Today in Comics History, May 7: Happy birthday, Jon Bogdanove!

Born on this day: comics artist and writer Jon Bogdanove, penciller on (among many!) Power Pack and the Superman franchise. He co-created John Henry Irons, the Man Known as Steel!


cover of Superman: The Man of Steel #22 (DC, June 1993), pencils by Jon Bogdanove, inks and colors by Dennis Janke
Here he is (well, his hand!) in a New Mutants back-up where Boom-Boom wishes to meet the cutest guy in the Marvel Universe. Jon's art skills to the rescue!



from "A Case of the Cutes" in New Mutants Annual (1984 series) #5 (Marvel, 1989), script by Judy Bogdanove, pencils by Jon Bogdanove, inks by Hilary Barta, colors by Steve Buccellato, letters by Joe Rosen
Who's the cutest guy in the 616? Why, of course that's gonna be Bogdanove-favorite Power Pack character Tattletale (aka Franklin Richards!). Awwwwww!


Did you know that Tattletale's look and mannerisms were based on Bogdanove's then-toddler son Kal-El Bogdanove? Cool name, cool legacy, and hey, K., cool costume!


from Marvel Age #64 (Marvel, July 1988)
Jon Bogdanove was, of course, an invited guest at Superman's wedding. Can you spot Jon (and Kal-El B.) among the happy crowd?

from Superman: The Wedding Album one-shot (DC, December 1996), pencils by Dan Jurgens, inks by Jerry Ordway, colors by Glenn Whitmore, letters by Bill Oakley
Click top picture to honeymoon-size
A very happy birthday to Jon Bogdanove, one of my favorite comics artists!

Face It Tiger February, Day 15: "Excuse me, but are those...Romita Jeans?"

from Superman: The Man of Steel #7 (DC, January 1992), script by Louise Simonson, layouts by Jon Bogdanove, finishes by Dennis Janke, colors by Glenn Whitmore, letters by Albert De Guzman

Today in Comics History, January 20, 2001: Luthor is inaugurated; insolent puppies crash party

from Superman: The Man of Steel #110 (DC, March 2001), script by Mark Schultz, pencils by Doug Mahnke, inks by Tom Nguyen, colors by Wildstorm FX, letters by Ken Lopez

Separated at Birth: Go down to the shore, kick off your shoes, dive in the money bin

L: Walt Disney's Comics and Stories #622 (March 1998),
detail of a 1974 painting by Carl Barks
R: Superman: The Man of Steel #56 (May 1996),
art by Jon Bogdanove, Dennis Janke, and Patrick Martin

(Click picture to Cornelius Coot statue-size)

Of course, regular readers of "Separated at Birth" will notice what's wrong with the examples above: I always put the earlier example on the left and the "inspired" follow-up on the right. But the Superman example is two years before the Disney one...what gives? Well, the WDC&S cover image is actually just a detail from a 1974 Carl Barks painting entitled "The Sport of Tycoons":



Scrooge swimming in his money bin is a familiar enough visual to anyone raised on Disney duck comics or even DuckTales...



...but it's actually an infrequent cover subject on Disney comics. Here's another rare example:


Cover of Uncle Scrooge #250 (January 1991), art by William van Horn

But if you wanna go back to the beginning, the grandaddy of all divin'-in-the-money-bin images comes from the one of the earlier appearances of Uncle $crooge McDuck himself, in Four Color #386 (aka Uncle Scrooge #1):


Cover of Four Color #386 (March 1952), art by Carl Barks

Nope, it's not the cover that's the inspiration, but rather the first panel inside, also by Carl "The Good Duck Artist" Barks:



So there you go: how a comic book fifty years before inspired a Superman cover. Say, how come Scrooge never had an extra-dimensional imp come to bother him every three months?

Special bonus: check out this beautiful scale model of Uncle Scrooge's money bin!

Monday Night Murals: You sound like you have changed from red to blue

It's Monday, so you know what that means...a brand-new season of Antiques Roadshow! Tonight, a little stuffed bull brings in a priceless Ming vase to be valued, and

CRASH

...

Okay, let's do Monday Night Murals instead.

