Showing posts with label Futurama. Show all posts
Showing posts with label Futurama. Show all posts

Sunday, March 24, 2024

Today in Comics History, March 24: Happy birthday, Norman Fell!

Born on this day in 1924: Norman Fell, the sad-eyed actor in Ocean's 11, The Graduate, Bullitt, Catch-22, The Killers and more, and of course as the long-suffering homophobic landlord Stanley Roper on Three's Company and its short-lived spin-off The Ropers.



from "He's Company" in MAD #196 (January 1978), script by Arnie Kogen, pencils and inks by Angelo Torres

Unfortunately, most of the other panels from this MAD spoof feature gay panic jokes I'm not gonna reproduce here, including a useage of the full-out six-letter f-word slur for gay men. Sadly, this exact same issue also includes the instance of Star Wars' Artoo Detoo actually using the three-letter f-word (as discussed here by Mike Sterling). A lot of MAD magazine has aged well, so it's startling when you see pieces that have aged so poorly they've become offensive.



Sunday, June 25, 2023

Today in Comics History, June 25: Happy birthday, Nathan Hamill!

Happy birthday today to Nathan Hamill, comics scripter (Simpsons Super Spectacular), illustrator (2009 Topps Star Wars Galaxy Series 4), and colorist (for Bongo Comics)! (He's also the son of actor Mark Hamill, but we won't make any nepojokes about him on his birthday!) Seen below, center...as Surly the Duff Beer mascot!


from Futurama Comics #12 (Bongo, March 2003)

Happy birthday, Nathan! Hey look, you got a birthday salute from a little stuffed bull before your old man ever did!

Saturday, December 31, 2022

Today in Comics History, December 31, 2999, New Year's Eve: Back to the Pilot


from Futurama Returns one-shot (Bongo, 2007), script by Patric M. Verrone, layouts by Bill Morrison, pencils by Jason Ho, inks by Mike Rote, colors by Nathan Kane, letters by Karen Bates

Hey, guys, so what's so bad about New Year's Eve?


from Futurama Comics #11 (Bingo, January 2023), script by Patric M. Verrone, pencils by Tom King (no, not that one), inks by Phyllis Novin, colors by Joey Mason, letters by Karen Bates

Saturday, October 29, 2022

Today in Comics History, October 29: Happy birthday, Tom King (but not the one you're thinking of)!

Born on this day: comics' Tom King! No, no, not that one: the other guy, the Bongo artist for Simpsons Comics and Futurama Comics, seen here (in red) with editor Bill Morrison (in yellow)!


from "Backstage at Bongo" in Bongo Comics [Free-for-All] Free Comic Book Day 2006 (Bongo, May 2006), creators uncredited and unknown

Happy birthday, Tom King!

Tuesday, June 14, 2022

There Is No Hope in Crime Alley, Night 14: Bite my shiny metal origin


from Delivery-Boy Man Comic-Con 3010 Exclusive #1 (Bongo, July 2010); written and drawn by Philip J. Fry, ink provided by Dr. Zoidberg, copied by Planet Express Copier

Saturday, January 15, 2022

Today in Comics History, January 15: Happy birthday, Bill Morrison!

Born on this day and no other: Bill Morrison, comic book artist, writer, and editor; co-founder and creative director of the late lamented Bongo Comics (The Simpsons, Futurama, etc.); and draw-er of a lotta stuff, including the beloved (by me, of course) Jane Wiedlin's Lady Robotika!



from "Backstage at Bongo" in Bongo Comics Free-for-All 2006 (Bongo, May 2006), creators unidentified




Friday, April 01, 2016

Today in Comics History, April 1, 1992: A harmless little April Fool's prank goes horribly, horribly wrong

So, what could possibly happen when Jules and Verne Brown decide to play a little gentle April Fool's Day trick on their dad, "Reverend" Jim Ignatowski "Doc" Emmett Brown, who just so happens to have invented the time machine and knows a thing or two about thinking fourth dimensionally, huh? Pretty innocent, right? What's the worst that could happen?


from Back to the Future (1991 series) #4 (Harvey, June 1992), story by Peyton Reed and Mark Cowen; adapted by Dwayne McDuffie; penciks, inks, colors, and letters by Nelson Dewey

Well, this is what happened. Are we all laughing now, Jules and Verne? Is it oh so funny that the fabric of time and space got pretty much destroyed, huh? Is it just a harmless prank for you to enjoy anymore? Are you not entertained?



Why don't they look? Why don't they look?!?


from Age of Ultron #10 (Marvel, August 2013), script by Brian Michael Bendis, pencils and inks by oh, take your pick, colors by Paul Mounts and Richard Isanove, letters by Cory Petit

So, if the next time machine I stop happens to be yours...don't tell me that you were speeding a little, only breaking the law a little...only doing something a little bit wrong, save that for somebody else, brother! Because I've seen too many "little bit" follies, and they end up a little bit dead! Now I'm gonna grab me a little bit of lunch!


Also: DON'T DATE ROBOTS!


Thursday, March 26, 2015

365 Days of Star Wars Comics, Day 85: Robot Roll Call!


Panels from "Skippy the Jedi Droid" in Star Wars Tales #1 (September 1999), script by Peter David, pencils by Martin Egeland, inks by Howard Shum, colors by Harold MacKinnon, letters by Vickie Williams

Saturday, November 23, 2013

Today in Comics History, November 23, 1963: "It's my birthday! The Doctor took me ice skating on the River Thames in 1814. He got Stevie Wonder to sing for me under London Bridge. "Stevie Wonder sang in 1814?" "Yes, he did! But you must never tell him."

