Panel from X-Men #27 (December 1993), script by Fabian Nicieza, pencils by Richard Bennett, inks by Bob Wiacek and Scott Hanna, colors by Joe Rosas, letters by Bill Oakley
Saturday, January 16, 2010
365 Days with Hank McCoy, Day 16
Panel from X-Men #27 (December 1993), script by Fabian Nicieza, pencils by Richard Bennett, inks by Bob Wiacek and Scott Hanna, colors by Joe Rosas, letters by Bill Oakley
Saturday Morning Cartoon: "Plutopia"
Pluto and Mickey Mouse in "Plutopia" (1951), directed by Charles Nichols and featuring the voices of Pinto Colvig (Pluto), James MacDonald (Mickey) and Jim Backus (Milton the Cat)
Friday, January 15, 2010
365 Days with Hank McCoy, Day 15
Panel from X-Men #33 (October 1991), co-plot and script by Chris Claremont, co-plot and pencils by Jim Lee, inks by Scott Williams, colors by Joe Rosas, letters by Tom Orzechowski
(Click picture to all-together-now-size)
Labels:
365 Days with Hank McCoy,
Beast,
Hey look it's Psylocke,
X-Men
Thursday, January 14, 2010
Johnny Storm is an insensitive boob!
Yes he is! After all, how else can you explain this:
...taking Spidey to the bridge where the love of his life died? Taaaac-ky, Mister Storm! You certainly deserve it when Spider-Man lets you have it with both barrels:
Zing! Right between the eyes! You got him there, Pete! Now, go in for the subtle but sophisticated bon mot that will leave Johnny squirming...
...wha...WHOA, SPIDEY! That's going a little bit too far! Ouch!
No wonder Spider-Man wound up like this:
And that's why, when you're trading insults with your friends...try to stay off the comments about infant death, okay? Isn't that right, Superman?
Spider-Man panels are from 1) Marvel Team-Up #1; 2 & 3) Marvel Team-Up #147; 4) Amazing Spider-Man #261
No wonder Spider-Man wound up like this:
Spider-Man panels are from 1) Marvel Team-Up #1; 2 & 3) Marvel Team-Up #147; 4) Amazing Spider-Man #261
365 Days with Hank McCoy, Day 14
Panel from X-Factor #65 (April 1991), co-plotted by Jim Lee and Whilce Portacio, scripted by Chris Claremont, pencilled by Whilce Portacio, inked by Art Thibert, colored by Steve Buccellato, lettered by Michael Heisler
Wednesday, January 13, 2010
365 Days with Hank McCoy, Day 13
Panel from X-Factor #33 (October 1988), script by Louise Simonson, pencils by Walt Simonson, inks by Bob Wiacek, colors by Petra Scotese, letters by Joe Rosen
(Click picture to vocabusize)
Labels:
365 Days with Hank McCoy,
Beast,
Walt Simonson,
X-Factor
Tuesday, January 12, 2010
365 Days with Hank McCoy, Day 12
Panel from X-Factor #26 (March 1988), script by Louise Simonson, pencils by Walt Simonson, inks by Bob Wiacek, colors by Petra Scotese, letters by Joe Rosen
Labels:
365 Days with Hank McCoy,
Beast,
Walt Simonson,
X-Factor
Monday, January 11, 2010
Monday Night Murals: Everybody Pile-On Magneto!
The first issue of a comic book series...now, that's some exciting stuff, if a little chancey: you don't know quite what you're in for when you first pick up that #1 issue now, do you? It's a little like playing a game of "Mystery Date": will you get a dream (ooooooo!) or a dud (ickkkkkk!)?
