from Kick-Ass (2018 series) #1 (Image, February 2018), script by Mark Millar, pencils by John Romita Jr., digital nks by Peter Steigerwald with assistance by Megan Madrigal, colors by Peter Steigerwald, letters by John Workman
from "The Story of the War of Independence" in Picture Stories from American History #2 (EC, 1946), script by M. C. Gaines and W. W. D. Sones, pencils and inks by Allen Simon
from "Mother ☭ Russia" in Men of War (1977 series) #21 (DC, October 1979), script by Cary Burkett, pencils and inks by Jerry Grandenetti, colors by Jerry Serpe, letters by Shelly Leferman
from The Beatles in Comics! (NBM, November 2018); script by Richard Di Martino; translation by Joe Johnson; pencils, inks, and colors by Richard DiMartino; letters by Ortho
from Batman: Nightwalker (DC, November 2019), original novel by Marie Lu, adapted by Stuart Moore, pencils and inks by Chris Wildgoose, additional inks by Cam Smith, colors by Laura Trinder, letters by Troy Peteri
from Batman: The Long Halloween Special #1 one-shot (DC, December 2021), script by Jeph Loeb, pencils and inks by Tim Sale, colors by Brennan Wagner, letters by Richard Starkings
from New Avengers (2013 series) #23 (Marvel, October 2014), script by Jonathan Hickman, pencils and inks by Kevin Walker, colors by Frank Martin, letters by Joe Caramagna
It's October 17, and lots of stuff happened today in comics history. Don't believe me? Let's check out what The Doctor and Rory "I'm Dead, Jim" Williams are up to!
from Doctor Who (2012 series) #3 (IDW, November 2012), script by Brandon Seifert, pencils and inks by Philip Bond, colors by Charlie Kirchoff, letters by Shawn Lee
from The New Deadwardians #8 (DC/Vertigo, December 2012), script by Dan Abnett, pencils and inks by I. N. J. Culbard, colors by Patricia Mulvihill, letters by Travis Lanham
from The New Deadwardians #7 (DC/Vertigo, November 2012), script by Dan Abnett, pencils and inks by I. N. J. Culbard, colors by Patricia Mulvihill, letters by Travis Lanham
from Chronos #9 (DC, December 1998), script by John Francis Moore, pencils by Paul Guinan, inks by Steve Leialoha and Denis Rodier, colors by Noelle Giddings, letters by Ken Bruzenak