Monday, March 17, 2008

Olive, You're a Fine Girl

There's a port on a western bay
Popeye by E. C. Segar


And it serves a hundred ships a day
Popeye by E. C. Segar


Lonely sailors pass the time away
Popeye by E. C. Segar


And talk about their homes
Popeye by E. C. Segar


And there's a girl in this harbor town
Popeye by E. C. Segar


And she works layin' whiskey down
Popeye by E. C. Segar


They say "Brandy, fetch another round"
Popeye by E. C. Segar


She serves them whiskey and wine
Popeye by E. C. Segar


The sailors say "Brandy, you're a fine girl," (You're a fine girl)
Popeye by E. C. Segar


"What a good wife you would be," (Such a fine girl)
Popeye by E. C. Segar


"Yeah, your eyes could steal a sailor from the sea."
Popeye by E. C. Segar


(Dooda-dit-dooda, dit-dooda-dit-dooda-dit)
Popeye by E. C. Segar


Brandy wears a braided chain
Popeye by E. C. Segar


Made of finest silver from the North of Spain
Popeye by E. C. Segar


A locket that bears the name
Popeye by E. C. Segar


Of the man that Brandy loves
Popeye by E. C. Segar


He came on a summer's day
Popeye by E. C. Segar


Bringin' gifts from far away
Popeye by E. C. Segar


But he made it clear he couldn't stay
Popeye by E. C. Segar


No harbor was his home
Popeye by E. C. Segar


The sailor said " Brandy, you're a fine girl," (You're a fine girl)
Popeye by E. C. Segar


"What a good wife you would be," (Such a fine girl)
Popeye by E. C. Segar


"But my life, my lover, my lady is the sea."
Popeye by E. C. Segar


(Dooda-dit-dooda, dit-dooda-dit-dooda-dit)
Popeye by E. C. Segar


Yeah, Brandy used to watch his eyes
Popeye by E. C. Segar


When he told his sailor stories
Popeye by E. C. Segar


She could feel the ocean foam rise
Popeye by E. C. Segar


She saw its ragin' glory
Popeye by E. C. Segar


But he had always told the truth, lord, he was an honest man
Popeye by E. C. Segar


And Brandy does her best to understand
Popeye by E. C. Segar


(Dooda-dit-dooda, dit-dooda-dit-dooda-dit)
Popeye by E. C. Segar


At night when the bars close down
Popeye by E. C. Segar


Brandy walks through a silent town
Popeye by E. C. Segar


And loves a man who's not around
Popeye by E. C. Segar


She still can hear him say
Popeye by E. C. Segar


She hears him say "Brandy, you're a fine girl," (You're a fine girl)
Popeye by E. C. Segar


"What a good wife you would be," (Such a fine girl)
Popeye by E. C. Segar


"But my life, my lover, my lady is the sea."
Popeye by E. C. Segar


(Dooda-dit-dooda, dit-dooda-dit-dooda-dit)
Popeye by E. C. Segar


"Brandy, you're a fine girl," (You're a fine girl)
"What a good wife you would be," (Such a fine girl)
Popeye by E. C. Segar


"But my life, my lover, my lady is the sea."
(Dooda-dit-dooda, dit-dooda-dit-dooda-dit)

Popeye by E. C. Segar


Now, crank it up and read it again!:



Popeye by E. C. Segar



From me and O'Validus, Happy St. Patrick's Day

O'Validus

Sunday, March 16, 2008

Saturday, March 15, 2008

Separated at Birth: Donna Troy, Screamin' Mad at Posters

Teen Titans #23/New Titans #55
L: Teen Titans #23 (September-October 1969), art by Nick Cardy
R: New Titans #55 (June 1989), art by George Perez
(Click picture to Themyscira-size)



Saturday Morning Cartoon: "Club at the End of the Street"


"Club at the End of the Street" by Elton John (1989),
directed by Derek Hayes



Friday, March 14, 2008

Hear Bully (and his pal John) live from Comic Book Club!

