic is fun. "Americana" continues and Bill Willingham and Lilah Sturges squeeze in months of adventure, half-a-dozen destinations and a million and one shady plans by Jack as he, Hillary, Gary, Paul Bunyan, Babe the Little Blue Ox, and a giant cracked egg zip around and about the mythical United States. It doesn't exactly further the storyline tremendously, but it's fun, and that's the most important part, isn't it? In fact, I'll go so far as to name JACK OF FABLES #19 the most fun comic of the week, from its ubiquitous saucy reading line above the cover title to the usual boastful "next issue" plug. Jack's not the only comic book featuring a tiny blue ox with a rich internal fantasy life*, but it's certainly the best.


*Oh wait. Yes it is.

Fun Fifty of 2006, Part 5 of 5

You know how sometimes you invest many hours or maybe even an entire Fourth of July weekend listening to "Power 98's One Thousand Most Rockin' Songs," just waiting for them to get up to number one, where they've got be playin' "Stairway to Heaven," there's no other choice, any fool worth his drumsticks knows it's all building up to the Stairway, and then at 11:53 PM on the last day before you have to go back to school, they reach number one and it turns out it's Van Halen's "Panama"?

Yeah, it's gonna be like that.

(Everything that led up to this moment: #50-41 • #40-31 • #30-21 • #20-11)

10. SUPERMAN CONFIDENTIAL: Scheming supervillains. Erupting volcanoes. His first encounter with deadly kryptonite. Any one of these would leave you or me hiding under the couch, but Superman steps right up to the plate against 'em. So what's his real Achilles' heel? A spunky, classy, unpredictable woman named Lois Lane. This beauty of a story arc by Darwyn Cooke and Tim Sale features gorgeous art and design (#2's juxtaposition of Kal fighting molten lava while Lois gets ready for a date is absolutely, affectingly sublime), tack-sharp dialogue and characterization (a wonderful scene where Clark expresses to Pa Kent his terror at trying to save people) and that element of the Superman mythology that makes it universal to all of us: the love of a man from another world for a woman who's so close and yet worlds away. The introductory kryptonite subplot at first seems secondary to the love story until I realized it wasn't secondary: it was parallel—in this story we see through Superman's eyes the two centers of his world: the literal world (a glowing green rock) and the spiritual one (fast-talking and sassy). Both are his greatest weaknesses.


9. 52: I woulda bet my piggybank fulla dimes that it couldn't be done: a weekly series that never got off schedule, never missed an issue, never brought a company's entire line screeching to a halt—and more important, a weekly series that entertained the heck outta me. While the big three take a year's sabbatical, DC's second and third bananas step up to the plate in seemingly-separate but gradually-intertwining storylines, gently spiraling towards reshaping the DC Universe in a slow but steady process the likes of which we've not seen before in superhero comics. The sheer number of issues has led to a handful of dud subplots and who-cares stories, but week after week there's some sheer entertainment value here, and while many of the mysteries are far from being solved, half the fun is the journey. My favorite issue has to be Week 24 (with hyper-aware Ambush Bug shouting directly to us about "52" and his relationship with Julie Schwartz), but this series has also made me like and appreciate Renee Montoya, the never-named Question, Black Adam and his clan, and even evil, evil Skeets in ways I'd never felt before. There's a lot of endgame work to be done in the last few months of the series and I've got my hooves crossed they don't drop the ball, but it's been a heckuva ride so far. Fifty-two!


