365 Days of Defiance, Day 365: A Better World

"Know what's weird? Day by day, nothing seems to change, but pretty soon...everything's different." — Calvin, Calvin and Hobbes

And there we are.

I've run late all year on this feature, and I've finished it up late — whatever the date at the top of this post says, t'ain't December 31, it's several days through March 2018. Y'all have been remarkable patient with me backdating several posts at a time instead of putting them up every day like clockwork, like a good blog should. But it's been a hard year. It's been a hard year for me, and I know it's been a hard year for you. There are sometimes when I put down my little fuzzy head and cry. You might too. And that's okay, because we both get up eventually and get back to life. We get back to speaking, to posting, to protesting, to donating, to helping, to voting, to defying each in our own ways.


Panels from Final Crisis #7 (March 2009), script by Grant Morrison, pencils by Doug Mahnke, inks by a whole lotta guys, colors by not so many guys, but still a lot of 'em, letters by Travis Lanham
"Few will have the greatness to bend history itself, but each of us can work to change a small portion of events, and in the total of all those acts will be written the history of this generation." — Robert F. Kennedy

We'll never punch the Red Skull. We'll never sass off to Galactus. We'll never kick Darkseid in his little blue skirt and push him into a Boom Tube. But we can be inspired by the guys who did that. By Spider-Man, by Captain America, by Superman, by Green Lantern, by Ms. Marvel and Squirrel Girl and Black Panther and Shuri. Our heroes don't do the work for us, but they show the way. And remind us: the work is never done.

Panels from Fear Itself #7 (December 2011); script by Matt Fraction; pencils by Stuart Immonen; inks by Wade Von Grawbadger and Dexter Vines; colors by Laura Martin, Justin Ponsor, and Matt Milla; letters by Chris Eliopoulos
(Click picture to length of 2017-size)
"No matter what people tell you, words and ideas can change the world." — Robin Williams

We don't know what the future will hold (and that future hasn't been written yet, no how, no way), but we do know this: we know that the future will judge us harshly is we're on the wrong side of history. You know what the wrong and the right siide is here. Surely you want your kids and their kids, and those in centuries to come all the way up through the Legion of Super-Heroes and beyond, to look back and say of us "nevertheless, they persisted?"


Panels from The Unbeatable Squirrel Girl (2015 series) #4 (March 2016), script by Ryan North, oencils and inks by Erica Henderson, color by Rico Renzi, letters by Clayton Cowle
"Be the change you want to see in the world." — Mohandas Gandhi

Let this all radicalize you rather than lead you to despair. Let's not, like the dog in the burning house, sit back and sip coffee. This is not fine. This needs action. Need a suggestion on what you need to know and how to get started? StayWoke is an excellent reference to bookmark and return to, and their Resistance Manual is a continuingly updated prime source for activism, resistance, and protest. As StayWoke says: There are more of us who support equity and justice than who oppose it.

There is hope. There is a chance. We need to remember the "final words" of the man who started this all for us in his four-color defiance, a man who came from another place but taught us to fight for all humanity.


Panel from Superman (1939 series) #156 (October 1962), script by Edmond Hamilton, pencils by Curt Swan, inks by George Klein, letters by Joe Letterese
"We all have the potential to move the world, and the world is ready to be moved." — Harry Chapin

It's a message of encouragement and optimism championed by even very nearly the complete polar opposite of Superman, a cynical, hyper-violent, sex-addicted, kangaroo-shagging, tank-driving child of post-Apocalypse Earth. Even she knows the score.


Panel from Tank Girl: Two Girls One Tank #3 (August 2016); script by Alan Martin; pencils, inks, colors, and letters by Brett Parson, additional colors by Ned Ivory
"But it's up to us to make it okay. It's time to be positively rebellious and rebelliously positive. As long as we stand up for what we believe in, don't give into anger or violence, look out for the little guy, keep an eye on the big guys, refuse to keep our mouths shut, and just generally try not to be dicks, every little thing is going to be all right." — David Tennant


"Can't we give ourselves one more chance
Why can't we give love that one more chance
Why can't we give love give love give love give love
Give love give love give love give love give love
'Cause love's such an old fashioned word
And love dares you to care for
The people on the (people on streets) edge of the night
And loves (people on streets) dares you to change our way of
Caring about ourselves
This is our last dance
This is our last dance
This is ourselves
Under pressure" — Freddie Mercury and David Bowie, "Under Pressure"


Cover of Ms. Marvel (2016 series) #25 (February 2018), art by John Tyler Christopher
Isn't it love, after all...that makes the world go round?


