365 Days of Power and Responsibility, Day 43: No one can figure out how Cyclops keeps his visor on

Panel from Cyclops (2014 series) #12 (June 2015), script by John Layman, pencils and inks by Javier Garrón, colors by Chris Sotomayor, letters by Joe Caramagna

Bully and His Pals: Groot

"Hey Groot, here's a riddle for you! What's brown and sticky?"

"I am Groot!"

"That's right! It's a stick."


"Say goodnight to all the nice people, Groot!

"I am Groot!"

"Well, goodnight!"

365 Days of Defiance, Day 210: Oh the humanitree

I try not to normally reprint...(counting carefully)...a full four pages from a single comic book in this feature, but the build-up and the pay-off are just so good I couldn't edit it down without feeling like I was doing injustice to the pacing. Okay, Star-Lord is facing off against ultravillain and glamour ab model Black Swan, armed with nothing more than his wits, his sarcasm, and...is that a toothpick?





Panels from Secret Wars (2015 series) #7 (January 2016), script by Jonathan Hickman, pencils and inks by Esad Ribic, colors by Ive Svorcina, letters by Clayton Cowles

365 Days of Defiance, Day 115: I will not eat them, stalk or root. I do not like them, I am Groot.

Panels from Guardians of the Galaxy (2015 series) #16 (March 2017), script by Brian Michael Bendis, pencils and inks by Valerio Schiti, colors by Richard Isanove, letters by Cory Petit, I am Groot.

Countdown to Halloween: Jack Kirby's Monsters! Night Nine: Planet X has pink air / All the trees are red / No one ever dies there / No one has a head

When I pointed out the other day the sheer infinity-approaching numbers of Atlas Era comic stories whose titles were in the third first person, I wasn't kidding. Check out the stellar lineup on this cover. Those are three really great personal points to put on your resumé! You have to have been kept pretty busy to do all those things, 'specially in 1959. Also: hey, big furry pink pot-belly teddy bear!


Cover of Strange Worlds #3 (April 1959), pencils by Jack Kirby, inks by Christopher Rule, colors by Stan Goldberg, letters by Artie Simek
Meet Cynthia Adams, journalist in an age when miniskirts really were a vital cornerstone of serious journalism. You can tell she's a career newspaperwoman because she doesn't have time of her own for kids. Oh, heaven help the working gal.


Splash panel from "I Was Face to Face with the Creature From Planet X!" in Strange Worlds #3 (April 1959), script (?) and pencils by Jack Kirby, inks by Christopher Rule, colors by Stan Goldberg, letters by Artie Simek
In what must be the futuristic equivalent of "Lane! Get down to the Civic Center and cover the flower show! And take Olsen with you! And don't call me Chief!", Cynthia has taken on the hard-hitting, fact-finding, cheese-and-9onion-flavored touch news assignment of reporting on a monster in a cage. Please note that at no time does she take photographs, holograms or selfies with the monster. She's just gonna write a story about it. Pulitzer Prize material, indeed! Ralph Pulitzer, that is.


"Origin unknown," the sign on the big-ass plexiglass case proclaims. "Discovered and captured on Planet X." Well, I'm pretty sure that's your origin right there. So hypnotic, so compelling is looking at a big furry monster at the end of this book in a cage in a museum that Cynthia completely loses track of time, loud announcements that the zooseum is closing, and the security guard trying to push her out the door. She's stuck in overnight! Yes, Ben Stiller is Cynthia Adams in Night at the Museum 26: This Guy's Hairier Than Robin Williams!


He'll only come out at nights / The fat and fuzzy type / Nothing is new / I've seen him here before / Watching and waiting / Ooh, he's sittin' with you / But his eyes are on the door Yep, it's a big breakout for our fuzzy oversized friend fiend, who apparently was waiting for just such an occasion to shatter his shatterproof dome and explore the museum on his own. He'll be heading to the gift shop to pick up some souvenir pencils, right after he attacks the soon-to-be-late Cynthia Adams! Even more exciting than this story originally promised: posthumous Pulitzer!


