Saturday, December 03, 2016

From the 1970s Recipe Cards of Mama Bull: Saucy Twist Pork Dish

If you're in the mood for a Crock-Pot® full o' cheesy, tomatoey, macaroniesque undercooked pork products, boy, has Mama Bull got the dish for you:

It's Saucy Twist Pork Dish, and there's a lot of it. And it's in every popular 1970s shade: Harvest Gold, Avocado, and Rose. Yes, if you liked Mad Men, you'll love this...pot o' pork. Because when you think about pigs, you automatically think...corkscrew-shaped pasta.

From my extensive research into the 1970s Recipe Cards of Mama Bull, it was illegal to cook something without a can of Campbell's Cream of Mushroom Soup.

This recipe serves a family of four to six, or two hobos.

Today in Comics History: Muggsy and pal finally have their romantic dinner date

"Casey the Cop" from Detective Comics #265 (March 1959); script, pencils, inks, and letters by Henry Boltinoff

366 Days with J. Jonah Jameson, Day 338: Jonah's best appearance in videogames since "Paperboy"

There's been plenty of Spider-Man games, and J. Jonah Jameson has been in some of them. But they haven't always done his distinctive personality any justice.

Luckily, for all your J. Jonah Jamesoning hand-held computer gaming action we now have Avengers Academy, a game for your cell phone, pad device, internet-equipped blender, or the robot in your life (attention Vision: that's just a little holiday gift hint for the lovely wife Virginia). Avengers Academy places the heroes and villains of the Marvel Universe, all suitably teen-aged, into a high-school level boarding school where they learn battle techniques, study books of knowledge in a very crowded library, play pool one at a time against each other, and even get down on the dance floor. Also: there is quite a bit of funny dialogue between the characters and NPCs, like AA-JJJ:

Here's an extended bit between Avengers Academy MVP Wasp and our favorite cranky newspaperman:

So remember: you may be paying for extra bits in your freemium game, but you get all this J. Jonah Jameson content for free!

Friday, December 02, 2016

366 Days with J. Jonah Jameson, Day 337: JJJ rant exiled to bottom cover of front page

Two-page spread from Marvel Treasury Edition #1 [The Spectacular Spider-Man] (September 1974); script by Gerry Conway, pencils and inks by Marie Severin
(Click picture to tabloid-size)

Thursday, December 01, 2016

That Time David Cassidy Almost Got Sued by Walt Disney

Charlton Comics! They were the Avis Car Rentals of the comic book industry, because just as Avis said "We're Number Two...we try harder!", Charlton's motto should have been, "We're Number Eight!...behind Marvel, DC, Archie, Harvey, Gold Key, Kitchen Sink, Warren...wait, we forgot Atlas Seaboard and Skywald..."

Anyway, Charlton was the little company that tried harder, expanding its line in the 1970s with a number of licensed comics (i.e., the one Western/Gold Key didn't want anymore) and media tie-ins. Never forget that Charlton not only had a comic book but also a magazine of NBC-TV's Emergency! (the groundbreaking series that introduced exclamation points to network television, for which What's Happening!! and Sledge Hammer!! would forever be grateful). Holy cow, though, that's some great art by...Joe Staton and Neal Adams? Whoa, Charlton, nice talent!

Cover of Emergency [comic] #2 (August 1976), painted art by Joe Staton;
Cover of Emergency [magazine] #1 (July 1976), painted art by Neal Adams

Naw, I kids the Charlton Comic Group, because despite their eventual 1980s out-of-business-ness, they really were throwing pretty much everything up against the wall to see what stuck, including attempt to reach young audiences with series that'd appeal to teens like its comic The Partridge Family, based on the very popular ABC-TV sitcom, and its spin-off comic David Cassidy, spotlighting the romantic misadventures of the teen idol star of The Partridge Family! I'm not certain any other comic book company would have done this at the same time. Why that would be like Marvel giving us a Black Widow comic book and also a monthly Scarlett Johansson series. (Say...!)

Cover of The Partridge Family #13 (November 1972), pencils and inks by Don Sherwood;
Cover of David Cassidy #2 (March 1972), photo cover

Everybody loved David Cassidy as Keith Partridge, the real-life stepson of TV mom Shirley Jones as Shirley Partridge. And if we know David's middle name, we can see what he has in common with another with another popular 1970s TV character! Oh, if only Charlton could have then published a companion comic for The Hardy Boys Mysteries and the accompanying Shaun Cassidy comic to feature the life and loves of David's half-brother, it wouyld have truly been The Age of Cassidy Comics!

Here's one of the typical exploits of David Cassidy, and see if you can spot any of the tiny, almost imperceptible copyright infringement attempts made in the story, okay?

Panel from "A Date with David" in David Cassidy #2 (March 1972); pencils, inks, and letters by Sururi Gumen

Note: the "Malibu" song appears to be fictional, despite my many Google attempts to fidn out if it was a real song. Let's just pretend he was singing this classic radio hit instead, shall we?

Please count the number of times the word "chick" is used to indicate a woman in this story. I hope you have enough fingers! David's TV mom Shirley Jones should not be involved in David's sex life, and yet there she is, while David attracts women like flies. ("So that's why all his women look like flies!" wisecracks TV brother Danny Bonaduce.) Intent on making sure David doesn't score (because helping him do that would be just wrong even for a stepmother), Shirley sets up David with Vicky, The Small Wonder young pre-teen Carrie Scott, who has the teeth of Squirrel Girl but is polite enough not to mention Shirley Jones's clown makeup.

