366 Days with J. Jonah Jameson, Day 37: I Want My J-TV

Panel from Spidey Super Stories #47 (July 1980), script by Jim Salicrup and Steven Grant, pencils by Win Mortimer, inks by Ricardo Villamonte

366 Days with J. Jonah Jameson, Day 36: Why a duck?

Panels from Howard the Duck #1 (January 1976), script by Steve Gerber, pencils by Frank Brunner, inks by Steve Leialoha, colors by Frank Brunner, letters by John Costanza

I'm the whitest bull u know...

...but even I is dissin every last comics joint online dat seems ta be matchin up tha Marvel Hip-Hop variant cover fo' Hercules with Lil B's Black Flame.

Bullaz, please! Peep at Lil B's Blue Flame instead.


Word.

366 Days with J. Jonah Jameson, Day 35: And that's how Peter Parker wound up going to the University of Phoenix

Panels from Ultimate Spider-Man (2009 series) #155 (May 2011), script by Brian Michael Bendis, pencils and inks by Chris Samnee, colors by Justin Ponsor, letters by Cory Petit

366 Days with J. Jonah Jameson, Day 34: That first panel is straight out of Spider Super Stories

Panels from Marvel Team-Up (1972 series) #20 (April 1974), script by Len Wein, pencils by Sal Buscema, inks by Frank Giacoia and Mike Esposito, colors by Glynis Wein, letters by Artie Simek

366 Days with J. Jonah Jameson, Day 33: Elektro is possessed by Starro

Panels from Amazing Spider-Man (1963 series) #82 (March 1970), plot and layouts by John Romita Sr., script by Stan Lee, finishes by Jim Mooney, letters by Sam Rosen

366 Days with J. Jonah Jameson, Day 32: Robbie needs coffee, stat

Panels from Spectacular Spider-Man (1976 series) #137 (April 1988), script by Gerry Conway, pencils and inks by Sal Buscema, colors by Bob Sharen, letters by Rick Parker

The MAD 1960 2016 calendar for Fatheaded February!

"The MAD 1960 Calendar: February" from MAD #52 (January 1960), script by Larry Siegel, art by Bob Clarke

366 Days with J. Jonah Jameson, Day 31: Daily Bugle publishes largest crossword puzzle ever

Panels from What If...? (1977 series) #44 (April 1984), script by Peter B. Gillis, pencils by Sal Buscema, inks by Dave Simons, colors by George Roussos, letters by John Morelli