So, there are parodies of science fiction...




from "Timing Is Everything!" in Alf #38 (Marvel, February 1991), script by Michael Gallagher, pencils by Rusty Haller, inks by Marie Severin, colors by George Roussos (?), letters by Rick Parker (?)




Friday, December 21, 2012

Today in Comics History, December 21, 2012: You Were Suckered


from Futurama Comics #60 (Bongo, March 2012), script by Ian Boothby, pencils by James Lloyd, inks by Dan Davis, colors by Robert Stanley, letters by Karen Bates

Thursday, December 20, 2012

Today in Comics History, December 20, 2012: Goodbye to All That


from Futurama Comics #60 (March 2012), script by Ian Boothby, pencils by James Lloyd, inks by Dan Davis, colors by Robert Stanley, letters by Karen Bates


"It's the End of the World As We Know It (And I Feel Fine) by R.E.M. (IRS, November 1987); written by Bill Berry, Peter Buck, Mike Mills, and Michael Stipe; music video directed by James Herbert

Thursday, May 10, 2012

Revenge of Well, That'll Happen: Ecaps 9991


Panels from Futurama Comics #60 (March 2012), script by Ian Boothby, pencils by James Lloyd, inks by Dan Davis, colors by Robert Stanley, letters by Karen Bates


Monday, April 30, 2012

Today in Comics History: Tomorrow is the next to last day of the rest of your life


Panel from Futurama Comics #60 (March 2012), script by Ian Boothby, pencils by James Lloyd, Inks by Dan Davis, colors by Robert Stanley, letters by Karen Bates



Saturday, June 12, 2010

Saturday Morning Cartoon: Futurama "Rebirth"

The first ninety seconds of Futurama's return episode "Rebirth" (June 24th on Comedy Central)


Thursday, February 18, 2010

Tuesday, February 02, 2010

Fun Fifty of 2009: #40-31

Hey, everybody! Happy Groundhog Day, and welcome back to the Fun Fifty!



First up on the Fun Fifty...numbers 50 through 41! So let's get started right away!

#50: MARVEL ASSISTANT-SIZED SPECTACULAR • If you're as fond of the Shooter-suffused Marvel of the 1980s as I am, you remember the wacky stunt of late 1983 that put the Marvel Assistant Editors in charge of the books while the bigwigs were all away at Comic-Con. Chaos, of course, ensued, giving us Bernie America; Aunt May, Herald of Galactus; and a Spider-Man with swirly knees. That so crazee! Of course, Marvel editors never left the offices again...until 2009! Although a few of the stories in this this...

Whoa. Déjà vu.



Anyway! Hey, everybody! Happy Groundhog Day, and welcome back to the Fun Fifty! First up on the Fun Fifty...numbers 50 through 41!

#50: MARVEL ASSISTANT-SIZED SPECTACULAR • If you're as fond of the Shooter-suffused Marvel of the 1980s as I am, you remember the wacky stunt of late 1983 that put the

...Now cut that out!

Groundhog
Gwan, shoo! Shoo! Get outta here!

Now that he's gone...

#40: ADVENTURES IN CARTOONING • I like to think of myself as a creative little stuffed bull, but what I'm not very good at is drawing. (It's difficult holding the pencils in hooves.) Why do you think I always resort to fumetti to show my exciting adventures? Well, now I'm learning to be a cartoonist thanks to The Center for Cartoon Studies's Adventures in Cartooning, one of the best books I've seen to teach and inspire kids (like me!) to draw comics. In bright and colorful panels and panels, Adventures shows you how panels work, how to create movement and drama, the point and placement of word balloons, and, best of all, how to have fun designing and drawing your comic book or strip. The very first lesson, right from page 1 is that you don't need to be an expert artist to draw. Stick figures work great (just ask Matt Feazell!) or roly-poly blobs or even abstract shapes. Your skill isn't what matters...having fun and a sense of learning is! (And believe me, you will become a better artist as you follow the easy and entertaining lessons through the book and develop your own style.) The lessons, while similar to Scott McLeod's Understanding Comics, are demonstrated through a fast and funny narrative of a magical elf teaching a knight how to fight a dragon, by designing a comic. Geared for kids but accessible to adults, Adventures in Cartooning is perfect for the aspiring comics artist in your life...heck, inside you!


#39: THE MUPPET SHOW • One of my favorite comics of 2008 when I saw it in preview, BOOM!'s The Muppet Show didn't disappoint my high expectations. I've been a huge Roger Langridge fan for just about a bajillion years (or whenever it was I saw his wonderful Goon Show artwork), and I'll bet the sheer joy and enthusiasm he's bringing to each ish is exceeded only by my enjoyment of it. Langridge gives each issue the feel of a "real" Muppet Show (minus the 1970s guest stars), in addition to a subplot that spotlights the wonderful characters of Jim Henson's boundless imagination. The show-biz atmosphere and inventive design remind me of classic circus and carnival posters (of the "Being for the Benefit of Mr. Kite" variety). In his first four-issue miniseries each chapter spotlighted a different lead Muppet (Kermit, Fozzie, Gonzo and Piggy), while "The Treasure of Peg Leg Wilson" takes our felt-flocked fellows on a treasure hunt inside the Muppet Theater, complete with imposter Muppets (a sedate, restrained Animal ruins a Doctor Teeth number with his light jazz drumming), a series of silent panels where Kermits re-enact the Harpo Marx mirror sketch, trained fleas, Pigs in Space, dwarfs and rats, and, as always, Statler and Waldorf to catcall the whole thing. Glorious, goony, gorgeous comics. Have I got any complaints? Sure, although they're minor. First, the rougher, cheaper-grade paper now being used dulls and fades Langridge's ink-sharp art and gorgeous colors. If that's the paper stock going to be used on all Muppet comics from now on, I'll wait for the trades. Second, BOOM!'s publishing a lot of Muppets...Langridge's series plus several minis by other artists released in the past year need to be more visually distinct from one another; I was always under the impression I had already picked up an issue I saw on the comic book shop shelf. More to the point, I fret about BOOM! oversaturating the market too fast with too many books. The stuff's great, guys, but two or three comics featuring the same characters in continuing stories is confusing and too much for this penny-pinching bovine to pick up. It may be that with their new bookstore distribution deal with Simon & Schuster, BOOM! is thinking more towards the trade market than direct, but don't overdo it, guys: even when it comes to the Muppets, there can be too much of a good thing.