8. RUNAWAYS: In a year where DC and Marvel heroes were getting knocked off left-and-right, incinerated by flying nuclear submarines or punctuated by Norse code, the most affecting and touching death was that of Gert Yorkes in the pages of Runaways. This death has colored the entire year as it spins into final arc of creator Brian K. Vaughan, but though the mood is somber this is still one of the most life-affirming and joyous superhero comics on the market. I've long said that Runaways needs to be the flagship in Marvel's outreach to get new young adults and teens on board with comic books, and this storyline is no exception. With the exception of repackaging issues in digest format, however, I don't see any marketing geared for the manga-fan crowd. That's a pity and a shame, and a wasted opportunity. Maybe new marketing to the next generation of readers will take more of a precedence once Joss Whedon comes on board, but even if Runaways never becomes the crossover hit it so richly deserves, it's still provided us discerning comics fans with one of the finest and realistic portrayals in comics of teens. With, uh, evil parents and superpowers. And a pet dinosaur.


7. COMIC STRIP REPRINTS: Everything I said about this being the best of all possible times to be a comics fan because of the extensive comic book reprint programs goes double for being a fan of comic strips in 2006, where the recent growing trend in beautifully designed and reproduced collections of classic strips really began coming into their own. Peanuts and Dennis the Menace got new volumes continuing their adventures, Gasoline Alley and Dick Tracy began definitive reprint projects...even the Moomins came back in comic strip-in-book form! My pers'nal favorite is the big-as-the-2001-monolith Popeye from Fantagraphics (an amazing design crammed with more high adventure strips than a donkey who's eaten Milt Caniff's portfolio), and there's much, much more to come: 2007 looks to be another powerful year with announcements of new editions of the works of Lynda Barry plus new volumes of most of the above. And scuttlebutt in the publishing world tells this little stuffed ear to the ground there's much more classic stuff to come, so start saving your dimes...truly this is the beginning of the Age of Classic Strip Reprints!


6. GUMBY: The most fun you can have with America's favorite clayboy without ever touching a rubbery toy! Bob Burden and Rick Geary's two issues of surrealism, whimsy, and fun are the perfect all-ages comics in the truest sense of the word: not just for kids but for everyone who's a fan of fun comics. Gumby falls in love, joins the circus, does the sombrero dance, thwarts the plans of evil clowns, gets turned into a golem, and summons of the spirit of Johnny Cash...all without wearing any pants! The joy and exuberance of these comics is contagious and infectious; I dare you not to crack a smile readin' 'em, and Geary's beautifully toned and suitably rubber artwork is spot-perfect for Gumby and Pokey. Sure, buy 'em for your kids...but you'll wanna read 'em too!


5. THE SPIRIT: This comic hits a high spot on my Festival of Fun '06 on the strength of...count it...one issue. As a long-time Eisner fan, I certainly was holding my breath that Darwyn Cooke would do right by Denny Colt, and hoo boy! he exceeded my wildest hopes on every single page. This beautifully illustrated and smartly-written update of one of the finest comics of all time captures the elements that made the Spirit a classic: innovative and intricate design, casual and believable humorous dialogue, breakneck action, a gorgeous dame with an improbable name, and even the Eisner trademark splash-page representation of the Spirit's name in the artwork, brought smack-dab up to the twenty-first century by blazing it not across city buildings but in the shimmering pixels of a television screen. But Cooke's successfully pulled off an even more incredible update: Ebony is no longer a character we as fans feel we need to be ashamed of or defend with embarrassment. I know it's a cliché to say "Will Eisner would be proud"...but heck, I'll say it. I bet he's looking down from his drawing board up there and nodding in approval.


4. AGENTS OF ATLAS: It sometimes seems like there's a rogue division at Marvel slyly and stealthily sneaking comic books into publication which are so innovative and different from the normal company line that surely Joe Quesadilla doesn't even know they're doing it. That's the impression Agents of Atlas gives me, because who'da thought that in today's Civil War-ridden Marvel Universe populated by fewer than 200 mutants, a maskless Spidey and a long golden hair all grown up from a test tube, there'd be a market for a six-issue miniseries about secret heroes of the 1950s whose most significant story was a thirty year old issue of What If? Not me, that's for sure, but I'm happily on the Atlas bandwagon as Jimmy Woo and company untangle the Mystery of the Missing Ike, The Stereotypical Asian Villain and how Miss Venus manages to walk around without a top. It's sheer joyful fun that had me from the moment Gorilla Man barreled down a hallway with a gun in each hand...and foot. The I-never-woulda-figgered-it-out, wonderful and sublime puzzle-box ending was one of the finest conclusions a miniseries could have: a definitive end with a promise of more potential future adventures. Even if any future Atlas action is merely in my head and not on the page, this is a miniseries that made me oh-so-glad to be a Marvel Fanbull.


