365 Days with Ben Grimm: Day 345: Hanukkah

The Kirbys' 1976 Hanukkah card, by Jack Kirby
Happy Hanukkah!

Bully's Advent Calendar: Day 10

Because sometimes you just have to post the story where Spider-Man piloted a supersonic fighter jet with Aunt May in the back seat

It's in the story where Doctor Octopus is trying to marry Aunt May...


Panels from Amazing Spider-Man #131 (April 1974), script by Gerry Conway, pencils by Ross Andru, inks by Frank Giacoia and Dave Hunt, colors by Petra Goldberg, letters by Artie Simek

...and kidnaps her in a helicopter...



...away to his secret Canadian island atomic reactor base...



...where Spider-Man captures her back...



...and then he escapes single-handedly piloting a jet plane...



...when suddenly crime lord Hammerhead barges in...



...and butts Doc Ock's nuclear reactor with his superhumanly hardened head...

(Click image to "blow up")

Yes, the ultra-realistic adventures of Spider-Man. They could never take place in a world where the Punisher got turned into a Frankenstein, could they?

365 Days with Ben Grimm: Day 344

Panel from Marvel Team-Up #32 (April 1975), script by Gerry Conway, pencils by Sal Buscema, inks by Vince Colletta, colors by Janice Cohen, letters by Artie Simek

Bully's Advent Calendar: Day 9

Not tonight, I have a splitting haddock

Um, that should be headache. When my head hirts I make funny spelling misteaks.



So tell ya what: you enjoy tonight's Ben Grimm and Advent Calendar, and I'll be back tomorrow with a real post. Okay? Okay.

Now, has anyone seen my St. Joseph's Children's Chewable Aspirin?

365 Days with Ben Grimm: Day 343

Panel from Fantastic Four #361 (February 1992), co-plot and script by Tom DeFalco, co-plot and pencils by Paul Ryan, inks by Danny Bulanadi, colors by Christie Scheele and Ed Lazellari, letters by Bill Oakley

(Click picture to holiday-size)

Gaze deeply into the mesmerizing yet strangely sensual eyes of Charles Xavier

We all know the color of Ben Grimm's eyes...but quick, without lookin' below, what color are Professor Charles Xavier's eyes?








Well, most of the time...



And, when he wasn't working near the heat lamps at Arby's...




I mean, that will tire out your baby blues...




But a few drops of Visine-X and those baby blues are back to their crystal clear sapphire in no time at all.

Bully's Advent Calendar: Day 8

365 Days with Ben Grimm: Day 342

The day two of my heroes almost met:


Panel from Strange Tales #130 (March 1965), co-plotted and dialogued by Stan Lee, co-plotted and pencilled by Bob Powell, inked by Chic Stone, colored by Stan Goldberg, lettered by Sam Rosen

Bully's Advent Calendar: Day 7

Monday Night Murals: He thinks he'd blow our minds

I can usually take or leave Alex Ross's artwork, but one piece of his I really like—maybe I should say six pieces of his—is his mural (with Tony Harris) from Starman:

Starman #57-62 (September 1999-February 2000), art by Tony Harris and Alex Ross
(Click picture to Alcyone-size)

One of the strengths of James Robinson's Starman was its emphasis on the "legacy hero"—the proud dynasty of superheroes that have all been named the same and who follow in each other's footsteps. A Kid Flash or two aside, I'd never been much compelled by DC's legacy heroes, but Starman, with its father/son in conflict plot right from issue #0, nailed the essence of what I like about continuity in superhero comics. There's plentiful little gems for those versed in the history to pick up if you do know and recognize Starmen past: Ted Knight (moonlighting, no doubt, on his job working alongside Mary Tyler Moore and Ed Asner), Will Payton, David Knight, the short series of Prince Gavyn, alien Starman stories, even Starmen like Mikaal Tomas who only appeared previously for one single issue. Robinson spun their histories together at the same time he introduced my favorite Starman, Jack Knight. Jack's adventures discovering his history and his legacy are interspersed with "Times Past" stories that fill in the story from generations ago. At the same time Robinson created one of my favorite fictional metropolises (metropoli?) in the DC Universe, Opal City, and even rescued villain The Shade from the deep history of The Flash to give him a role as a mover, shaker, and plotter in, around, and behind the scenes.