Comic Book Club
Comic Book Club, March 11, 2008. L-R: Show host Alex Zalben, Bully, John DiBello (under Bully), Brian Heater, Heidi MacDonald, Kiel Phegley's knee. Photo by queen of my little stuffed heart, Lucy Anne.


If you missed the comic book event of the season, now's the time to hear this past week's Comic Book Club via their audio podcast. It's always a pretty fun show, but this specific week it had an added bonus: a little stuffed bull! Well, and my good pal John, who did most of the talking. I was a bit shy. Tune in, listen, and find out we need to get Oprah reading comics! I think she'd love All Star Batman and Robin, don't you?


Thursday, March 13, 2008

Marvel Bullpen '69: Now with more Steranko than ever before.

From Fantastic Four Annual #7 (November 1969), a portfolio of Marvel Bullpen personal photos! Clip and save! Paste 'em in your locker! Trade with your friends!

Bullpen Photographs
Bullpen Photographs
Bullpen Photographs
Bullpen Photographs


Wednesday, March 12, 2008

The roar of the greasepaint, the smell of the Cap

Captain America musical
Ad from Marvel Comics dated March 1986 (This one was in Fantastic Four #288)


The mid-eighties Captain America Broadway musical—like a lot of Stan-hyped comic-to-media adaptations—never happened, more's the pity, but doncha wonder what the role of the "10- to 14-year old girl" woulda been? I'm gonna guess it was the role of Girl Bucky (Buckarella?). And after all, 1986 was the year we saw famous boy sidekicks replaced by spunky young teen girls, so what more natural evolution for Cap than to have a female sidekick? I think it woulda gonna something like this:
Captain America and Bucky


Alas, like the number of licks it takes to get to the center of a Tootsie Pop, the world will never know.


Tuesday, March 11, 2008

Self-indulgent hype: Bully on stage tonight!

Comic Book ClubAnd if you can't make Marvel-Con '76, why not try this fine event instead?

If you're in the New York City area, tonight, Tuesday night, March 11, you can see me, Bully the Little Stuffed Bull (plus my pal John DiBello) live on stage as a panel member for Comic Book Club, the weekly live comic book talk show. Me 'n John will be part of a panel which also includes Heidi MacDonald (Publishers Weekly's The Beat), Brian Heater (The Daily Cross-Hatch), and Kiel Phegley (Wizard Universe).

The show runs at the PIT (People’s Improv Theater at 154 W. 29th Street (in between 6th Ave. and 7th Ave., closer to 7th, look for the bright red door and walk one flight up). The show starts at 8 PM Tuesday 3/11 and lasts about an hour. Tickets are $5 at the door, or you can preorder online for an added $1.12 booking fee here. And if you miss it, you can check out the podcast, which'll be online sometime this coming Friday!

Please come out and see yours little stuffed truly talk about comic books. As I always say, it's fun!


Marvel-Con '76: Featuring free Kung Fu Lessons!

Marvel-Con '76
Click image to embiggen. Ad from Fantastic Four #170 (February 1976)


Ten things that tickle my fancy about this advertisement:
  1. Hour-long art lessons by John Buscema. Man, that conference room musta been packed.
  2. Writing lessons by Roy Thomas! If you haven't read every comic book published between 1941 and 1950, don't bother showin' up!
  3. Cartoon Stan Lee and his unkempt locks.
  4. Ten bucks admission for all three days. This year's New York Comic Con is $60 for a weekend. And John Buscema's not gonna be giving art lessons at that, I bet!
  5. Meet the Amazing Spider-Man!
  6. And other super-heroes in person!
  7. The fabulous Hotel Commodore, mere moments away from where I work but no longer in business. Thanks to Donald Trump, it's now the Grand Hyatt. But here's what it looked like. Look, can you see John Romita wavin' out the window?