3. ALL STAR SUPERMAN: Grant Morrison knows. There's no other way to put it: he knows what we loved about the Silver Age. He knows what we love about comics today. And he puts 'em in a pot and stirs 'em around and adds a dash of absinthe when his mom's not lookin' and serves up one of the finest reinventions of Superman, ever. On the surface he and the wonderfully quirky Frank Quitely are simply retelling tales of the fifties: Super-Lois! Jimmy in drag! Krypto! But it's tinted with twenty-first century nanotechnology and hyperawareness of the tropes in comics that make the fur on the back of your neck stand up and tingle, in a comic that rewards re-reading like none other. Pay attention to the details: Clark's casual, uncostumed, cause-and-effect superdeeds in the background have a Rube Goldberg joy and brilliance to that makes this little stuffed reader giggle in glee. All Star has also given us this year one of the best Luthor tales in modern comics, a wonderfully kinetic updating of The Desperate Ones in which a never-supersuited-Clark and an arrogantly crowing Lex work their way through a riot-ridden prison, the signs of his safety right in front of Lex's burnt-off eyebrow, if only he'd look closely enough. The crown jewel of a great year for DC, and never mind the schedule: I'll gladly wait months for this.


2. SERGIO ARAGONÈS: SOLO: Permit me the indulgence of quoting myself and my original review: "not only the most fun comic of the week but will surely be on my year-end list of The Most Fun Comics of 2006!" (Hey, that guy's good!!) I mourn the passing of Solo for every one of its inventive and innovative issues that uncharacteristically for floppy comics, focused upon and celebrated the creators that make DC great. There was no more gleefully enjoyable issue in the series, though, than this fun-fest by MAD's manic Mexican master, a collection of several stories that didn't contain a weak panel in the lot 'of 'em: from confessing his murder of Marty Feldman to a wonderful autobiographical sketch of how he broke into American cartooning, Aragonés hits the heights every time, even in a goofball Batman story that's more MAD than the modern MAD magazine itself. Sheer brilliance from an amazing talent we don't see enough of these days. Hey Mark Evanier, bring back Groo!


1. NEXTWAVE: You sum it in one sentence and it sounds like a snoozefest, or worse yet, a 1980s Image comic: disillusioned superhumans working for a government agency discover their boss is a homicidal madman, and they turn against their employer and vow to take him down. But. This comic is super-caffeinated with over-the-top, outrageously gleeful violence, smartass dialogue, cheerfully irreverent reinventions of Marvel sacred cows, crab cyborgs, Broadway-dancin' Mindless Ones, Captain America's pee, Elvis M.O.D.O.K.s, and the most deadly version of Forbush-Man ever seen outside your Nyquil-fueled fever dreams. Politically-incorrect as all get-out. Widescreen in ways that would make the Authority weep. The best introduction page month-after-month. Gloriously intense artwork by Stuart Immonen, including cover designs that break the mortal bounds of comic book design and look like they would be well at home on the front of books from "real-world" paperback publishers. Warren Ellis's script and concepts gives unapologetic the Marvel Universe fanboys half-nelsons, and if there is one proof that this comic broke all boundaries, it's in the next-to-final issue #11 where half of the issue is two-page spreads (get a second issue so you can cut it up and paste 'em all end-to-end): I normally object to splash pages or two-splashes in comics as they advance the story precisely only one panel, but I spent more time examining and giggling over the Where's Waldo-on-speed brilliance of those big-ass panels than I do reading the entire length of some books. We've got one more big bang of an issue in 2007 before Nextwave goes bye-bye, but I, and you, are all the richer for a 2006 filled with its rich, nougaty, zomg-filled goodness. That's why NEXTWAVE is the most fun comic of 2006 and this is the The Best Line of the Year:


No, Miz Bloodstone: I think it stands for enormous fun.

