from Spider-Man 2099 (1992 series) #32 (Marvel/2099, June 1995), script by Peter David, pencils by Roger Robinson, inks by Jimmy Palmiotti, colors by Chia-Chi Wang, letters by Ken Lopez
from Doomsday Clock #10 (DC, July 2019), script by Geoff Johns, pencils and inks by Gary Frank, colors by Brad Anderson, letters by Rob Leigh
Which mean, then, that the following pages from Watchmen take place on November 1. Which therefore means that eveything in Watchmen issues 9, 10, and 11 also take place on November 1. At least, if you accept the above as canon, which, I guess, it technically is. (Which is the best kind of canon.)
from Watchmen #9 (DC, May 1987), script by Alan Moore; pencils, inks, and letters by Dave Gibbons, colors by John Higgins
On the other hand, Doc Manhattan could have travelled forward in time a couple days and then...eh, no. Too complicated to think about. November 1 it is.
from The Simpsons "I Love Lisa" (season 4, episode 15) (Gracie Films/20th Television, February 11, 1993), written by Frank Mula, directed by Wes Archer
from D.P.7 #29 (Marvel/New Universe, March 1989), script by Mark Gruenwald, pencils by Paul Ryan, inks by Danny Bulanadi, colors by Paul Becton, letters by Janice Chiang
from The Black Monday Murders #2 (Image, September 2016), script by Jonathan Hickman, pencils and inks by Tomm Coker, colors by Michael Garland, letters by Rus Wooten
from Howard the Duck (1976 series) #8 (Marvel, January 1977), script by Steve Gerber, with plot assists by David Anthony Kraft and Don McGregor, pencils by Gene Colan, inks by Steve Leialoha, colors by Janice Cohen
from Chilling Adventures of Sabrina #4 (Archie, September 2015); script by Roberto Aguirre-Sacaso; pencils, inks, and colors by Robert Hack; lettering by Jack Morelli
from Detective Comics #593 (DC, December 1988), script by Alan Grant, pencils by Norm Breyfogle, inks by Steve Mitchell, colors by Adrienne Roy, letters by Todd Klein
from "Everyone's Wedding But Mine" in Romantic Secrets #47 (Charlton, November 1963), script by Joe Gill (?), pencils by Art Cappello (?), inks by Vince Colletta
from "The Calendar Man!" in House of Mystery #266 (DC, March 1979), script by Steve Clement, pencils by Maurice Whitman, inks by John Celardo, colors by Adrienne Roy, letters by Clem Robins