    Hotel Commodore

  8. Apparently Marvel-Con '75 was pretty successful, but according to Stan, this one will boggle your mind even further than before!
  9. Free kung fu lessons.
  10. Person to send your con application to? Vince Colletta. Don't write your application in pencil, kids...he'll erase all the lines!
Ten bucks? For all that? Sign me up, Stan. Sign me up.


Monday, March 10, 2008

A Wodehouse a Week #45: The Swoop

A Wodehouse a Week banner

The Swoop, or How Clarence Saved England (1909) is one of Wodehouse's short works: while a usual Wodehouse takes me a back-and-forth subway commute from Brooklyn to Manhattan to read, The Swoop occupied a quick bus trip from Bryant Park to Union Square. (As I like to say, not so much a novella, more a novelleenee.) It's a bit of an oddity in the Canon—not quite a children's book, certainly not a romance, and, a few jabs at Sir Roderick Spode's politics aside, quite possibly the closest thing to a political satire Wodehouse has ever published. It's uniquely British of course: invading armies are met with disinterest and ennui by the people of England until a patriotic young Boy Scout and his company drive them off. So uniquely British, in fact, that it took until 1979 for The Swoop to be published in America, although a revised and abridged version featuring an invasion of America was published in Vanity Fair in the US in 1915. (I wonder how this book was viewed in retrospect during the time Wodehouse was seen as a traitor by many while he was a German P.O.W. and did lightly humorous broadcasts for the Reich.)

The Swoop's hero is fourteen year old Boy Scout Clarence Chugwater, the sole voice of patriotism in his family. How solo? So solo that he's the only one who even notices or cares about a foreign invasion:
He entered the dining-room with the speed of a highly-trained Marathon winner, just in time once more to prevent Mr Chugwater lowering his record.

'The Germans!' shouted Clarence. 'We are invaded!'

This time Mr Chugwater was really annoyed.

'If I have told you once about your detestable habit of shouting in the house, Clarence, I have told you a hundred times. If you cannot be a Boy Scout quietly, you must stop being one altogether. I had got up to six that time.'

'But, father—'

'Silence! You will go to bed this minute; and I shall consider the question whether you are to have any supper. It will depend largely on your behaviour between now and then. Go!'
Literature is full of kids seeing danger where adults don't (heck, the Harry Potter series makes it living off it), but Wodehouse's point is less than children are aware of it than that England's casual social mores don't allow them to be in an uproar. It's intended as a comic rather than an alarming point, however: The newspapers bury the invasion news under the cricket news, locals are more alarmed at the destruction of their golf greens under the heels of the marching armies, the populace views the Albert Hall as more picturesque in bombed ruins than in one piece, and plans are made to charge the armies small admission fees to enter historical sites. When the German generals arrive at the Chugwater house, Clarence's family treats them not much differently than if the vicar had popped by for a spot of tea. Long before Messrs. Hilter and Bimmler arrived at an English boarding house, the German invaders are met with remarkable calm and indifference:
'I say,' exclaimed Horace, who sat nearest the window, 'there are two rummy-looking chaps coming to the front door, wearing a sort of fancy dress!'

'It must be the Germans,' said Reggie. 'The paper says they landed here this afternoon. I expect—'

A thunderous knock rang through the house. The family looked at one another. Voices were heard in the hall, and next moment the door opened and the servant announced 'Mr Prinsotto and Mr Aydycong.'

'Or, rather,' said the first of the two newcomers, a tall, bearded, soldierly man, in perfect English, 'Prince Otto of Saxe-Pfennig and Captain the Graf von Poppenheim, his aide-de-camp.'

'Just so—just so!' said Mr Chugwater, affably. 'Sit down, won't you?'

The visitors seated themselves. There was an awkward silence.

'Warm day!' said Mr Chugwater.

'Very!' said the Prince, a little constrainedly.

'Perhaps a cup of tea? Have you come far?'

'Well—er—pretty far. That is to say, a certain distance. In fact, from Germany.'