Panels from Marvel Graphic Novel #5 [X-Men: God Loves, Man Kills] (1982), script by Chris Claremont, pencils and inks by Brent Anderson, colors by Steve Oliff, letters by Tom Orzechowski
"I used to be on an endless run
Believe in miracles 'cause I'm one
I have been blessed with the power to survive
After all these years I'm still alive

I'm out here kickin' with the band
I am no longer a solitary man
Every day my time runs out
Lived like a fool, that's what I was about, oh

I believe in miracles
I believe in a better world for me and you
Oh, I believe in miracles
I believe in a better world for me and you." — The Ramones, "I Believe In Miracles"

365 Days of Defiance, Day 354: Sing a Song of Superman

In which Superman defeats the most hideous strength in the DC Universe...by singing!:


Panels from Final Crisis #7 (March 2009), script by Grant Morrison, pencils by Doug Mahnke, inks by a whole lotta guys, colors by not so many guys, but still a lot of 'em, letters by Travis Lanham
So here I ask you: what song would Superman sing to defeat Darkseid? Could it be


Or maybe it's


Or perhaps Superman chose to sing


Do you think Superman sang this at Darkseid? Well, he did grow up in Kansas.


Me, I think Supes sang this, as befits the cosmic odyssey of the whole thing:


But let me know your suggestions! Write to "MTV's What Did Superman Sing? Contest, 100 Grand Central Station, New York, New York, 10036!" Or, you could say it in the comments.

Monday Night Murals: Tattoo You

Tonight: perhaps the...strangest mural of all? Don't take my word for it...have yourself a look!:

Covers of Final Crisis Aftermath: Ink #1-6 (July-September 2009), art by Brian Stelfreeze
Click image to confuse-o-size

What's that you're saying? That isn't a mural, Bully? You darn little stuffed bull, you ripped us off! We want our money back! You have cudgeled our childhood! Now, before you show up at the door of Casa Bull with pitchforks and torches

DING-DONG

Uh oh, I better get to the point fast. You see, most interlocking comic book covers all join up from left to right, or top to bottom, or occasionally in a block of four or six or nine or...well, you get the picture. But Brian Stelfreeze's mural for Ink is as clever as two very clever things stapled together and placed in a box marked "clever." Can you match wits with Mister Stelfreeze and puzzle out the strange configuration of Final Crisis Aftermath: Ink?

Uh oh, they're breakin' down the door, so I better work fast. Let's put this one here...and that one there...these go over here...and that one on its side..like so! Ta-da!, or, as they say in Paris, violins!

Click image to flash-sheet-size

I hope that staves off the rampaging masses: an interlocking comic cover mural that is so unique, it breaks the mold of the usual left-to-right panorama. Thanks, Brian Stelfreeze, for giving us a Monday Night Mural as distinctive as a...tattoo!




Okay, I deserve to be taken away by a mob after running that clip. Here's a Herve Villechaize scene I really like:



Which has nothing to do with comic book murals. Or...does it?!?!

Fantasy Island: Edward (Minisode)

No. No, it does not.

All right, mob, I'll come along quietly.

Sing a Song of Superman

Bemused? Befuddled? Bedaffled? My prescription is to check in with the good Dr. K for a Rx of context, folks!

Fun Fifty of 2008: Part 5 of 5

Yay! Hooray! Whoooo! Spongebob Squarepants, everyone, with a musical tribute to Gob Bluth and also to one of the most eagerly awaited comics of 2008! Let's get him back up on stage again, folks...let's hear it for Spongeb...oh, he's being used to clean up Mickey Rourke's dressing room. We'll catch up with him a little later.

We're back only fifty-eight hours after we kicked off the proceedings. And even then we're still running faster than the Oscars hosted by Jon Stewart! But after a few dozen more commercials, we'll be ready to kick off with the...ahem...Final Fun Countdown! Last time, you may remember, Green Lantern was in a tough pickle as Sinestro was dangling him upside down over a vat of creamy corn chowder...oh wait, that's the wrong "last time." Last time we counted down from 20 to 11...that leaves only numbers 5, 2, 7, 4, 10, 1, 3, 6, 9 and 8 to cover...and just to make things more exciting, I'm not even gonna do 'em in that order! Who sez this isn't the Mighty Bully Age of Shock and Surprise?!? Let's roar around the final curve and into the home stretch, Stig-style, with...