#38: FUTURAMA COMICS • One of the perennial fixtures of the Fun Fifty: every year I tell you how much I miss Futurama the TV show, and every year I tell you how much I love Futurama the comic book. Now with the series coming back (Yah! Take that, Fox! In yer face, National Football League!) Futurama comics is more hip than ever. Pick it up for sheer enjoyment with all your 31st century friends from Fry to Leela, Bender to Nixon's Head. The plots and dialogue feel like they should, they could be actual episodes of the TV series (as you read 'em, you will hear the voices of Billy West, Katey Sagal, and John DiMaggio in your head). Look, just like last year, Futurama is sheer comics fun and enjoyment. Pick it up and you'll love it too. But that won't stop me from praising it in 2011 too.


#37: RICHARD STARK'S PARKER: THE HUNTER • Now, technically this is about as far from "fun" as it's usually defined: a gritty, fist-filled, bullet-zingin', double-crossin' noir based on the classic crime novel by Donald Westlake (aka Richard Stark). Now, pair that up with an adaptation and artwork by Darwyn Cooke, who gave us the bright and optimistic New Frontier. An outlandish match? No: pitch perfect. The Hunter is one of the most gorgeous books of the year, perfectly suited for a breakout from the comics market into a crime classic. DC/Vertigo shoulda thrown money at Cooke until he agreed to make this the flagship novel in their new Vertigo Crime series; instead IDW reaps the benefits with a beautiful and nuanced treatment in shaded two-toned artwork that spotlights the two extraordinary strengths of Darwyn Cooke: he knows how to lay out a scene with extensive or expository dialogue like an expert, and he knows when to shut up and let the images do the talking. I wish The Hunter had gotten more mainstream review attention and stronger sales (trade bookstore owners: try displaying it in the crime and mystery section next to the Westlake books and you'll be surprised by the sell-through), and I hope the promised second volume is still scheduled. In the meantime, The Hunter rewards repeat readings—so much more than an illustrated mystery novel, it shows how great books can be made into something equally great and new in comics form. That's a rare, precious skill, but Darwyn Cooke's got it, in spades.


#36: STRANGE SUSPENSE: THE STEVE DITKO ARCHIVES VOL. 1 • Okay, you guys know I luvs the classic Marvel artists, right? ("Jack Kirby Week" was an itty bitty clue of that, right?) As I've said, after a long time being unable to read and appreciate the early Marvels, we're at last in an age where we can buy 'em in inexpensive paperbacks or fancy archive hardcovers. But what about the pre-superhero careers of the greats? Hey, guess what: we can have that too! I'm a nut for the early quirky Steve Ditko crime, monster, and mystery books, but I've only ever seen a handful before this book. Ditko expert Blake Bell collects several dozen of Steve's 1950s work from Charlton and other publishers, plus plenty of amazing covers, in a thick, hardy collection with glorious gory and ghoulish Ditko comics from front to back. This thing's a gold mine! Old stories, sure, but aren't old comics you've never read before really brand-new? If all you know of his work is Spidey and Strange, educate yourself with Strange Suspense and get a thorough early-Ditko education. And those two little words "Volume One" fill me with excitement and anticipation for Volume Two: gimme more, more, more Ditko! Truth in disclosure: yours little stuffed truly, and my pal John, work for W. W. Norton, which distributes Fantagraphics titles to the bookstore trade.


#35: M.O.D.O.K.: REIGN DELAY • As the blogosphere gears itself up for the end of Marvel's seven-year sprint through disassemblies, wars civil and hulk, invasions secret, M-houses, reigns dark and a whole lotta sieging goin' on, there's a lot of rejoicing at the promise that the Marvel Universe will return to a brighter, more fun and playful universe. To which I say, bull! (Meaning myself.) We don't need to return to that...it never left! For every death Giant-Man and brain-damaged Iron Man we've had wild and wacky rides through the MU that are indeed actually joyful, bright, high-adventured, and sometimes even laugh-out-loud. I'm not gonna mention them all right now (because a lot of them are coming up further in the list!), but I gotta give props to Ryan Dunlavey's gleefully insane M.O.D.O.K.: Reign Delay as the wackiest and most hilarious Dark Reign tie-in. Sure, our big-headed guy in the floating chair is played for laughs (MODOK and three henchmen move back home to Erie, Pennsylvania to live with the Big M's parents, hit the high school reunion, and oh, yeah, take over the Millcreek Mall. That sound you hear? It's me laughin'!