While David asks Carrie out of a "date" (and I'm gonna keep putting it in quotes), ani-gals strike curious poses around him, trying to attract his attention like the unnamed female foreground figures in an Archie story. It's no good, girls, he only has eyes for Carrie.

Forget everything you might think about a twenty-two year old guy taking a pre-teen out on a "date," I'm sure it's all on the level and...wait, they're going unaccompanied by a chaperone? And they're going to live out David's "fantasy land?" AIEEEEE STOP IT COMIC

Oh, whew, it's just a thinly disguised version of what could be any other possible generic theme park that might happen to be located right there in Anaheim, California, located directly at 1313 Disneyland Drive Main Street. And then Barney Rubble appears which makes me think maybe David should not have partaken of the wacky weed before driving a car with a kid in it.

Oh, well, sure, a theme park with a big castle at the center of it is sure to have meet and greets with popular cartoon characters that all the kids love:

I'm sure Charlton just chose those characters by completely random choice out of a hat for their completely casual, uncalculated guest appearances.

It's off next to popular iconic park rides like "The Spinners" and "The Flying Farm Tour." Here they are, and just to be able to picture them in real life, I've included some completely fictional made-up photoshopped images of what they might possibly look like if they were based on real tourist attractions, rather than being the completely original creations of Charlton Comics.

Hey, how about a leisurely cruise on an old-timey riverboat, perhaps named after a famous nineteenth-century American figure all the kids love, like Herman Melville or William Jennings Bryan?

Ooooh, spooky! A, or dwelling, or if you will...manor.

Later, at the combination Mule Ride/Balloon Exhibit, swinging chicks gather to watch the hot burro action!

Suddenly: Susan! And Debbie, and Carol, and Bernadette, and I'm betting the hippie girl is named "Sunflower" or "Freedom" or possibly "Chastity" or something like that...naw, that'd be too ridiculous a name to give your daughter in the 1970s.

Carrie is not pleased. And if you've read your classic '70s literature, you know that when Carrie is unhappy, people die.

But David's a cool dude with a nice 'tude after all, if we might be permitted to use some slang from the eighties ten years earlier. He palms off to Carrie a 8x10 glossy photograph of himself, signed earlier by Reuben Kincaid, as a memento of "one of the nicest dates that David Cassidy ever had with any chick." Later, Carrie became an activist for the ERA and threw this photograph in the trash, but who are we to cast an ugly shadow on what was pretty creepy all along?

Immediately afterwards, David burnt rubber back to Fantasyland and had himself the best night of his life with all those swinging chicks. What do you think of that, Shirley Jones?

366 Days with J. Jonah Jameson, Day 336: Robbie finally figures out JJJ is the Vulture

Panels from Peter Parker: Spider-Man (199 series) #23 (November 2000), script by Paul Jenkins, pencils by Mark Buckingham, inks by Dan Green and Rodney Ramos, colors by Joe Rosas, letters by Troy Peteri

The MAD 1960 2016 calendar for Disgusting December!

"The MAD 1960 Calendar: December" from MAD #52 (January 1960), script by Larry Siegel, art by Bob Clarke

Wednesday, November 30, 2016

366 Days with J. Jonah Jameson, Day 335: A Great Metropolitan Newspaper

"Hembeck" from Marvel Age #130 (November 1993); script, pencils, inks, colors and letters by Fred Hembeck

Tuesday, November 29, 2016

366 Days with J. Jonah Jameson, Day 334: Please return your Hulk to his original upright position

Whoa, the Hulk is attacking JFK Airport! Let's hope he stays away from the fabulous Terminal 5, featuring an actual Muji store!

Panels from The Incredible Hulk (1968 series) #152 (June 1972), script by Gary Friedrich and Steve Englehart, pencils by Herb Trimpe and Dick Ayers, inks by Frank Giacoia, colors by Mimi Gold, letters by Artie Simek

Good thing he brought Peter Parker, ace photographer, with him to take photos of...oh.

Panels from The Incredible Hulk (1968 series) #153 (July 1972), script by Roy Thomas and Gary Friedrich, pencils by Dick Ayers and Herb Trimpe, inks by John Severin, colors by Michele Wolfman, letters by Jean Izzo

Monday, November 28, 2016

Separated at Birth: Get Well Soon

Left: Marvel Two-in-One (1974 series) #96 (February 1983); layouts by Ed Hannigan, pencils by Ron Wilson, inks by Frank Giacoia
Right: Silver Surfer (2016 series) #4 (July 2016); pencils and inks by Michael Allred, colors by Laura Allred
(Click picture to Man-Size-Kleenex-size)

366 Days with J. Jonah Jameson, Day 333: With Great Power There Must Come Great Jerkiness

Panels from Startling Stories: The Megalomaniacal Spider-Man one-shot (June 2002); script, pencils, inks, and letters by Peter Bagge; colors by Laura Allred

Sunday, November 27, 2016

Ten of a Kind: I've Been Framed

(More Ten of a Kind here.)