Wednesday, March 07, 2012

Eat all the fruit and throw away the rind



I'm guessing you too may have been as baffled as I was on my original discovery of J'onn J'onnz vs. Fruit (see last night's post). What's the story, Martian Glory? What is going on there that delicious altho' humungous citrus fruit are being targeted by everyone's second favorite Martian (after Uncle Martin, of course):




When you ponder the puzzle of why one of the most powerful heroes in the DC Universe is fighting fruit, the first thing you have to realize is that it was The Age of the Go-Go Checks:


Cover of House of Mystery #167 (June 1967), pencils and inks by Jim Mooney


Yep! J'onn J'onnz, Manhunter from Barsoom Mars, doesn't even get cover billing on House of Mystery #167, playing second fiddle backup story to Robbie Reed, who I think we would all like to sockamagee right in the face. But flip through two-thirds of a kid playing around with a telephone dial to become the hero who could be you (no, it couldn't) and we finally get to the prime cut of this Silver Age Sirloin, the Green Guy himself, Martian Manhunter!


Splash page from House of Mystery #167 (June 1967), script by Jack Miller, pencils and inks by Joe Certa


After that lousy pun, in the next panel J'onn turns towards the camera, smirks, puts on sunglasses, and then the theme song begins to play loudly over the opening credits. Yes, it's CSI: Mars!


Grace, space, race
Everything they've seen you have seen,
Everywhere they've been you have been,
Everything they've done you have been and done already


(That's my pitch for a new Martian Manhunter series. Call me, Jim Lee! I gotta million of 'em!)

Now, on the next page...



Hey! That's cheating! We've already seen this! It's the equivalent of watching Mythbusters when they spend ten minutes recapping what happened before that last commercial break for Cash Cab Man vs. American Carkiller Odyssey Kings Gone Wild. Frenchie even stutters the same! What we don't get here is MM's interior dialogue about Mister V and Marco Xavier and whether he remembered to set his VHS recorder to tape Lost in Space that evening.

Well, let's clear up those mysteries right now. Mister V is a master criminal as well as a man without a face



No, no, no! Man without a face. Eh, just call him Ernst Starvos Blobface. But who is Marco Xavier? Who is Marco Xavier?



He's an international playboy who has inherited the traditional Xavier family's withered legs! You can just tell, can't you, by that cheesy continental mustache and his tiny, tiny shorts that he's an oily(er) version of Tony Stark, right? What's more, he's not only a gigolo who romances our wholesome hometown gals, takes them away from their life of squalor to live in his life of squalor...but he's also an international criminal working for V.U.L.T.U.R.E.*, a megacriminal empire on the same level as SMERSH, SPECTRA, KAOS, THRUSH, AIM, CAW, HIVE, QUANTUM, ULTIMATUM, ISBN, and FDIC. Boo! Hiss! Your brother Charles would be ashamed of you, Marco!



Ah, but all is well! Hands, paws, or hooves up everyone who already knew or guessed that Marco Xavier is actually yet another civilian identity of the amazing spectacular sensational Martian Manhunter! (That is, he's a martian who hunts men, not a man who hunts martians.)



Under cover of the night






Now cut that out!

Under cover of the night, J'onn finds out that VULTURE plans to hijack a gold bullion shipment using a tank disguised as a parade float! Ah, that explains the Fruit Tank, then!



It must have been International Fruit Days in whatever provincial small town it is that this dastardly deed is about to take place in. (Des Moines?) Because a freakin' tank covered with giant fruit won't attract any suspicion at all.



Well, you have to admit their plan has a certain a-peel.

But wait a minute, let's get out the old Bully solar-powered calculator and the Inter-ma-net and do a little research. VULTURE plans to hijack 50 million dollars worth of gold bullion. (Heh...he said bullion.) According to online sources (and we know they are always correct, the price of gold in 1967 was about $35 a troy ounce. What are these Troy Ounces, and why are they so special? Are they anything like Troy Donahues or Donna Troys? But I digress.

Your standard movie-prop gold bar (see: Goldfinger) consists of 400 troy ounces to a bar. That's about 27.4 pounds. That means a grown man can probably shift two, three, maybe four at a time. In 1967 with a price of $35 per t.o., that's about 3570 bricks. Twenty-five thousand pounds. And, even with a couple carts from Home Depot, that's a lot of shifting big heavy bricks when instead you could be out instead stealing those delicious golden Hostess Twinkies. (Yes, there's a big delight in every bite of Hostess Cupcakes, Fruit Pies, and Twinkies.) I'm not even certain they could get 25,000 pounds of gold on two prop planes.

