from V for Vendetta #1 (DC, September 1998), script by Alan Moore, pencils and inks by David Lloyd, colors by David Lloyd and Siobhan Dodds, letters by Jenny O'Connor
from V for Vendetta #1 (DC, September 1998), script by Alan Moore, pencils and inks by David Lloyd, colors by David Lloyd and Siobhan Dodds, letters by Jenny O'Connor
from Human Torch (2003 series) #1 (Marvel/Tsunami, June 2003), script by Karl Kesel, pencils by Skottie Young, inks by Joe Seung and Pierre-Andre Dery, colors by Studio F, letters by Cory Petit
from "The Hook" in James Bond: Reflections of Death graphic novel (Dynamite, September 2020), script by Andy Diggle, pencils and inks by Luca Casalanguida, colors by Celeste Woods, letters by Ariana Maher
from The Beatles in Comics! (NBM, November 2018); script by Richard Di Martino; translation by Joe Johnson; pencils, inks, and colors by Julien Lamanda; letters by Ortho
from Marvel Comics Super Special #4 [The Beatles] (Marvel, 1978), script by Dave Kraft, additional dialogue by Don McGregor, pencils by George Pérez, inks by Klaus Janson and Joe Rubinstein, colors by Petra Goldberg, letters by Tom Orzechowski
from Spectacular Spider-Man (1976 series) #149 (Marvel, April 1989), script by Gerry Conway, pencils and inks by Sal Buscema, colors by Bob Sharen, letters by Rick Parker
from The Dreaming (1996 series) #41 (DC/Vertigo, October 1999), script by Caitlín R. Kiernan, pencils and inks by Al Davison, colors and color separations by Daniel Vozzo, letters by Ellie De Ville
from The Invisibles (1997 series) #5 (August 1997), script by Grant Morrison, pencils by Phil Jimenez, inks by John Stokes, colors by Daniel Vozzo, letters by Todd Klein
from The Black Monday Murders #2 (Image, November 2016), script by Jonathan Hickman, pencils and inks by Tomm Coker, colors by Michael Garland, letters by Rus Wooten
from Howard the Duck (1976 series) #9 (Marvel, February 1977), script by Steve Gerber, pencils by Gene Colan, inks by Steve Leialoha, colors by Michele Wolfman, letters by John Costanza
from Human Torch (2003 series) #1 (Marvel/Tsunami, June 2003), script by Karl Kesel, pencils by Skottie Young, inks by Joe Seung and Pierre-Andre Dery, colors by Studio F, letters by Cory Petit
from Spider-Man 2099 (1992 series) #32 (Marvel/2099, June 1995), script by Peter David, pencils by Roger Robinson, inks by Jimmy Palmiotti, colors by Chia-Chi Wang, letters by Ken Lopez
from Doomsday Clock #10 (DC, July 2019), script by Geoff Johns, pencils and inks by Gary Frank, colors by Brad Anderson, letters by Rob Leigh
Which mean, then, that the following pages from Watchmen take place on November 1. Which therefore means that eveything in Watchmen issues 9, 10, and 11 also take place on November 1. At least, if you accept the above as canon, which, I guess, it technically is. (Which is the best kind of canon.)
from Watchmen #9 (DC, May 1987), script by Alan Moore; pencils, inks, and letters by Dave Gibbons, colors by John Higgins
On the other hand, Doc Manhattan could have travelled forward in time a couple days and then...eh, no. Too complicated to think about. November 1 it is.
from The Simpsons "I Love Lisa" (season 4, episode 15) (Gracie Films/20th Television, February 11, 1993), written by Frank Mula, directed by Wes Archer