MODOK


One of the problems with one-shots that aren't specifically connected with a series? They often don't wind up getting collected in trade. Notice I couldn't provide you with an Amazon link above. Yes, it's true...you cannot buy M.O.D.O.K.: Reign Delay. But because y'all are such good pals of mine, lemme tell ya where you can get it...for free!: right on Marvel's Digital Comics Site Read it and weep...with tears of joy!


#34: SEAGUY: THE SLAVES OF MICKEY EYE • Want proof we're living in the Golden Age of Comics, the best of all possible worlds, the nirvana of nerd-dom? Exhibit Q: there's a new Grant Morrison comic book released every ten minutes. The Grant Morrisoniest of all in 2009 was the triumphant and ocean-soaked return of Seaguy. Beautiful visuals (Cameron Stewart) and colors (Dave Stewart) highlight the story (Grant Stewart...er, Morrison) of our aqua-adventurer...suffering from ennui and depression, struggling to find his way in the world, and taking a new definition from his battle against a mighty worldwide conglomerate. It's surreal as it is superheroesque—not only rewarding but demanding repeat readings, and there's no easy answers in Morrison's text. (Why settle for easy answers and spelled-out morals in all your comics literature, kids?) By the end things have blowed up real good but has Seaguy really triumphed? Did it happen the way he thought it did? Did he make a difference? Does it matter? The journey is more than the sum of the results...both for Seaguy's odyssey and for us, the readers. Sublime stuff.


#33: WOLVERINE ART APPRECIATION • I was heartily sick of Marvel's alternate zombie covers of the past few years. "Pfui," sez I, "this joke has lasted too long, and we have no need to see a Power Pack Zombie cover." By that you might assume I jus' plain don't like alternate covers. Well, that is, until Wolverine Art Appreciation month in March 2009, where a baker's dozen of Marvel's books featured Wolverine on their covers...yes, even the two or three that didn't have ol' Adamantium-Skull appearing inside. Instead, each of these Wolvie works reinterpreted the world's second-favorite mutant* in pastiches of the most iconic art and history's greatest artists:

Wolvie Art Appreciation
Wolvie Art Appreciation
Wolvie Art Appreciation
Wolvie Art Appreciation


Yes, I did say "history's greatest artists":

Wolvie Art Appreciation


Pointless? Kinda. Fun? Absolutely. Marvel released a one-shot collection of the covers later in the year that reprinted each artwork plus essays about the original artists and artwork and short interviews with the Marvel artists. It's a cool keepsake of one of the more fun stunts Marvel's pulled in the past few years, and a very nice way for non-completists to ogle the variety of art without having to search for each individual issue. Marvel's followed this up with a few other themed cover months (one of which I'll be talkin' about later down the list, and in 2010 we've got a month of Iron Man covers coming up, each with the old' red-and-gold suit in a different style of armor through the ages. Sure, you can't judge a book by its cover, but you can judge a cover as "fun!"


#32: TIMELY COMICS 70th ANNIVERSARY SPECIALS • Seventy years ago last year, a Human Torch burned his way through a comic book cover to kick the sass out of saboteurs, crooks, Nazis and the Sub-Mariner. Marvel paid homage to their rich history with a series of 12 specials, named after and commemorating the great Timely comics of the Golden Age: not only the ones we know and remember (Captain America, Marvel Mystery Comics, Sub-Mariner Comics), but the books...and the heroes...of Marvel's original universe. Each book featured a new story or two by today's writers and artists set in and starring the heroes of the 1940s, plus a classic story reprint. My favorite? All Select Comics, with a gleefully goofy "Marvex: The Super Robot" story by Michael Kupperman (Tales Designed to Thrizzle). Just when you can't believe there was actually a hero and adventures like Marvex, turn the page to read a Marvex reprint and discover that Kupperman wasn't that far off base form the original! Marvel even issued a Marvel Mystery Handbook with stat sheets and histories of all those great characters. Solid nostalgia and a spitfire full o' fun, and absolutely essential for anyone who wants to know more about the origins of the Marvel Universe: it's much wider and diverse than you ever imagined.


#31: THE JOHN STANLEY LIBRARY • Douglas Wolk said it best . today, right over at Comics Alliance: "We are very lucky to be living in a time when basically every comic book John Stanley ever worked on is coming back into print." Oh, yeah. I love Dark Horse's Little Lulu reprints (early issues were drawn by Stanley and later drawn by Irving Tripp), but the prize this year goes to Drawn & Quarterly for their beautifully-designed John Stanley Library series, especially Nancy (hey, Mike Sterling's not the only Nancy and Sluggo fan out here in the blogosphere!). Collecting the hard-to-find Nancy comic book series by Stanley, Nancy: Vol. 1 is definitely a horse of a different color from the Bushmiller strip: extended comic episodes expand Nancy's escapades and circle of friends, most notably the cheerfully weird Oona Goosepimple and her house of oddball relatives and magically macabre happenings—sort of a gleeful Addams Family. The John Stanley Library also includes the lovely Melvin the Monster, the adventures of a monster boy who just wants to be good, go to school, and eat right. We've got second volumes of both coming out in 2010, plus a collection of Stanley's teenage sitcomic Thirteen Going on Eighteen. They're all beautifully designed by Seth and packaged in the same elegant but accessible presentation that's distinguished my favorite books from D+Q. Kids'll love these, adults'll enjoy these, and little stuffed bulls just eat 'em up. (Not literally). Now, D+Q (he said, greedily), how about Stanley's Raggedy Ann and Peterkin Pottle comics, huh?


