from The Beatles in Comics! (NBM, November 2018); script by Richard Di Martino; translation by Joe Johnson; pencils, inks, and colors by Clémon Baloup; letters by Ortho
from The Fifth Beatle: The Brian Epstein Story (Dark Horse, November 2013); written by Vivek J. Tiwary; pencils, inks, and colors by Andrew C. Robinson; letters by Steve Dutro
from The Beatles in Comics! (NBM, November 2018); script by Richard Di Martino; translation by Joe Johnson; pencils, inks, and colors by d'Akita; letters by Ortho
Pop quiz, Bully-Boosters! Cast your baby blues on two panels below from The Incredible Hulk #127. The story is scripted by Rascally Roy Thomas, but (here's your quiz question)...who should get a co-writing credit for this scene?
Panels from Incredible Hulk #127 (May 1970), script by Roy Thomas, pencils and inks by Herb Trimpe, letters by Sam Rosen
Need time to think about it? Of course? You've got exactly thirty seconds...the precise time it takes to play the Final Jeopardy theme! Click on the "play" button and put your thinking cap on, Bull-ke-teers!
Time's up, contestants...let's see what you wagered! And more important, let's see the clue you oughta have noticed:
Give up? Awwww, I bet you're gonna facepalm yourself when you read the answer. Suppose I paraphrase the speech bubble above as...
He blew his mind out in a car
He didn't notice that the lights had changed
A crowd of people stood and stared
They'd seen his face before
Nobody was really sure
If he was from the House of Lords
That's right...that's from The Beatles' "A Day in the Life," written by Lennon/McCartney, but that part was by the one and only John Lennon. Who shoulda got a writing credit alongside Roy Thomas, don't you think?
So be aware: meaner and greener Hulks have been sighted within the vicinity of this blog. There's only one way to go out. How's that, you ask? Singing!
I Met the Walrus (2007), written, directed and animated by Josh Raskin
From the press release on the official website: "In 1969, a 14-year-old Beatle fanatic named Jerry Levitan, armed with a reel-to-reel tape deck and a head full of questions, snuck into John Lennon's hotel room in Toronto and convinced John to do an interview. This was in the midst of Lennon’s “bed-in” phase, during which John and Yoko were staying in hotel beds in an effort to promote peace. 38 years later, Jerry has produced a film about it. Using the original interview recording as the soundtrack, director Josh Raskin has woven a visual narrative which tenderly romances Lennon’s every word in a cascading flood of multipronged animation. Raskin marries the terrifyingly brilliant pen work of James Braithwaite with masterful digital illustration by Alex Kurina, resulting in a spell-binding vessel for Lennon’s boundless wit, and timeless message."