Whew! When I started thinking about my Fun for 2006 list waaaay back around the time I picked up Solo #11 and Gumby #1, I pretty much had in mind a list of ten, or maybe a baker's dozen. When I sat down in late December with a pile of comics and a stack of notes and printouts of reviews it became clear my job of narrowing down that field to a mere hoof-ful was gonna be uphill work. The list became 20...and then 25...and oh no, I left out this one and that one, and like Topsy, the list grew and grew...until it became a Fun Fifty, and if I'd thought about it s'more I prob'bly coulda beefed (no pun intended) it out to a Sensational Sixty or a Entertaining Eighty. (Tell me your favorites, especially if I've missed 'em, in the comments!)

So, what have I learned? Well, I've learned that even in a year when I was dismayed much of the time at the state of the mainstream, in which one comic got me so hoppin' mad I saw red (and you all know what happens when a bull does that), in which I continued to express my disgust over the big crossover events of 2005 and 2006 and the sheer slippery slope the entertainment value of fairly expensive floppy books seems to be barreling down...well, I still found bucketloads of joy and excitement in the comics of 2006. That's my message to you all: whatever you enjoy, whether it was something I liked or didn't or didn't even mention, value it, treasure it, rejoice in it, have fun reading it. It's a wonderful hobby and there's more good stuff out there that meets the eye, even if it's a little black button one.

In 2007 and beyond, may your comics be fun, too!

Catchin' up with comics

And...I'm back. Hope you didn't miss me too much! The week's holiday from blogging was just what I needed to mentally catch up after a busy busy December—I loved blogging in London, but each night in the hotel was spent tap-tap-tapping away capturing the adventure of the day, just to keep up. A few fill-in-the-blanks posts aside, I managed to keep myself from falling more than a day behind (as opposed to 2005 where it took me almost a year after my London holiday to finish transcribing my scribbed hoofwritten notes into the blog), but the lesson I learned is blogging is a harsh and demanding mistress. (Even tho' I'm too young to know what a mistress is.) At various times on my holiday I thought "Well, I won't blog daily next London trip"...and "But I like keeping such a timely souvenir of my adventures!" I did notice my daily readership drop down to less than half of its usual velocity, although that may have been a factor of a Christmas week. In any case, next time I go to London, who knows? But I'm back, and this little bull is rested and ready to talk about comic books again.

Oh yes, comic books! I'm sure some of you have asked (go on, say it aloud) "When's he gonna get back to blogging about comics?" A: Right now, because I'm got a stack of three week's worth of comic books to review, all the comics I didn't buy when I was in London purchased this past week in one fell swoop at Jim Hanley's, and to stay on schedule I'll review 'em all, but swiftly, in a pithy sentence or two each (and minus the time-consuming jpegs for this week only):

52 WEEKS 33-35: These comics are fun. 52 heads into its home stretch and continues storylines that make me wonder: will they ever intersect towards the end? Dandy cliff-hanger in #34 leads into pure Luthor bwah-ha-ha evil in #35, and reading three of these at once really keeps the pace rolling. I plan to read all 52 issues in one marathon sitting when the series is done; three-in-a-row suggests to me they might make more sense and have more forward movement that way. Still, week after week a fun ride.

JUSTICE LEAGUE UNLIMITED #29: This comic is fun...sorta. A story basically focusing on what a jerk B'wana Beast is. Another one of those too-often "JLU member learns a valuable lesson at the end" stories. Still the best Justice League comic out there, though.