So there ya go: ten more books that made comics fun in 2009. Could there be more? Aw, you know the answer to that one. So, join me here tomorrow for pretty girls, big monsters, heinous villains, big-ass comics, and the one organization to work for where your life expectancy odds are pretty bleak. Until then, don't forget...



Aw, not again...get the heck off my lawn, you crummy groundhog!

Groundhog


Sigh. See ya tomorrow, folks!



*First favorite? Aw, c'mon, you shoulda been able to guess.


Thursday, January 08, 2009

Fun Fifty of 2008: Part 2 of 5

The Archies, ladies and gentlemen! The Archies! Let's give 'em a big, big hand for that beautiful musical number, a special salute to that spice we all like to call...sugar. Thanks, guys! It was great of you to get Ronnie out of rehab for the reunion!

Welcome back, everyone, to the Third Annual Fun Fifty of the Year, as presented by me, Bully! Before the commercial you saw the dramatic twists and turns we came across counting down from fifty to forty-one, and in keeping with that theme, let's kick this show back into gear! In the words and the voice of Shaggy and Robin the Boy Wonder, "Here's number forty on our countdown!"


#40: MAD SAN DIEGO COMIC-CON SPECIAL EDITION "The best things in life are free," sang Barrett Strong, and he oughta know...he co-wrote "Heard it Through the Grapevine." But he never got his picture on a bubblegum card, and he never went to Comic-Con San Diego, where he coulda picked up a free copy of MAD magazine's special, which features The Usual Gang of Idiots spoofing America's favorite gathering of the comics fans, Stormtroopers, Gothic Lolitas and little stuffed bulls! There's a funny "Comic-Con Bingo" where you score points if you can locate a Homeless Man Mistaken For Alan Moore, a Huge Campaign for a Doomed Movie (hellllo, Frank Miller!), A Forgotten Celebrity, or MADman Sergio Aragones! Speaking of which, Sergio has contributed four full-color pages of silent strips set at Comic-Con! But the main attraction is a dead-on spoof of Watchmen (entitled, in the grand MAD manner, "Botchmen"). Written by Desmond Devlin and Drawn by Glenn Fabry in a perfect Dave Gibbons imitation, it manages to be a satire not only of everybody's favorite graphic novel featuring Rorshach™ but also a parody of the movie nobody's even seen yet! Plus, just like the real modern-day MAD, plenty of ads! And the price? FREE! (Cheap!)


#39: FREDDIE & ME One of these days I shall write a grand opus of a graphic novel about my life and times spent listening to the CDs of Miss Jane Wiedlin. I shall call it..."Jane, Stop This Crazy Thing...Called Love." Until then, however, enjoy Mike Dawson's autobiographic novel Freddie & Me about his life-long obsession with the rock band Queen and their outrageous, charismatic frontman Freddie Mercury. The parallel narrative of his family and the history of Queen are warm and sensitive, celebrating the importance of music and hero worship, in naturalistic narration and dialogue, and expressive and dynamic art that reminded me of Joe Sacco's powerful graphic journalism. You don't have to be a Queen fan to enjoy Freddie & Me—Mike's experiences and encounters with love, life, and death will be familiar to anyone who's worshipped a hero from afar. But if your toes start tapping and your head starts bobbing when you hear the opening chords of "Fat Bottomed Girls" or "I Want to Break Free," well then, you'll go...to coin a phrase..."Radio Ga-Ga" over it.


#38: FRANKLIN RICHARDS Chris Eliopoulos and Marc Sumerak brought us four reality-spanning adventures this past year of the most Fantastic kid of 'em all: Franklin Richards (son of Mister Fantastic and the Invisible Woman) and his harried robotic nursemaid H.E.R.B.I.E. The plots are generally pretty simple and similar: Franklin gets into one of his dad's crazy inventions despite H.E.R.B.I.E.'s warnings, and manages to wreak havoc for several pages before putting things back before earning a rubbery spanking. This Franklin's more energetic, mischievous, and fun that his Earth-616 counterpart, and I vote that we replace the whining and moody kid of Marvel-Earth with this one, who knows how to have a good time even if it destroys the Baxter Building. 2008's quartet of Franklin Fun featured stand-out issues where Franklin faced off against his meddling Skrull imposter (proving you don't have to be Norman Osborn to put the hurt on a bumpy-chinned green alien) and in the super-saga full-book story in Franklin Richards: Sons of Geniuses, he accidentally unlocks a dimensional portal that brings dozens of alternate universe Franklins to Marvel-Earth: super-hero Fantastic Frank, Ape Franklin, green alien Franklin, and even Francine Richards. Aiee! If there's anything worse than supervillains, it's girls! Never worry: as usual, Frank 'n' H.E.R.B.I.E. save the day, and at the same time provide us with a light and colorful romp through one of the fun corners of the Marvel Universe where, even if a crossover...um, crosses over, we know it's gonna be for laughs rather than shock value.


#37: FUTURAMA COMICS Good news, everyone! Every year on the Fun Fifty I mention the love I have for Bongo Comics and their flagship Simpsons books, but I always forget to mention that their other Matt Groening cartoon book, Futurama Comics, is a particular fave of mine. Well, forgotten no more, Phillip J. Fry, Turanga Leela, and all the rest! I don't read many media tie-in comics...no Buffy Season Eight or Hardball with Chris Matthews: The Comic Book for me, and I'm most certainly not allowed to pick up A Shot at Love with Tila Tequila Comics and Stories. (Neither is anyone else, says the Board of Health.) But I never miss an issue of Futurama, the official comic book of the thirty-first century. If you've seen the series or any of its follow-up movies, you know the routine: the adventures of the Planet Express Delivery team in the year 3008. Highlights this past year featured a flashback to the famous "Less Than Hero" episode in which Fry, Leela and Bender became superheroes, Bender turning an entire planet into a themed gambling world (theme: himself), and a plot by the Evil Robot Santa to take over Earth using robot Santa's Helpers as his slave. (Featuring a kool Kirby-style kover!) The writers and artists capture the look, feel, humor and pacing of the show uncannily: you can hear the voices of the characters practically coming out of the page. Dense with funny dialogue and jokes, Futurama Comics delivers.


