Showing posts with label World of Krypton. Show all posts
Showing posts with label World of Krypton. Show all posts

Thursday, June 16, 2022

Today in Comics History, June 16, 9998K: Oh, we can't have nice things

On this day in the Kryptonian year 9,998: Krypton goes kaplooie! I wouldn't use that phrasing around Superman, though.


from Super DC Calendar 1976 (DC, 1975), letters by Ben Oda




Friday, June 07, 2013

365 Days of DC House Ads, Day 158: DC takes out advertising space on Wonder Woman's rear end*

Two-page house ad for World of Krypton #2 (August 1979), All-Out War #1 (September-October 1979), and Time Warp #1 (October-November 1979), printed in Batman #313 (July 1979)

Comic cover art: World of Krypton #2: pencils by Ross Andru, inks by Dick Giordano
All-Out War #1: pencils and inks by Joe Kubert, colors by Tatjana Wood
Time Warp #1: pencils and inks by Mike Kaluta

(Click picture to Rao-size)


A couple observations: the ad appears to say that the World of Krypton issue is #3, but that's actually the cover to #2.


And notice that two of the captions on the ad version of All-Out War are changed by the time the comic goes to press: "The Viking from Hell" becomes "The Viking Commando"; seeing as this is his first appearance, it's a good thing they decided on a name that wouldn't have the comic taken away from newsstands by parents irate over the double hockey-sticks word. (Altho' you could definitely buy the comic book Son of Satan.) And thankfully, "Soul Brother with Wings" become just "Brother with Wings." Also: The Viking Commando got an Army helmet pasted onto his head. All he needs now is a pair of little wings pasted onto the helmet.



*Once you've seen it, you can't unsee it.

Friday, April 12, 2013

365 Days of DC House Ads, Day 102


House ad for the first-ever comic book miniseries, World of Krypton #1-3 (July-September 1979); printed in Batman #312 (June 1979)
Ad art from World of Krypton miniseries, pencils by Howard Chaykin*, inks by Murphy Anderson


*But was that totally Chaykin art? Back Issue #62 gives us another view: that it's the layouts of Alan Kupperberg. The finished pencils over these layouts were by Chaykin, but under the heavy inks of Murphy Anderson (issue #1-2) and Frank Chiaramonte (#3), the "Chaykin look" is virtually absent.