FRIENDLY NEIGHBORHOOD SPIDER-MAN #15: This comic is fun. Take it from this little stuffed bull who works in book publishing: the book-signing scenes in this comic are actually pretty accurate. Well, except for the supervillain attacks, but I'm told that does happen at some Janet Evanovich signings.

BART SIMPSON #33: This comic is fun...sorta. Bart generally seems to be written for a younger audience than Simpsons Comics, but this issue feels like it skews even younger. Entertaining and funny stories but very little of the subversive element than sets Simpsons comics ahead of the crowd. Great iconic cover, though.

SIMPSONS COMICS #125: This comic is fun...sorta. Short stories feel like inventory comics leftover from Bart Simpson. A funny and clever Bart-meets-Cletus comedy in the first story, but the two remaining stories (by Tom Peyer and Chuck Dixon) seem flat and just not my cup of tea. Still the most consistently fun comic I buy, but just a slight dip in the ha-ha level this issue.

HEROES FOR HIRE #5: This comic is fun. Fast-moving action comic that doesn't take itself (or its Civil War tie-in elements) too seriously. I'm very interested to see if the pace (and humorous patter) can be sustained.

SUPERMAN CONFIDENTIAL #3: This comic is fun. Suffers a bit from mid-storyline lag: this always seems to hit around issue 3 or 4 of a contemporary storyline, doesn't it? But great cliffhanger and wonderful scenes of, as I've said before, my favorite element of the Superman mythos: the Lois/Clark/Superman triangle.

NEXTWAVE #11: This comic is fun. "Fun" doesn't quite do it justice, does it? It's like a Brueghel painting mixed with a Where's Waldo book—half the comic is double-page spreads as Nextwave battles their way to the completely insane Dirk Anger...never have I wanted original comic art so much! Buy two copies and paste one together, coz it all fits together end-to-end, like the Bayeux Tapesty. Except with Elvis M.O.D.O.K.s and rampaging Elanis.

ALL STAR SUPERMAN #6: This comic is fun. Still the most beautifully subtle Superman comic currently being published. It's not short on action but there are iconic scenes in here and other issues in this series that I think will be remembered and referenced for years to come: the appearance of Krypto in this issue is one of 'em. Definite proof to all nay-sayers that you can still pay homage to the history and continuity of Superman and yet write an original and touching story. This definitely have been the most fun comic in a week that didn't include...

GUMBY #2: This comic is fun. 34 ad-free pages of beautifully-colored quirky and elegant Rick Geary art and Bob Burden's signature weirdness and whimsy ad up to the perfect comic mix. If you didn't pick this up because you don't read "kid's comics," you're missing out on one of the most imaginative illustrated works of 2006. It also features The Best Line of the Week which must be seen rather than just reported:



That's why GUMBY #2 is the most fun comic of the week and one of the most fun comics of the year.

"Most fun comics of the year"? you ask. "What are those?" (Tune in tomorrow Thursday or Friday, fun fans!)

In the meantime, I hereby declare it Comic Book Reviewing Amnesty Day. I take a deep gulp as I peer up at the huge pile of comic books I bought but never got a chance to review weekly in 2006, a stack taller than me:



I've kept this stack of 2006 comics sittin' on my coffee table vowing to, even at a late date, to review 'em. Pish-posh to that now, I say: it's a new year with new comics and I must look forward and not backward. (Um, except for my post tomorrow.) I can barely attack those books now, even with my little mountain-climbing gear. So I will box them or shelve them and move onwards, looking ever-forward into our brand-spankin' near-mint all-new all-different Uncanny New Year. And to go along with that, what fits better than some lovely New Year's Resolutions? So here is your Comics Oughta Be Fun Semi-Solemn Cow-Vows for In 2007:

• Although my budget means I'll be trying to buy fewer comics this year, I will still buy 'em weekly.
• Despite cutting down some titles I'm not getting a full fun-quotient out of, I still want to have a variety of titles, so once again I'll do my best to Pick Up One New Comic Title Each Week That I Haven't Been Reading.
• I will do my best to review each week's comics within the week I buy 'em. However, if I start building up a backlog of unreviewed comics, I'm not gonna worry about it and build up another huge stack. Life goes on and there will be more next week, so if you don't see comics reviews every week, don't panic. Like a London bus, there'll be another one along in just a little while.
• I still ain't readin' Civil War.