Yes, in a Lee/Kirby story where a man was the protagonist, he would have figgered out a way to hold off the Creature from Planet X, using science! Cynthia: is lucky because the big galoot faints one panel after he starts to attack her. Well, hey, that's progressive, isn't it? T'was beauty made the beast swoon! And, as it turns out, there was absolutely no danger at all. Now there's a muckraking story for Cynthia to write up for the Daily Universe! Headline: "I Was Face to Face with the Creature from Planet X and Nothing Happened Because He's a Big Swooney-Pants and I Was in No Danger Whatsoever! I wonder if that's really the story she told her nephews. "Aw, Aunt Cindy, that story sucks!"


We never get to glimpse the Creature's hometown of X-Ville, Planet X in the story, but we do actually know that not only he came from it, but a handful of other Marvel/Atlas monsters as well. Why, even the polysyllabic prototype-ur-version of the most popular member of the Guardians of the Galaxy (sit down, Rocket) hailed from Planet X! And he was king of Planet X! I didn't vote for him.


Panel from "I Challenged...Groot! The Monster from Planet X!" in Tales to Astonish #13 (November 1960), plot by Stan Lee (?), script by Larry Lieber (?), pencils by Jack Kirby, inks by Dick Ayers, colors by Stan Goldberg, letters by Ray Holloway
What the Lonely Planet Guide to Planet X will also tell you: it's the homeworld of Goom! He is the Thing from Planet X, as opposed to being the Creature or the Monarch. Good to know they have a well-balanced social strata.


Splash page from "Goom! The Thing from Planet X!" in Tales of Suspense #15 (March 1961), plot by Stan Lee (?), script by Larry Lieber (?), pencils by Jack Kirby, inks by Dick Ayers, colors by Stan Goldberg, letters by Artie Simek
Of course, where ever Goom hangs his hat, so too does his son, Googam! Mrs. Goom absolutely refused to let Goom call him "Goom, Jr.", but Goom privately refers to him as "G.J." anyway. Goom gave Googam those little red underpants for his twelfth birthday! And he's been wearin' 'em ever since.


Splash page from "Beware of Googam, Son of Goom!!" in Tales of Suspense #17 (May 1961), plot by Stan Lee (?), script by Larry Lieber (?), pencils by Jack Kirby, inks by Dick Ayers, colors by Stan Goldberg, letters by Artie Simek
There is also intelligent talking killer plant life on Planet X, challenging Goom for the title of "Thing." This is clearly another fine example of Hodgkin's Law of Parallel Planetary Development, considering its obvious physical resemblance to a Venus Fly Trap, a Triffid, and Spy vs. Spy.


Splash panel from "The Thing from Planet X" Tales of Suspense #3 (May 1959), pencils and inks by Steve Ditko, colors by Stan Goldberg (?), letters by Artie Simek
What? Another type of alien life form from Planet X? Yep! Basketball-headed Kurrgo, one of the earliest foes of the Fantastic Four that Reed didn't turn into a cow also is from Planet X! He's very critical of the primitive Earth, and yet he's the one with a black-and-white television. His lazy susan hors-d'oeuvre-platter-serving technology, however, is lightyears beyond ours.


Splash panel from Fantastic Four (1961 series) #7 (October 1962), script by Stan Lee, pencils by Jack Kirby, inks by Dick Ayers, colors by Stan Goldberg, letters by Artie Simek
Kurrgo also shows up in the only Fantastic Four screen adaptation that matters, the 1967 Hanna-Barbera cartoon version! Paul Frees as the Thing for the win, baby!


Fantastic Four: "Prisoners of Planet X" (October 14, 1967)

Even Magneto Xorn Magneto that guy from the Grant Morrison run of X-Men has a certain je ne sais quoi with Planet X! Magneto was fond of naming his homes after letters. Asteroid M, Planet X, Studio Apartment with Shared Bathroom Q...he's lived in 'em all.


Double-page spread from New X-Men (2001 series) #147 (November 2003), script by Grant Morrison, pencils by Phil Jimenez, inks by Andy Lanning, colors by Chris Chuckry, letters by Rus Wooton
So if the X-Men have been to Planet X, that means, via the Laws of Crossover Earth, that the Star Trek crew with the worst logo have been there as well. Even the giant green floating head of either Professor X or Captain Picard fully recommends you spend your vacation on Planet X rather than Risa! Risa: nobody goes there anymore; it's too crowded.


Does Planet X accept house calls? Well, certainly they're no stranger to having Doctors pop in.