It's a general and frequent error: underestimating the manpower and time to shift gold bars made by a lot of fiction (see again: Goldfinger—the novel, not the movie, which, in the parlance of TV Tropes, "cleverly subverts this trope." A movie involving gold bar theft that does the mechanics of the theft correctly is the underrated 1976 TV film Sherlock Holmes in New York. It's one of my favorite Holmes movies not despite but because of its unusual stunt casting; Roger Moore as Holmes and Patrick Macnee (channeling the unfortunately dimbulb portrayal by Nigel Bruce) as Doctor Watson. And freakin' John Huston as Moriarty. It oughta be on DVD, and that it isn't is a crime itself.



The rest of the story concerns J'onn trying to stop the tank by dropping trees in its way and digging pits for it to fall in, all to avoid exposing his dual identity as Marco X. He is also clearly fighting them on Earth-Seussical, which allows him to remain concealed from VULTURE behind the blooming Truffula trees.



Let's focus on one particular phrase spoke by the Martian Manhunter, shall we? For those of us used to the modern-day solmen and stilted speech of J'onn, it's hard to remember that he once used phrases like "vulture varmits" [sic]. I presume he meant "varmints." Which is a phrase he picked up during his fight with Yosemite Sam in the classic Superman vs. Bugs Bunny.



After a while the Manhunter gets bored with just watching from the sidelines and punches the tank, simultaneously capturing some VULTURE goons and making grape juice. Another evil plot stopped by the Martian Manhunter! Who, when we come to think about it, could have done this about half an hour before, thus saving us valuable pages space that could have been spent on the fabulous international escapades of Marco Xavier, man-about-town.



Also in this issue: Superman tells you to take the day off and go ride the Crazy Crystals.



"Tomorrow!" And I put that in quotes because we all know what happen when I promise something "tomorrow"—more Martian Manhunter Madness as our Chlorophylled Champion does an impersonation. Who's he impersonating? I'm not sure yet, but you're going to have to hand it to him!


*Very Unpleasant Larceny, Theft, and Unlawfully Repulsive Exploits.


366 Days with Alfred Pennyworth, Day 67


Splash page from Batman #232 (June 1971), script by Denny O'Neil, pencils by Neal Adams, inks by Dick Giordano, letters by John Costanza



Tuesday, March 06, 2012

Bully's back and you're gonna get some chocolate*



Here I am and I'm back again! I send you all apologies for the personal, sociological, meteorological, and entomological emergencies which have kept me away for a few days. Also, I've been very busy with the negotiations for my new major motion picture.



If you look over your shoulder and peek backwards, however, you'll find that 366 Days with Alfred Pennyworth has been brought up to date, and regular content continues tomorrow. (Unless that comet falls on us.)

Until then, please enjoy J'onn J'onnz fighting fruit.



Panels from "Marco Xavier, Manhunter's Ally!" in House of Mystery and Fruit #167 (June 1967),
script by Jack Miller, pencils and inks by Joe Certa



*Sorry. I ate all the chocolate.


366 Days with Alfred Pennyworth, Day 66


Panels from Batman v.1 #32 (December 1945-January 1946), script by Don Cameron or Joe Samachson (?), pencils and inks by Jerry Robinson, letters by Ira Schnapp



Monday, March 05, 2012

Hare Mail


Photograph from Life magazine, February 15, 1960


366 Days with Alfred Pennyworth, Day 65


Panelsfrom Batman: Shadow of the Bat Annual #3 (August 1995), script by Alan Grant, pencils by Brian Apthorp, inks by Stan Woch, colors by Linda Medley, letters by Ken Lopez



Sunday, March 04, 2012

366 Days with Alfred Pennyworth, Day 64


Cover of JLA Classified #49 (Late February 2008), pencils and inks by Paulo Siqueira, colors by Allen Passalaqua



Saturday, March 03, 2012

366 Days with Alfred Pennyworth, Day 63


Panel from Batman: Shadow of the Bat #72 (March 1998), script by Alan Grant, pencils by Mark Buckingham, inks by Wayne Faucher, colors by Pam Rambo, separations by Android Images, letters by Bill Oakley



Friday, March 02, 2012

366 Days with Alfred Pennyworth, Day 62


Panels from Batman: Shadow of the Bat #73 (April 1998), script by Alan Grant, pencils by Mark Buckingham, inks by Wayne Faucher, colors by Pam Rambo, separations by Android Images, letters by Bill Oakley