Also, I vow to pick up after myself, do my chores, not eat so much candy, and to be nicer to my little sister. May you have a wonderful 2007 and best of luck with your New Year's resolutions. As always, enjoy your comics, and remember this: they oughta be fun!

Are you ready for your Mystery Date?

"Bully's Fantastic Christmas" returns with a new chapter tomorrow. In the meantime...let's play Mystery Date!

Will she be a dream...

from Superman Confidential #2, script by Darwyn Cooke, art by Tim Sale

...or a dud?

from All Star Batman and Robin, The Boy Wonder #1, script by Frank Miller, art by Jim Lee

Need to take another turn? Go ahead!

Dud? (ewwwww!)

Or Dream? (oooooh!)

Open the door...for your...Mystery Date!

Say, anybody know what song Lois is singing? (Googling the lyrics turns up squat.)

It's a good time to be a Superman fan.

52 WEEK 26: This comic is fun. We're at the halfway point of the series I considered to be a wacky experiment on DC's part and which has turned out to be one of the greatest delights for me for far this year. I like the fast movement that the weekly schedule provides, the slow but steady mysteries twisting around each other, and the examinations and growths of a core group of the DCU's second-tier heroes and villains. This one brings the beginning of a new storyline for Montoya and the Question, a faceoff between Steel and Starlight (my least favorite plotline of the series so far, but I'm still eager to see where it's goin'), a nicely Fawcetty dinner party, a Mr. Tawky Tawny analogue for the Black Marvel Family, and The Best Line of the Week: "Everyone knows you can't have a Justice League without a Manhunter from Mars!" And as tangled as Hawkman's origin has been post-Crisis, didja ever think you'd see his story as something you could sum up in two pages? Me neither. Here's to another twenty-six weeks of a world without Superman, Wonder Woman or Batman, 'coz I'm enjoyin' the DCU jus' fine without 'em.


AGENTS OF ATLAS #4: This comic is fun. Whoa! How's that for a psyche on this little stuffed Namora fan after last issue's startling final page! This issue is a perfect all-out action adventure following #3's lengthy recap, leading me to believe, man, this thing's gonna read great in the trade. (But don't wait for the trade, pick it up now! It's got giant crabs!) My favorite bit was a clever meta-fiction tip of the hairstyle to the problem of making characters look different: now that blonde Namora is a cast member, Venus decides to go redhead so she looks different! Thanks, Venus...you're a very thoughtful mythical being! Plus, who says comics aren't education: I learned that Venus was born of foam! Some of the pellets inside me are a foam/styrene compound, so me 'n' Venus have a lot in common. Maybe she will come over and give me little nose kisses. Nose kisses from Venus. Sigh. (And don't miss Gorilla Man's typed report on the back page listing the Atlas companies they've targeted, especially Atlas Comics: "They only had superhero books, and all those had crossover stories, so you can do buy all of them to get one damn story! Gotta be a racket. And where's all the war books?" Haw! It's funny because it's true.


SHE-HULK #13: This comic is fun...sorta. This issue wraps up the Trial of Starfox storyline which has been danglin' around since #7 (I don't blame Dan Slott for the delay; Civil War not only split the Marvel Universe in two, it split this running plotline!), and hooray hooray! Mister Starfox is not a creepy nasty naughty perv like he's been accused of being. So why is this comic only sorta fun? Well, like I said last issue, I'm less interested in the cosmic storylines of this book than I am the down-to-Earth legal matters of Marvel Manhattan, so the Trial on Titan just makes me a li'l jumpy and eager to get back to planet Earth. But my biggest complaint would be that Dan Slott basically unpacks a deus-ex-Thanos in the last handful of pages that undoes what was a kinda clever and interesting twist of last issue: turns out the real reason behind Thanos's obsession with Death wasn't Starfox after all. Hmmm, that was a lot of ado about nothing then. Still, She-Hulk has the usual clever Slott dialogue that, unlike a lot of comics, is actually funny, and next issue's got Awesome Andy in it, so that's okay by me.