Page from "Famine on Planet X" in Doctor Who Annual 1979 (September 1978), writer and artist unknown
And perhaps inspiring them all, the original space cadet, Tom Swift, is familiar with the alien world known as Planet X, which is not as cool as the Mushroom Planet, but then again, what planet is?


But I think that the only Planet X that really matters, and the only portrayal that has given it justice, is in the serious, 1953 hard-science, real-world pre-NASA documentary film which depicted Planet X in all its raw, true glory. Even if it is a bit challenging to get to.


from Merrie Melodies: "Duck Dodgers in the 24½th Century" (1953), story by Michael Maltese, directed by Chuck Jones
In practical terms, though, navigating to Planet X couldn't be easier. You can find it just past Planets U, V, and W.


It's pretty clearly marked; you can't miss it. Just look for where Iron Man's girlfriend lives. Or, as the old saying goes: X marks the Potts.


It goes without saying that I'm disappointed there wasn't a Planet X series during Secret Wars, which would have merged all the various Planets X into one monster-filled, Atlas-flavored smashstravaganza. The Creature! Groot! Goom! Googam! Kurrgo! Plant Guy! The Movie Star! And the rest! All hitting each other in the face in outer space! (Hey, I think I just came up with the above-the-title tag line.)


Planet X! (echo: x-x-x-x-x-x-x)

Hit Me WIth Your Best Shot

Panels from [Uncanny] X-Men (1963 series) #132 (April 1980), co-plot and script by Chris Claremont, co-plot and pencils by John Byrne, inks by Terry Austin, colors by Glynis Wein, letters by Tom Orzechowski



Panels from Astonishing X-Men (2004 series) #15 (August 2006), script by Joss Whedon, pencils and inks by John Cassaday, colors by Laura Martin, letters by Chris Eliopoulos



Panels from Uncanny X-Force (2013 series) #10 (February 2014), script by Sam Humphries, pencils by Phil Briones, inks by Dalibor Talajic, colors by David Curiel, letters by Cory Petit



Panels from Groot #4 (November 2015); script by Jeff Loveness; pencils, inks, and colors by Brian Kesinger, letters by Jeff Eckleberry

Where the Heck II: Veteran of the Secret Wars (Continuing Credit Where Credit Is Due)

We're about halfway through Marvel's gynormous Secret Wars mega-event, or as I prefer to call it "You liked the Age of Apocalypse? Well, here's fifty of 'em!". Although they're kind of using up their "What If?" quota for the 2010s pretty fast, I'm enjoying a lot of the series, especially Planet Hulk, X-Men '92, Runaways, Amazing Spider-Man: Renew Your Vows, Ghost Racers, Giant-Size Little Marvel, Captain Marvel & the Carol Corps, and the "nontinuity" of Deadpool's Secret Secret Wars flashing back to the original Secret Wars. And last week's Howard the Human was as delightfully surreal as I had hoped, with glorious art by Jim Mahood, reminding me of Mark Martin's Gnatrat from the 1990s. (And yes, that's a big compliment from yours little stuffed truly.)

But you may remember when I recently chided Marvel Comics for listing the creators of Iron Man incorrectly in Armor Wars #1. To sum up briefly, the "created by" line reads


when it should read

Iron Man created by Stan Lee, Don Heck,
Larry Lieber, and Jack Kirby

Yeah! Don't forget Heck and Lieber, guys!

Sadly, though, the credits pages of Armor Wars #2 continued to insist


And #3 and 4 averted redressing the problem by avoiding any "created by" credit whatsoever:


C'mon, Marvel! You've got one issue of Armor Wars left in the miniseries to give Heck 'n' Lieber their due. especially since you'd gotten it right up until that point, as seen in tehthecredits of Superior Iron Man #9:


Heck, if you can get this guy's credit right...


That's about all I need to say right now about Secret Wars: Fight for the Right to Party, except for this...


Panel from "Misty and Danny Forever" in Secret Wars: Secret Love #1 (October 2015); script by Jeremy Whitley; pencils, inks, and colors by Gurihiru; letters by Clayton Cowles
…which is set on a realm of Battleworld so bizarre that Colleen Wing's apartment door opens outwards (even though its hinges aren't on the outside). Are they on the same world as Mystery Science Theater 3000's "Gunslinger?"


If so, I so wanna see the Daughters of the Dragon fight Roger Corman!

(And remember:)

Iron Man created by Stan Lee, Don Heck,
Larry Lieber, and Jack Kirby