'I spent my summer holiday last year at Dresden. Capital place!'

'Just so. The fact is, Mr—er—'

'Chugwater. By the way—my wife, Mrs. Chugwater.'

The prince bowed. So did his aide-de-camp.

'The fact is, Mr Jugwater,' resumed the prince, 'we are not here on a holiday.'

'Quite so, quite so. Business before pleasure.'

The prince pulled at his moustache. So did his aide-de-camp, who seemed to be a man of but little initiative and conversational resource.

'We are invaders.'

'Not at all, not at all,' protested Mr Chugwater.
In fact, several armies have landed in Britain: Germans, Russians, Swiss, Arabs (led by the infamous and historical 'Mad Mullah'). The Chinese invade Wales, Monaco lands in Scotland. There's Turks, Moroccans, and (fictionally and more than a bit politically incorrect by modern standards) 'dark-skinned warriors from the distant isle of Bollygolla.' Wodehouse gets in a full short chapter of potshots at the British press relating how various commentators and columnists react to the invasions, and, in what would be a frightening and terrifying account in anyone else's hands, deftly describes the bombing of London in a single chapter, which I present to you in its entirety:
Chapter 6
THE BOMBARDMENT OF LONDON


Thus was London bombarded. Fortunately it was August, and there was nobody in town.

Otherwise there might have been loss of life.
It's only ten years since The War of the Worlds, and more important, Wodehouse is writing this in a golden age of invasion literature. Of this genre, our good pal Wikipedia tells us:
Invasion literature (or the invasion novel) was a historical literary genre most notable between 1871 and the First World War (1914)....1914 the genre had amassed a corpus of over 400 books, many best-sellers, and a world-wide audience. The genre was influential in Britain in shaping politics, national policies and popular perceptions in the years leading up to the First World War, and remains a part of popular culture to this day.
...so he's poking fun not only at British culture of the time but popular British literature. He brings in elements of his school stories from slightly earlier in his then-new writing career: deft and daring young Boy Scouts who repel the invaders in a manner that makes Kevin McAllister look like a thug: Clarence Chugwater arranges for the opposing generals to star in West End theaters and sets up a rivalry over which show is the most popular. It's all done with a light touch that's forgivable in its silliness, but you'd be mistaken if you read this and didn't recognize it as Wodehouse: there's little here that's reminiscent of his other work. It's today read mostly as an oddity or by completists who are reading the entire Wodehouse canon in a set period of time for some reason or other, but I can certainly tell you it's a pleasant way to spend a brisk bus trip down Fifth Avenue on a bright March day.



Wodehouse aficionado that I am, you may be shocked and stunned to learn I never owned a copy of The Swoop. Until, that is, a few weeks ago. On looking at my Wodehouse list and checking it twice, I remembered that there's still a very small hoof-ful of Plum's books, mostly early ones, that I don't actually own. Amazon to the rescue: The Swoop is back in print in at least a couple public domain editions. Mine (printed by Bibliobazaar) features the odd design choice of a peacock on the cover. There are no peacocks in this book. You can order the slightly-apter-covered Arc Manor edition by clicking on the Amazon link to the upper right. Arc Manor publishes an extensive line of mostly-early (probably out of copyright) Wodehouse with, if I might be blunt, quite primitive cartoon covers, but you've got to applaud their service of keeping some of this rare stuff in print; I would have traded my eye teeth for it when I was but a tiny stuffed calf. If a little bull had eye teeth. In any case, swoop on down and invade your bookstore and demand they stock or order these for you. Not only will you at last read the tale of Clarence, Boy of Destiny, but you'll also learn what you must do when the Swiss invade our borders, flipping open their handy multi-pronged knives and threatening to take away our clocks and chocolate.

A Wodehouse a Week Index.