Thursday, March 01, 2012

I call "no way" on that stunt, Johnny Storm

So here's a story from pretty darn early in the Human Torch's career where he absorbs the entire power of a nuclear bomb:



Panels from Strange Tales #112 (September 1963), plot by Stan Lee, script by Jerry Siegel [as Joe Carter], pencils and inks by Dick Ayers, letters by Sam Rosen


Yeah, I'm not buying that he was able to do that—I call shenanigans! especially since this ultimate deadly atomic blast was a plot by none other than that most dangerous and nefarious Marvel supervillain...you're gonna guess Doctor Doom or the Red Skull or Magneto, right? One of the powerhouse baddies. Nope. T'was The Eel.




Yep! The guy with the oil-slathered costume and the 4,000 double-AA batteries built into his gloves. So he can shock you, and help provide you with a a lovely light vinaigrette salad. He didn't even give Daredevil much of a workout. And that was in his yellow costume days.



Panels from Daredevil v.1 #6 (February 1965), script by by Stan Lee, pencils and inks by Wally Wood, letters by Sam Rosen


So, you know, a villain of this calibre is going to be a pretty dangerous villain up against somebody like, say, Ghost Rider, right?


Panels from Ghost Rider v.1 #21 (December 1976), script by Gerry Conway, breakdowns by Gil Kane, finishes by Sam Grainger, colors by Jim Shooter (!) and Roger Slifer


Oh. Thus died the Eel. The guy who once almost nuked the planet. He probably ought to have listed that first on his resumé, then.


366 Days with Alfred Pennyworth, Day 61


Panel from "A Tale of Time Past!" in Batman #328 (October 1980), script by Marv Wolfman, pencils by Don Newton, inks by Kim DeMulder, colors by Adrienne Roy, letters by Milt Snapinn.

And a special haunted Boo-ly-Prize to eagle-eyed reader Dan Longe,
who spotted that I'd posted the credits of a different story (now corrected). Thanks, Dan!



Wednesday, February 29, 2012

Today in Comics History, February 29: Blowing out birthday candles / I was dressed as Superman and you were a shining star

It's February 29, the date so nice we get it twice...um, every eight years. And we all know whose birthday February 29 is, right?


Cover of Whiz Comics #47 (October 1943), pencils and inks by C. C. Beck


That's right! Happy Birthday, Big Red Cheese! And he gets to spend his birthday with a freakin' talking tiger.

But the truth be known, altho' it really is Captain Marvel's birthday (and it'll be a cold day in the cabbage patch before you make me call him "Shazam"), it also happens to be the birthday of another, somewhat important superhero:


Cover of DC Super Friends #9 (January 2009), pencils, inks, and colors by J. Bone


Yes! It's the birthday of

Super-Deformed Superman!

And the real Superman, too.



366 Days with Alfred Pennyworth, Day 60


Panels from The Batman Strikes #28 (December 2007), script by Russell Lissau, pencils by Christopher Jones, inks by Terry Beatty, colors by Heroic Age, letters by Rob Clark Jr.


Now you know why it's called...366 Days with Alfred. Enjoy this extra bonus day!


Happy Leap Day! (Or: What If™ Scott McCloud Drew Amazing Spider-Man #121?)


Tuesday, February 28, 2012

When things are tough and you've had a bad day...


This is for my good pal Randi and anybody else who needs it today!
(Bully sketch by Roger Langridge)



366 Days with Alfred Pennyworth, Day 59


Page from Batman Begins: Be a Hero Official Movie Color and Activity Fun Book (2005).
Print it out and color it! Be sure you have plenty of black crayons.



Monday, February 27, 2012

It's the end of February, but still, here's some more
Things Bully Got for Christmas: The Warriors Three








366 Days with Alfred Pennyworth, Day 58


Panels from The Batman Family #13 (September 1977), script by Bob Rozakis, pencils by Don Newton, inks by Bob Wiacek, colors by Jerry Serpe



Sunday, February 26, 2012

Ten of a Kind: Your Name in Lights





















(More Ten of a Kind here.)


366 Days with Alfred Pennyworth, Day 57


Panel from Batman #360 (June 1983), script by Doug Moench, pencils by Don Newton, inks by Pablo Marcos and Ron Randall, colors by Adrienne Roy, letters by Ben Oda