#36: MARVEL APES Okay, I admit it: I almost missed out on this one. I picked up issue #1 of this four-part miniseries based on the premise: a planet where superapes evolved from men! (Hmmm, that would make a catchy movie.) When ineffectual Earth-616 minor mutant menace Marty Blank, The Gibbon, falls into an alternate world where every intelligent being is a member of the ape family, Marty thinks he's at long last come home: accepted by the Mighty Apevengers as a member and a hero. That is, until he finds out his idol, the ape version of Captain America, is a killer and a vampire. Eek! This was the point I nearly gave up the series, disgusted with how even a light and fun concept could be made dark by modern Marvel. But curiosity got me to pick up subsequent issues, and I'm pleased I did: there's dark moments, yes, but the villains are faced by true heroes, and there's an explanation behind the villainy that doesn't sully the name of Captain America and provides a happy ending (and the possibility of a sequel) for Marty and pals. After too long seeing gruesome zombie-infested alternative Marvel Earths, Marvel Apes was as tasty and delicious as a banana...with plenty of "a-peel."


#35: AMAZING SPIDER-MAN Curse you, Joe Quesada...you were right all along! Sure, you took a dumbass, out of character path to getting rid of Mary Jane's marriage to Peter...instead of the time-honored tradition of tossing her off a bridge...but the Brand New Day-era has returned fun and adventure to Spidey, not to mention making it easier to remember what Spider-Man comic you want to pick up and when: Amazing Spider-Man, most every week! The three-times monthly schedule has allowed a rotating crew of artists and writers to come aboard and work on Marvel's flagship character, providing a fresh new mini-arc every month, so if ya don't care for this issue's writing, art, or plot...hang on, we'll have something new swingin' across town from you in a few weeks! Not every ish trickled my fancy, but a lot of them did, with standouts being a Punisher crossover and the six-ish "New Ways to Die." Sure, it was a Spider-mega event, but it was over in two months and didn't leave us scratching our heads wondering which one was real and which one was the clone. Nothing deep here, just good old-fashioned primal web-swingin, wise-crackin' fun.


#34: THE BLUE BEETLE RADIO SHOW His radio adventures thrilled the wartime audiences: a superhero who battled saboteurs, mad scientists, drug peddlers and Nazis, all while wearing a mask colorful mystery man costume. Whozat? Batman? Captain America? Ma Hunkel, the Red Tornado? No! (But darnit, Ma Hunkel shoulda had a radio series!) It's the superhero you never knew had a radio show, Blue Beetle! Well, I never knew he had a radio show, at least not until I discovered the Blue Beetle Vintage Radio podcast! This is Golden Age Beetle Dan Garrett (Ted Kord and Jaime Reyes aren't even a twinkle in an eye yet), based on the 1940s Fox comic book, so the emphasis is on derring-do, fisticuffs, chilling cliffhangers and radio studio sound effects (watch out for the cornstarch!) You can read more about the show here, but what you wanna do is listen to 'em, right? Right! Fire up your iTunes by heading to this link to download 24 different episodes of Blue Beetle, or, if you don't have iTunes, you can download or listen to the shows here. These shows from 1940 may not technically quality as something fun for 2008, but just like old comics, whenever you discover 'em for the first time...that's the Golden Age.


#33: FANTASTIC FOUR There's much more to Mark Millar and Bryan Hitch's Fantastic Four than a cosmetic change to the covers (although that's pretty neat too): Millar (previously on Ultimate FF) has cranked up both the science and soap opera aspects of the classic Marvel quartet, and Hitch's beautifully realistic (without looking lightbox-traced) artwork excels at portraying both facial expression and galactic conflict. These stories are divided into four-issue arcs that plunge the FF into new adventures against new enemies, but the past isn't forgotten either: Galactus, Doc Doom, and the wisecracking Ben Grimm all get their chance in the solar flare. I may quibble about a subplot or two (Ben, have you totally forgotten Alicia?) and the occasional issue lacking any sort of physical action at all, but Millar packs his FF with so many cool concepts and clever ideas that it's hard not to be compelled to pick up the next issue: even when your confronted with an "Again? But that trick ever works!" plotline like "The Death of the Invisible Woman," there's always a new twist. Which just goes to prove, the more Things change, the more I wanna read FF.


#32: TORCHWOOD (In 2007: #14) "Oh no!" I shouted in tense nervousness at the BBC America screen while watching Torchwood Series 2. "How are they gonna survive this one...oh. Oh. Oh. Uh oh." Captain Jack Harkness returns from his Doctor Who Series Three crossover episodes (collect 'em all!) to once again lead his Torchwood team against spooks, phantasms, wee ghosties and other things that go bump in the night. Oh, and his murderously vengeful brother, too. Torchwood cranked up the volume this season with even more chilling adventures with a humorous edge: the grotesque but you can't tear your eyes away "Meat" examined why we really oughta all become vegetarians, "To the Last Man" gave Tosh a reason to smile once a year, and Gwen and Rhys's eventual wedding is complicated by an alien invasion in the one place Gwen least expected it. The stand-out storyline is the dramatic mid-season death of Owen Harper, but that's the delightful thing about Torchwood: just because a team member has died doesn't mean that character's not on the show. Still, there's major upheaval and a dramatic "no second chances" final episode, and I dare ya to keep your eyes dry. I'm looking forward to Series Three, but after this one, the show'll never quite be the same.