JUSTICE LEAGUE UNLIMITED #27: This comic is fun...sorta. When JLU is good, it's really, really good. When it's not so good...well, it's just falling into a common trap for the series that there has to be a learning lesson for one of the heroes attached to the action. Black Lightning's pretty-well written in this story (Tony Isabella oughta be proud), but it's a fairly standard story of a hero doubting himself and then finding strength by believing in himself. It wouldn't be a problem if it didn't happen so very often in this series. Plus this issue contained a pretty weird-ass insert comic starring the Teen Titans and Li'l Lara Croft some character named Sara Hunter and her dramatically-overcome-at-the-last-second reading disability. For what turns out to be a PSA comic, it's not quite as in your face campy as this one, and its intents and audience are in the right place, but in putting out its "use your strengths to overcome obstacles" message, it lacks the clever quirkiness and energy of the Teen Titans cartoon and Teen Titans Go! comic book.


FANTASTIC FOUR: THE END #1: This comic is fun. I've been a fan of only a handful of Marvel's "The End" comics (The Hulk, The Punisher), so I approached this book with a little trepidation as well as a little dictionary to look up what "trepidation" means. I shouldn't'a worried: I luvs me some Alan Davis artwork somethin' fierce, and his story is every bit as colorful and dynamic as his trademark art: in the not-too-distant future, the FF is split up and each living their own lives and adventures: Reed throwing himself into his work on a space station, Johnny as a member of the Avengers, Sue exploring the undersea world with Namor, and Ben raising a happy family on Mars with Alicia and the Inhumans. Tantalizing hints of what went wrong to pull superherodom's first family apart are dropped, but the real focus is on an imminent danger that you just know is gonna bring them back together...for one last time, according to the title of this comic. It's a great fun adventure that's filled with both savvy quiet character moments and big splashy fight scenes, but the best part is seeing a logical reason that the FF might be pulled apart and how they deal with it. Published smack-dab in the middle of the highly-suspect actions of 616-Reed Richards, Alan Davis shows up the entire motivation of Civil War by remembering that the FF is, first and foremost, a family.


SUPERMAN CONFIDENTIAL #1: This comic is fun. Between All Star Superman, Busiek on Action and Superman and the new Legion cartoon series, it's a better time than ever to be a Superman fan. Need more proof? Enter Superman Confidential! This new Superman series begins with two of my favorite artists: Darwyn Cooke and Tim Sale, and even tho' Darwyn's writing rather than drawing, his love and respect for the joys of Silver Age comics is evident on every page (well, except for those with the weird Teen Titans insert. Do what I did—rip it out!). I've been a big, big little fan of Tim Sale's artwork on special projects for DC and Marvel: Superman For All Seasons, Batman: The Long Halloween, Catwoman: When in Rome and Spider-Man: Blue have been my favorites. This looks like it's shapin' up to be another one, not merely for good solid superhero action but for its portrayal of one of my very favorite elements of the Superman mythos: the Clark/Lois/Superman love triangle. There's a gorgeously-written and illustrated three-page romantic sequence where Superman and Lois share a champagne toast on top of the Eiffel Tower that is the sort of scene I'd love to see in a Superman movie. Even if the Lois and Clark dialogue is a little more Dave-and-Maddie than Tracy-and-Hepburn, this is a delight. And Kryptonite is coming! Kryptonite is coming! That's why SUPERMAN CONFIDENTIAL #1 is the most fun comic of the week!