Today in Comics History, April 24, 1982: Entire Marvel Bullpen moves to avoid Stan Lee

from [Uncanny] X-Men Annual (1970 series) #7 (Marvel, January 1984), script by Chris Claremont, pencils by Michael Golden, inks by Bill Anderson, colors by Glynis Oliver, letters by Tom Orzechowski

Today in Comics History, April 24, 20XX: VH-1's Pop-Up Criminal Records premieres

from Nightwing (2016 series) #86 (DC, January 2022), script by Tom Taylor, pencils and inks by Robbi Rodriguez, colors by Adriano Lucas, letters by Wes Abbott

Today in Comics History, April 24, 1954: Comics are doomed

from Comic Book Comics #3 (Evil Twin, February 2008); script by Fred Van Lente; pencils, inks, and letters by Ryan Dunlavey

Today in Comics History, April 24, 1983: A Good Day to Just Stay at Home

from The Brave and the Bold #200 (DC, July 1983), script by Mike W. Barr; pencils, inks, and letters by Dave Gibbons; colors by Adrienne Roy

Today in Comics History, April 24, 1949: How can we miss you, Spirit, if you won't go away?

What must be obviously the early edition of The Spirit's hometown newspaper, The Central City Gazette, on the morning of April 24, 1949:


from Will Eisner's The Spirit (2015 series) #1 (Dynamite, July 2015), script by Matt Wagner, pencils and inks by Dan Schkade, colors by Brennan Wagner, letters by A Larger World Studios
Followed by, I guess, a later edition on the same day?


from Will Eisner's The Spirit (2015 series) #6 (Dynamite, December 2015), script by Matt Wagner, pencils and inks by Dan Schkade, colors by Brennan Wagner, letters by A Larger World Studios
Will Eisner's The Spirit: made of 100% boomerang.

Today in Comics History, April 24, 1862: New Orleans only temporarily stops serving alcohol

from "Brother Against Brother" in Attack #54 (Charlton, October 1958), script by Joe Gill (?), pencils and inks by Sid Check

Today in Comics History, April 24, 19XX: Reese Witherspoon's permanent record proves to be surprisingly incendiary

from Batgirl (2000 series) #12 (March 2001), script by Chuck Dixon, pencils by Dale Eaglesham, inks by Andrew Hennessey, colors by Jason Wright, color separations by Jamison, letters by John Costanza

Today in Comics History, April 24: The pilot for Airwolf '64 is not picked up for series

from Richard Stark's Parker: The Score (IDW, July 2012); adapted from the novel by Richard Stark; script, pencils, inks, color, and letters by Darwyn Cooke