#31: IRON MAN Holy cow look at that the armor looks like it does in the comic books but even better and Robert Downey Jr is a great and funny actor and oh wow is that really Sam Jackson and geez louise look out Pepper and holy cow he built it in a cave! That's what was goin' through my little stuffed brain, popcorn cooling and forgotten, as I sat on the edge of my seat and watched Iron Man, the most joyful Marvel superhero movie to date. The dialogue is sparkling, the special effects fantastic, the deviations from Marvel "canon" nothing to cry about (if you care about such things), and holy geez look it's Gwyneth Paltrow running in spiked heels. Run, Pepper, run! Give or take an Incredible Hulk aside, if this is the sort of movie the new Marvel Studios is going to bring us, well, I can't wait for Captain America, the Ken Branagh Thor and the all-together-nowness of The Avengers. See, just like the best comic books, a fun comic book movie leaves you breathlessly waiting for the next installment.


Whew! That's a whole lotta fun packed into 2008, and we're not even halfway through our sparkling presentation awards ceremony! Coming up after the commercial break: a special musical salute to 2008's Many Deaths of Janet van Dyne! You don't wanna miss it or anything else in the next installment of...The Fun Fifty of 2008!


Wednesday, February 06, 2008

Fun Fifty of 2007: Part 3 of 5

You'd hardly think that one single year could contain so much freakin' fun as to fill up fifty slots, would you now? Well, think again, buster, 'coz the Fun Fifty of 2007 continues unabated—or, at least, only slightly bated—with another ten frankly frantic and ferociously fun funnies of fwo fhous...I mean two thousand and seven. Yesterday, you saw things get gradually funner one by one as we counted down from 40 to 31. Can your brain stand the intense excitement and mind-blowing sensation as we return to the countdown with numbers 30 through 21? Huh? Can it? Can it?


#30: RIFFTRAX 2007 was the year Mystery Science Theater 3000 came back in many different forms: Flash cartoons by Jim Mallon, Joel Hodgson and company's Cinematic Titanic, and DVDs by The Film Crew. But if you ever watched and howled at an episode of MST3K and wished they could do the same for a big-budget cinematic stinker, then zip on over to the Rifftrax website, by golly, where you can buy (usually for three or four bucks) and download MP3 files of Mike Nelson, Kevin Murphy, Bill Corbett and many special celebrity guest stars riffing MST-style on the movie, to play at the same time you watch your DVD of Star Trek V, Fantastic Four, or, in this case, that fine, fine piece of cinema, Batman and Robin:



#29: THE LAUGH-OUT-LOUD CATS In 2007, cats took the internet by storm. People showed off their bad cats, put stuff on their cats, and displayed photos of cats who looked like Hitler. (Paging Art Spiegelman!) The blog I CAN HAS CHEEZBURGER? brings us several daily captioned "LOLCat" photos until they were all overdone (by yours truly among others) and we were all heartily sick of the concept. But leave it to Adam "Apelad" Koford to turn the LOLcat concept into delightful and wondrous works of art in his hundreds and hundreds of Laugh-Out-Loud Cats cartoons (viewable on his Flickr page and on his blog). This sublime collection of panel comic strips (purportedly by Kuford's great-grandfather, but featuring strangely reminiscent references to the internet lingo of today) follow the adventures of Kitteh and Pip, two wandering Depression-era feline hoboes with a taste for the good life and a quiet contentment at finding a good meal, a dry boxcar, and the joys of Caturday. There's well over 700 cartoons posted and more every day, and Adam's deft pen and keen design sense make the Laugh-Out-Loud Cats a whimsical delight—beautifully drawn as well as charmingly funny.


#28: 52 The sales and critical success of DC's weekly comics experiment continues into 2008 with the sequel Countdown, but 52 lasted well into 2007 (wrapping up, appropriately, on 5/2), spinning together the yarns of the missing year of the DC Universe. The dénouement was less impressive than the set-up: I'd expected more of the individual stories to end more elegantly than abruptly, and the unnecessary four-issue World War III miniseries was left to sweep up some of the pieces that didn't get addressed in 52 proper. Nevertheless, there were some dandy high-adventure moments right up to the end, culminating in the universe-a-bornin' Week 52, which set up not only the new multiverse but also the concept of the new Booster Gold series. Seeing how DC is already blowing up some of their 52 Earths in Countdown spinoffs, maybe they shoulda started with more, but for me, 52 is and was worlds enough.


#27: I SHALL DESTROY ALL THE CIVILIZED PLANETS I don't care how many oddball or wacky comics you think you've read: until you've dived into the works of Fletcher Hanks, you ain't seen nothing yet, bubbo! Hanks's earnest but over-the-top superhero and jungle adventure comics are grisly, crude, primal and powerful, with wildly deformed villains and earnest heroes meting out punishments so cruel and unusual you'll cackle with glee. The weed of crime bears bitter fruit, especially when you have a giant golden octopus shoved down your throat or are marooned on a high-gravity planet of gold and jewels. This is a gorgeous package all over, from the stunning minimalist cover designed by Jacob Covey, to the colorful, bright, and brilliant reproduction of the stories. Editor Paul Karasik's somber but compelling autobiographical strip on finding Hanks's heir rounds out the book, and the only sad part is that there's only a handful more Hanks stories that aren't collection, so a sequel is unlikely. Want a taste? Stroll on over to Karasik's Fletcher Hanks website—there's plenty of panel reproductions plus a bonus "Fantomah, Mystery Queen of the Jungle" story and links to other Hanks work not in the book. Truth in disclosure: This book is published by Fantagraphics, which is distributed to the book trade by W. W. Norton, where John (my best pal, the big guy I live with who helps me out with this blog because typing can be difficult with hooves) works. But I'm still reviewing it. So there.