Mystery Science Monday: Aquatic Wizards


"Aquatic Wizards" (1955), MSTed version from Mystery Science Theater 3000 episode #315 (1991), featuring Joel Hodgson, Trace Beaulieu, and Kevin Murphy



Friday, March 07, 2008

Bully: Live on Stage this coming Tuesday!

Comic Book ClubEverybody loves New York theatre, right? but how many times have you watched a Broadway or off-Broadway play and asked yourself: “Why isn’t there a little stuffed bull in this?”

Worry no more, because if you're in the New York City area, this coming Tuesday night, March 11, you can see me, Bully the Little Stuffed Bull (plus my pal John DiBello) live on stage as a panel member for Comic Book Club, the weekly live comic book talk show. Me 'n John will be part of a panel which also includes Heidi MacDonald (Publishers Weekly's The Beat), Brian Heater (The Daily Cross-Hatch), and Kiel Phegley (Wizard Universe).

The show runs at the PIT (People’s Improv Theater at 154 W. 29th Street (in between 6th Ave. and 7th Ave., closer to 7th, look for the bright red door and walk one flight up). The show starts at 8 PM Tuesday 3/11 and lasts about an hour. Tickets are $5 at the door, or you can preorder online for an added $1.12 booking fee here.

Please come out and see yours little stuffed truly talk about comic books. As I always say, it's fun!


"Are you just happy to see me, Mister Veidt?"

Nite OwlHey, look, Watchman costumes! Pretty cool. I wonder what the internet has to say about these......oh, dear.

"Marge, may I play Devil's Advocate for a moment?"
"Sure, go ahead."
(ding-ding-ding-ding-ding)



Well, that's what makes America great, ain't it: reactive internet outrage over a movie muscle suit. But consider this: the audience for Watchmen will be overwhelmingly folks who don't know the difference. People who have never read Watchmen. Most of them have never picked up a comic book since they were kids. Many of them will say "Oh, are they still printing those things?"

Don't get me wrong. I agree that there are certain elements of a work of fiction (comic book or otherwise) that seem essential to the making of a movie, but I don't necessarily agree that the changing of a costume negates the point of the movie. Moore's idea that Dan Dreiberg has turned into a sad sack of an ex-hero may not necessarily be part of the movie screenplay. And while it was a rich portion of the book, I can certainly visualize a movie still being effective without it. They can't fit everything in.

More to the point, there has to be a certain amount of sacrifice fans are going to have to put up with, because the movie isn't being made for us: it's being made for Joe Q. Public and Susie P. America. While it would be nice if every element conformed to Dave Gibbons's design, it would not be practical on the screen, either visually or economically. (And I actually think that movie would be a little scary to watch).

Movies have a different visual and storytelling process than comics. An occasional Sin City aside, comics are not going to look and pace like movies/movies are not going to look and pace like comics. And usually, the things that fans complain about generally wind up being sacrificed for storytelling clarity, pace, and timing. And generally contribute to a better movie. No mechanical webshooters for Spider-Man. No Tom Bombadil in The Lord of the Rings. Or the Scouring of the Shire, for that matter. Heck, Michael Keaton's chin, which was one of the biggest fan-related uproars of 1989.

I'm not trying to say that this movie is assured to be good. Alan Moore novels don't have a good track-to-film record. I certainly hope it is good and pleases the fans as well as the larger percentage of moviegoers who will outnumber us umpteen to two. But don't forget the forest among the trees: the Watchmen movie is not gonna fail because Nite Owl has a more professional looking suit, or because Ozymandias has a codpiece.

In the words of Ham Salad: "Take it easy, kid, it's only a movie."
Hardware Wars


Monday, March 03, 2008

Gone fission

Atomic War #1I'm takin' a week off, Bully-fans, but there's no need to blow your top...I'll be back and at 'em before you know it. Next Monday, March 10, to be exact. In the meantime I'll be catching up on my Wodehouse reading and eating frosting out of the can. See you all in a week: be good to yourselves and others.