The interconnection between the Starmen isn't just in the story: it's right up there on these covers featuring pretty much ever Starman (except Robert Hays), their supporting characters, and behind them, big-ass Starman of the Thiry-First Century (previously the Dream-Girl-wooin' Star Boy of The Legion of Super-Heroes, and now a member of the Justice Society of America...don't ask me how, I dunno, something to do with bad clams, I understand) against a star-spangled background of...hey, it's a huge star! Holy symbolism, Starman!

When I was puttin' 'em together with my original issues, scissors and Elmer's Glue (it's a messy job, but somebody's gotta do it!), I noticed that he Starman covers are somewhat unique among interconnecting, "mural" images: the tops of the lower tier overlap with the bottoms of the top tier, so you're actually getting a little cleaner fit to the image than you often do with these things. It's pretty impressive all put together like that even with the logos and UPC codes and the reminder that I spent fifteen clams on these comics. But take a look at the original artwork minus the logos:



Pretty cool, huh? Lucky for you 'n' me that DC Direct released that as a poster, so you can pink it up on your wall and listen to your Marillion albums all night long. Only thing that's missing? It ain't a black light poster.

365 Days with Ben Grimm: Day 341

Panel from Marvel Two-in-One #8 (March 1975), script by Steve Gerber, pencils by Sal Buscema, inks by Mike Esposito, colors by George Roussos, letters by Charlotte Jetter

Bully's Advent Calendar: Day 6

Ten of a Kind: You're a little late/I'm already torn

See also. More Ten of a Kind here.)

365 Days with Ben Grimm: Day 340

Cover "B,"Fantastic Four v.2 #4 (February 1997), art by Whilce Portacio

This just makes me so happy

The BBC 1 2009 Christmas channel ident:



Brought to my attention by the ever-Who-ful Dorian Wright.

Bully's Advent Calendar: Day 5

Separated at Birth: By the time I get to Phoenix, she'll be rising

You may remember a few weeks ago I posted this fiery, waterlogged Separated at Birth:

L: [Uncanny] X-Men #101 (October 1976), art by Dave Cockrum
R: Avengers West Coast #71 (June 1991), art by Tom Morgan and Danny Bulandi

(Click picture to Titanic-size)



Well, prepare for that Sep to be super-sized with the addition of two more Jean Grey comin' outta the pool covers!

L: Classic X-Men #9 (May 1987), art by Art Adams
R: X-Men Adventures, Season III #71 (June 1995), art by Mike S. Miller

(Click picture to Titanic II: The Revenge of Jack-size)

Only six more and I've got Ten of a Kind!

365 Days with Ben Grimm: Day 339

Panel from Marvel Age Preview #2 (1992) promoting the 1992 Marvel Holiday Special, artist unknown. I don't know if this pin-up appeared in color in the Holiday Special, but you can color this one yourself! Get your orange crayon ready!

Happy Sixth Blogiversary, Mike Sterling!

Roll on over to Progressive Ruin and wish him a happy anniversary, why doncha?


Early photograph of Mike Sterling. He's the one on the right.

Saturday Morning Cartoon: Hector's Hectic Life

Hector's Hectic Life (1948), directed by Bill Tytla

Bully's Advent Calendar: Day 4

365 Days with Ben Grimm, Day 338

from X-Men: The Hidden Years #8 (Marvel, July 2000), script, pencils, and letters by John Byrne, inks by Tom Palmer and Joe Sinnott, colors by Greg Wright

Bully's Advent Calendar: Day 3