#26: FUTURAMA: BENDER'S BIG SCORE Return with us now to the thrilling days of tomorrowyear, where Bender the robot declares "I'm back, baby!" at the beginning of this made-for-DVD movie. In fact, they're all back: Fry, Leela, Zoidberg, the Professor, Amy, Hermes, and even Hypnotoad in a plot that has something to do with stealing the treasures of history, naked aliens, Charles DeGaulle's head, multiple Benders, and the secret to time travel tattooed on Fry's ass. "Well, it had to be somewhere," Fry shrugs. The entire original cast (and mucho guest stars) are back for the first of four direct-to-DVD movies (later to be shown on Comedy Central), and if you're a Futurama fan like me, it's not a moment too soon. Like the best of the original series, there's laughs-a-plenty as well as a touching subplot of Fry's undying love for Leela which'll tug at the strings of your heart as surely as Bender's tugging at your wallet.


#25: FABLES I'm a Bully-come-lately to Fables (and its companion book, Jack of Fables), but thanks to rave reviews by pal Miss Jenn and the purchase of a stack of trade paperbacks to get me up to speed, I'm a Fableholic, which is a little like an alcoholic, except with comic books and fewer twelve-step meetings. Most of 2007 has been taken up with ongoing chapters of "The Good Prince," which shows the hero Flycatcher has become as he takes the war against the Adversary back to the enemy, and Willingham is deft at creating mild but compelling cliffhangers at the end of every continuing comic that keeps the pace moving swiftly and this little stuffed reader eager for the next issue. A highlight of the year, however, was issue #64's peek at the marriage of Bigby and Snow and the birthday party of their children, crossing over with Jack of Fables in a most unexpected way.


#24: BLUE BEETLE I'll bet you dollars to donuts (mmm, donuts) that despite their affection for the late Ted Kord Blue Beetle, most fans couldn't point to a truly great (and fun) Blue Beetle series. Now we've got one. The new series has wisely tread its own path (while not ignoring the legacy of the past) and teenage Jaime Reyes is one of the most appealing new superheroes introduced in the 21st century, with believable dialogue and funny, exciting adventures. Blue Beetle is by no means high superhero art, but it passes the test of what we all liked Ted Kord for anyway: it's darn fun.


#23: DOCTOR WHO SERIES 3 Exit Rose, enter Martha as the Doctor takes off on a third season of time-and-space traveling adventure. Freema Agyeman is wonderful as the competent and level-headed Martha Jones—pity only that she's shoehorned into what seems to be leftover Rose-infatuated-with-the-Doctor plots. Yes, yes, Russell Davies: we do know David Tennant is dreamy. But every hitchhiker on the TARDIS (Jack Harkness included) doesn't have to have a crush on Number Ten. That said, a solid season highlighted by a visit to Shakespeare, a sublime two-parter in which the Doctor gives up his Time Lord mantle to become human, and quite simply one of the finest hours of Who ever, the scary and beautiful "Blink." Heck, I even loved the over-the-top Master and the clichéd but effective way Martha brings him down and rescues the Doctor. And so farewell, Martha, and hello (again) Donna, as we look forward to Series Four. Less of the doe-eyes this time around, I think. And hope.


#22: I KILLED ADOLF HITLER Ask any head of programming at the History Channel and he'll agree: "You can't go wrong with a story about Hitler." The newest graphic novel by Norwegian cartoonist Jason features Hitler as a prominent character, but it's not really about Hitler escaping from his time to ours any more than it's solely about time machines that take fifty years to recharge. As with most of Jason's work, even the humorous scenes are leveled with a sense of quiet melancholy and ennui, and his characteristic anthropomorphic animal characters are as real as the people on the street. Take a good look at that guy you passed on the corner—coulda been Hitler, don't you think? Truth in disclosure: This book is published by Fantagraphics, so see the entry for I Shall Destroy above for my personal disclaimer.


#21: BATMAN Grant Morrison's metavention of the Dark Knight continued with some hit and miss stories in 2007: there's been a few too many "The Three Batmen" stories for my comfort (I keep thinking they'll read better in the trade) and although they were entertaining, his contributions to the "Resurrection of R'as al Ghul" crossover event seemed to derail the momentum of a fine book going through a new renaissance. But the tent pole that holds up one of DC's flagship titles was Morrison's "Club of Heroes" trilogy, resurrecting a plot and characters from the goofy but fondly-remembered 1950s era of swashbuckling, globetrotting, planet-hopping Batman, in a murder mystery with charm and bite, not to mention a few starring moments for Robin, which is a wonderful sight in these days of "Batman is no longer a dick." I can but live in hope that Morrison will bring back the Zebra Batman. Maybe in 2008.


What, more? Yes. Tomorrow. Numbers 16, 13, 11, 19, 14, and 20, as well as some other extra bonus numbers, not necessarily in that order. Be there or be unaware, mon frère!