L: Action Comics #742 (March 1998), art by Stuart Immonen, Jose Marzan Jr., and Patrick Martin
R: Superman: The Man of Steel #77 (March 1998), art by Jon Bogdanove, Dennis Janke, and Patrick Martin
(Click picture to big red- or big blue-size)

No, you're not seeing double (unless you've been drinking steadily since five PM)—those are two Supermen (Supermans?) flying through the Metropolis sky. Now, many comic book cover murals across a single title or across titles featuring a single hero are saddled with the problem: how can you feature the same lead character on every part of an interlocking mural cover? Well, you could put his head on one cover and his butt on the other (tee hee), or, as in the are of the Official Handbook of the Marvel Universe, Deluxe Edition, have Reed Richards' arm stretch across the back and front covers of every volume from M to W. Or, you could just have two versions of your hero, hopefully dramatically color-coded so that you can have, um, just off the top of my little stuffed head: a Green Hulk on one cover and a Red Hulk on the other. But that would be just plain silly.

No, this pair o' 1998 covers is a homage to and updating of the classic "Superman Red/Superman Blue" story of 1963 (in Supes #162). The Man o' Steel splits into two, two, two pretty-nearly-identical persons, the same down to every aspect except dress code. You'd logically think they would wind up having a all-out no-punches-pulled battle in a junkyard, but heck no!: This is silver age Supes. Er, Supeses. The pair team up (gosh, that would have been the weirdest issue of DC Comics Presents of them all) to fight war, end crime, stop poverty, get Jack Parr back on the air, and, while they're at it, each one of them marries one of Superman's sweethearts, ending the age-old love battle between Betty and Veronica Lois and Lana. Only one who's unhappy? Lori Lemaris, who gets stuck with "Superman-Green."

The storyline was revisited in '98 when Superman first evolved into a blue-tinted electrical powerhouse, and then eventually split into two separate, warring personalities. It's been a while since I read these issues, but if I remember correctly, Blue was cold and logical, and Red was fiery and gung-ho. Blue planned out his battles, Red charged in without thinking. Yes, ladies and gentlemen, it's Goofus and Gallant, Last Sons of Krypton.

Around about then is the time I stopped reading all the Superman comic books that I'd been following faithfully since 1990: Superman; Action Comics; Superman: The Man of Steel; The Adventures of Superman; Superman: The Man of Tomorrow; Hey Superman, Where Are You?; The Thirteen Ghosts of Superman; The Superman/Batman Comedy/Adventure Hour; Jimmy Olsen: Heckblazer; and The Blazing Guns of Lois Lane, Superman's Girlfriend. The Red/Blue storyline wasn't really the reason; I'm pretty sure the Millennium Giants storyline was. (Even though that had a mural cover, didn't it?) DC dragged the Red/Blue saga on just a tiny bit too long—the whole shebang lasted about than a year, but with four titles a month it seemed like forever. Today I object most of all to having that neon blue Superman appearing in what would otherwise be the primal and definitive portrayals of the Justice League in Grant Morrison's "Rock of Ages" storyline in JLA #10-15. Me? I get out my red and yellow crayons for a classic makeover of those issues. Your milage, and artistic inclinations, may vary.

Anyway, that mural. Despite my lukewarm feelings for the storyline, I do love this pair o' covers. Despite the fact that they're done by two different artist teams, the style meshes perfectly, and there's a wonderful touch that is a hallmark of a clever mural: the detail that isn't apparent until the covers are fitted together. In this case it's the soaring trails of the Supermen which form a red and blue "S"...in the exact style of the "S" on the temporary Superman logo from this period. As I like to say: way cool.

If you'd like to read the 1963 Superman-Red/Superman-Blue story, you should, nay, must pick up DC's Greatest Imaginary Stories, Volume 1 at your local comic book store or bookstore or by clickin' the Amazon linky-think to the right. It's full of the wackiest, way-outtest DC tales of the multiverse, which Grant Morrison ought to be bringing back any day now. On the other hand, if you want to read the 1998 Superman-Red/Superman-Blue saga, dig in the couch for some change because I'm pretty sure you can pick up most of the issues of the whole dadburn shebang (Action #733-744, Superman #123-135 and Annual #9, The Adventures of Superman #546-557 and Annual #9, Superman: The Man of Steel #68-79 and Annual #6, Superman: The Man of Tomorrow #9-10, and Superman Red/Superman Blue #1) in the quarter box at your local comic store. Also, geez, as long as you're there in the quarter bin, why not pick up the entire runs of Scare Tactics, Power Company and Sovereign Seven?

Or, if you're a Marvel Comics fan, pick up the adventures of Spider-Man-Red-Blue/Spider-Man-Blue-Red:



Tell 'em Bully-Red and Bully-Blue sent you.