A Wodehouse a Week #44: Jeeves in the Offing

A Wodehouse a Week banner
Jeeves stars in a Saul Bass credits sequence.I've always been a bit puzzled by the title Jeeves in the Offing (1960), and, against my usual inclination, tend to prefer the American retitling of How Right You Are, Jeeves. Thanks to the wonder of the internet, however, I now realize how incredibly apt the title is, and how foolish I was to second-guess Mister Wodehouse. I long suspected an offing was some obscure British word meaning a particular place, not unlike if Wodehouse had titled a book "Jeeves Is Out Standing in His Field." But The Phrase Finder website informs us with confidence that "in the offing" is an old nautical term: "offing" refers to the distant horizon of the sea visible from shore, so a ship "in the offing" is expected to dock soon...not immediately, but in the near future. In other words, you might want to retitle this book as Jeeves Is Imminent...which is exactly what Jeeves is.

Why imminent? That master of gentlemen's men is off-screen for much of the book, allowing Bertie Wooster to get into his own scrapes and dodgy entanglements romantic and familial: he's become without his knowledge inadvertently engaged to tigress Bobbie Wickham (Bobbie's clever plan to make her own fiancé Reggie "Kipper" Herring turn a jealous shade of green, a hilariously libelous review of a book by Bertie and Reggie's old despised school headmaster, and the theft of the leading light of Wodehouse's Silver Cow Creamer MacGuffins: the actual Silver Cow Creamer, the prize of the silver collection owned by Bertie's Uncle Tom. Which means the adventure must be set at Brinkley Court, manorial home of Bertie's boisterous and vociferous Aunt Dahlia. It's always a delight to read Bertie and Dahlia's exchanges:
'Has it occurred to you to put yourself in Wilbert Cream's place and ask yourself how he's going to feel, being followed around all the time? It isn't as if he was Mary.'

'What did you say?'

'I said it isn't as if he was Mary. Mary, as I remember, enjoyed the experience of being tailed up.'

'Bertie, you're tight.'

'Nothing of the kind.'

'Say "British constitution".'

I did so.

'And now "She sells sea shells by the sea shore."'

I reeled it off in a bell-like voice.

'Well, you seem all right,' she said grudgingly. 'How do you mean he isn't Mary? Mary who?'

'I don't think she had a surname, had she? I was alluding to the child who had a little lamb with fleece as white as snow, and everywhere that Mary went the lamb was sure to go.'
In addition to the usual star-crossed lovers and curmudgeonly elder statements that periodically haunt Wodehouse's stately homes, Brinkley is in this case occupied by, as is often the case, a Butler Who Is Not All He Seems™—although in this case we're already familiar with the fake butler: he's Sir Roderick Glossop, noted psychiatrist and constant foil of Bertie. Glossop is posing as Swordfish the butler in order to surreptitiously keep his beady eye upon Wilbert Cream, suspected international playboy who's engaged to Phyllis Mills. Sir Roderick has been long a nemesis of Bertie's (since the days when Jeeves filled Bertie's bedroom with cats in order to persuade Glossop that Bertie was a deep-dyed looney), but Jeeves in the Offing actually teams up the two and makes them comrades (if not bosom buddies) in the plan to recover Uncle Tom's missing silver cow creamer. But even the minds of Glossop and Wooster teamed up don't equal one Jeeves, so although he muddles along without him for some ninety-five pages, Bertie is smart enough to know when to call in the professional, a call so needed he'll even skip a dinner by the incomparable chef Anatole:
'Am I boring you?' he said rather stiffly.

'No, no. But I must go and get my car.'

'You going for a ride?'

'Yes.'

'But it's nearly dinner time.'

'I don't want any dinner.'

'Where are you going?'

'Herne Bay.'

'Why Herne Bay?'

'Because Jeeves is there, and this thing must be placed on his hands without a moment's delay.'

'What can Jeeves do?'