A new X-Men series, now that doesn't come along every...bwah-ha-ha-ha-ha-ha !...Sorry, I couldn't even finish that sentence with a straight face! Okay, so maybe every other week there's a new X-Men series (coming this week: X-Men: The Search for Cyclops' Socks #1!), but once in a while the good folks at Marvel really roll out the adamantium carpet to make a series special...like the time in 1991 when Adjectiveless X-Men #1 came out with...wait for it...four different covers:
Covers to X-Men #1 (October 1991), art by Jim Lee and Scott Williams
(Click picture to nineties-size)
Four covers! Four covers to the same comic book that interconnect into tonight's spectacular Monday Night Mural! When you look at the art of Jim Lee, complete with orange-toned Psylocke, and hear those angelic bells pealing, folks, it feels like heaven, doesn't it? Wait a minute...those bells aren't chiming, they're going ka-ching! That's the sound of your money vanishing into the pockets of Marvel Comics, because in a shrewd and common move for the decade, the different versions of X-Men #1 featured not only different covers but different interior pin-ups in each version! Even more exciting, each version was released a week apart, so even if you felt the need to pick 'em all up, you had to return to your LCS every week for an entire month. And ya wanna know the fun part, boys 'n' girls? We did it. (Well, some people did. Me, I picked up the first version the first week an' enjoyed it jus' fine.)
For those willing to wait until the four connecting covers had been released, you could also pick up (for a mere 3.95 times the price of a single issue) the deluxe version which featured all the covers in a big fold-out pin-up and all the interior extra pages. And I think it went something like this:
I do like the expanded, deluxe edition: the logo is organically built into the landscape, the green background pops the X-Men's figures more prominently, and Betsy doesn't quite look so much like she overdid it with the QT.
And, ya gotta love Magneto's gritty-teeth superiority. "Ha ha, X-Men, I'm behind an impenetrable field of pure magnetism and you're throwing at least two guys made of metal at me! PWNED!" (Note: Magneto's dialogue may not be authentic.) Why, he's so cocky about his victory that he ain't even looking at them. And the worst thing is: the X-Men fall for this stunt, every single time. Again
and again
and again
Whoops, no, that's not the X-Men but rather X-Menmania, a startling simulation of the X-Men that's so realistic, you'll swear they're uncanny.
So anyways, there ya go. A pretty-cool mural consisting of four X-Men covers for the same comic that really kickstarted the whole "let's do a bajillion X-Men comic books until we pretty much kill the franchise" trend, but at least it's got some dandy art by Jim Lee from the days when you didn't need to take off your socks to count the number of X-Men. And nobody ever saw Psylocke colored in a citrusy tone, ever again.
Oh, for cryin' out loud.
A new X-Men series, now that doesn't come along every...bwah-ha-ha-ha-ha-ha !...Sorry, I couldn't even finish that sentence with a straight face! Okay, so maybe every other week there's a new X-Men series (coming this week: X-Men: The Search for Cyclops' Socks #1!), but once in a while the good folks at Marvel really roll out the adamantium carpet to make a series special...like the time in 1991 when Adjectiveless X-Men #1 came out with...wait for it...four different covers:
Covers to X-Men #1 (October 1991), art by Jim Lee and Scott Williams
(Click picture to nineties-size)
For those willing to wait until the four connecting covers had been released, you could also pick up (for a mere 3.95 times the price of a single issue) the deluxe version which featured all the covers in a big fold-out pin-up and all the interior extra pages. And I think it went something like this:
I do like the expanded, deluxe edition: the logo is organically built into the landscape, the green background pops the X-Men's figures more prominently, and Betsy doesn't quite look so much like she overdid it with the QT.
and again
Whoops, no, that's not the X-Men but rather X-Menmania, a startling simulation of the X-Men that's so realistic, you'll swear they're uncanny.
So anyways, there ya go. A pretty-cool mural consisting of four X-Men covers for the same comic that really kickstarted the whole "let's do a bajillion X-Men comic books until we pretty much kill the franchise" trend, but at least it's got some dandy art by Jim Lee from the days when you didn't need to take off your socks to count the number of X-Men. And nobody ever saw Psylocke colored in a citrusy tone, ever again.
Oh, for cryin' out loud.
365 Days with Hank McCoy, Day 11
Panel from X-Factor #3 (May 1986), script by Bob Layton; pencils by Jackson Guice; inks bv Joe Rubinstein; colors by Petra Scotese, letters by Joe Rosen
Subscribe to:
Posts (Atom)