'That,' I said, 'I cannot say, but he will do something. If he had been eating plenty of fish, as no doubt he would at a seashore resort, his brain will be at the top of its form, and when Jeeves's brain is at the top of its form, all you have to do is press a button and stand out of the way while he takes charge.'
This, Jeeves is indeed in the offing. In fact, tho' he's been offstage for much of the novel, we all know he'll be back before the curtain rises on the final act to sort of everything that needs sorting. You might even call this book Jeeves the Inevitable. And without Jeeves, would we have exchanges like this?
'The core of the matter is,' I said, twiddling the wheel to avoid a passing hen, 'that in Roberta Wickham we are dealing with a girl of high and haughty spirit.'

'Yes, sir.'

'And girls of high and haughty spirit need kidding along. This cannot be done by calling them carrot-topped Jezebels.'

'No, sir.'

'I know if anyone called me a carrot-topped Jezebel, umbrage is the first thing I'd take. Who was Jezebel, by the way? The name seems familiar, but I can't place her.'

'A character in the Old Testament, sir. A queen of Israel.'

'Of course, yes. Be forgetting my own name next. Eaten by dogs, wasn't she?'

'Yes, sir.'

'Can't have been pleasant for her.'

'No, sir.'

'Still, that's the way the ball rolls.'
Still, in some ways, a little too little, a little too late. Like Sherlock Holmes in The Hound of the Baskervilles, we spend most of the first part of the book wondering when Jeeves is going to return to the narrative, and despite his role as narrator and protagonist, Bertie alone is not the draw when I pick up a Jeeves book. As one of Wodehouse's later Bertie and Jeeves novels, it's an interesting progression and a chance to try out something vaguely different with the formula (as if turning Glossop into an ally rather than an antagonist), but the action seems both sketchier than and derivative of earlier Wooster-ventures: the action pivots around yet another theft of the famous cow creamer, but uncharacteristically for Bertie and Wodehouse, there's no real attempt to sum up the previous action in the usual swift but humorous manner but instead we get tossed a quick bone and a note to read the earlier books if we want to find out the story:
...I had what you might call a personal interest in it, once having stolen an eighteenth-century cow-creamer for him. (Long story. No time to go into it now. You will find it elsewhere in the archives.)
Yes, it's the Wodehouse equivalent of a Roy Thomas comic book footnote.

Still, despite the fast pace and the Jeeveslessness of much of the book, it still retains a good deal of humor and charm of the greater Wooster adventures, as in his propensity for the Wodehouse bon motaphor:
'There is none like him, none,' said Kipper, moistening the lips with the top of the tongue and looking like a wolf that has just spotted its Russian peasant.
...or...
A snort of about the caliber of an explosion in an ammunition dump escaped my late father's sister.




I've got two British versions of Jeeves in the Offing (and oddly not a single American How Right You Are, Jeeves): a Penguin paperback with the usual lovely Ionicus cartoon cover, and the hardcover Everyman/Overlook Wodehouse reissue, which you can get your hooves on by clicking the Amazon.com link to the right. The Everyman edition's dust jacket features an illustration of Aunt Dahlia, although it's not really the broad, large in size and personality Aunt Dahlia I see in my mind's eye: this cover looks sterner and more whip-slender than I imagined her. This actually looks to me more like Bertie's other famous Aunt, Agatha, she who "is known to devour her young and conduct human sacrifices at the time of the full moon." Still, I like the cover an awful lot. Why, you ask?

Because I think that's my Mama posing in the background right there:

Jeeves in the Offing cover


See her? There she is, standing right out there, in the offing.

A Wodehouse a Week Index.


Sunday, March 02, 2008

Separated at Birth: Hey look over there! Isn't that Hitler? Hiding behind that tree?

UXM #268/Wolverine: Origins #16
L: The Uncanny X-Men #268 (Late September 1990), art by Jim Lee and Scott Williams
R: Wolverine: Origins #16 (October 2007), art by Ed McGuinness
(Click picture to super-soldier-size)