#10: FINAL CRISIS DC's flagship cross-over event of 2008 is the big kahuna, all right: every single comic they've been publishing since, oh, let's say 1954, has been tied into and leads up to this event. I was no big fan of Identity Crisis, right-out loathed Infinite Crisis, enjoyed 52, but have given Countdown and Trinity a miss to preserve my piggy-bank-sized budget. Why, then, does Final Crisis work where most of the big crossovers of 2007-2008 don't? Simple answer: Grant Morrison. I'd pretty much follow Grant Morrison to a Witchblade comic book and beyond, and his meta-hyper super-entwined event of The Day Evil Won in the DCU has me on the edge of my seat. It's not an easy read...but I don't believe that superhero comics need spell everything out in big bold captions for you. It's a big, all-encompassing company-wide event, but unlike so many of 'em in the past, it's not messy. Bring the skills you use reading fiction and non-fiction (you are reading more than just comic books, ain't ya? Good!) to FC and you'll find that Morrison's simply bringing the superhero comic tropes up to the same narrative level as you'll get in a book with an actual spine and a dust jacket. While this isn't great art by any means, it's both a quantum step forward for the usual by-the-numbers crossover event. (It's okay to need a guide to the galaxy of players, though: I highly recommend Gary Greenwood's lovingly thorough Annotated Final Crisis, and Benjamin Birdie's solid analysis at CBR, which prompted me to read with a more critical little button eye. But side from taking the crossover event, in the words of Suggs, one step beyond!, Final Crisis is chock-full o' heroes and villains in the kind of DCU-spanning, high adventure, derring-do, and—by issue #6, especially—do or die voyage that provides a sense of wonder and (oh yes) fun that I haven't felt since the original Crisis on Infinite Earths. You can tell a book by its covers: designed by Chip Kidd and realized gorgeously by cover artist J. G. Jones, FC's covers have taken the usual "comic book" look and brought it up to the twenty-first century with a design that can proudly stand alongside...excuse the expression, please..."real" books. Quibblers may quibble, but hey: I'm thinking Final Crisis is pretty darn fun. And if you think Batman ain't coming back from his big bug-zapping...well then, boy howdy, you ain't read many comic books, have ya? (Or at least you shoulda read this one.)


#9: THE AGE OF THE SENTRY Almost missed out on this one, and that woulda been a shame. I passed over the Age of the Sentry miniseries based solely on my dislike for Marvel's Thor-Lite/Miracleman-wannabe/deus-ex-prankia in the pages of The New Avengers and World War Hulk, but I read enough rave reviews (like this one) about how crazy-wild-cool the book was. I should have known it: it's written by Jeff Parker and Paul Tobin, two of my fave creators at The Big M these days, and instead of mirroring the sobby-angst-stuffed modern-day crazy-ass Sentry (boo hoo hoo), this is the 1960s Marvel Pop Art-era Sentry, in the let's-get-retro 1963, Fantastic Four: The World's Greatest Comic Magazine, and those wonderfully goofball Supreme issues by Alan Moore. Sentry faces off against over-the-top monsters like Ursus the Ultra-Bear, Warloo the Galactic Gigolo, The Mountain Man, and Truman Capote. Yes. Truman Capote. The art is gorgeous: bright, colorful, and frantic in the style of (but not slavishly imitating) the 1960s Marvels, and there's a cornucopia of great illustrators at work here: Nick Dragotta, Ramon Rosanas, Michael Cho and, in a story guest-starring Millie the Model, Colleen Coover (I loves her artwork to pieces!). Every time you weep tears for the lost innocence of Marvel, for every Janet van Dyne squashed by a hammer or eaten for dinner, there's still one romping around in one of the little but lovely fun corners of Marvel that produces books like The Age of the Sentry. This might not be the real history of the Earth-616 Sentry, but whatever Earth this is set on...I call it Earth-Fun.


#8: BOOSTER GOLD (In 2007: #1) My #1 Fun Choice of 2007 drops a few notches (but still remains firmly in the Top Ten) following the departure of both initial series writers Geoff Johns (the man who knows more DC history than anybody since Rascally Roy Thomas) and Jeff Katz, and of Booster's sidekick, best friend, and cannon fodder Blue Beetle (Ted Kord model). An entertaining two-parter focusing on the Batgirl history by Chuck Dixon wasn't bad (whodathunkit?), but in issues by new writer Rick Remender and then regular scripter Dan Jurgens, the series seems to be circling already-used concepts. In a series that hasn't even reached Year Two yet, that's troubling. A couple special issues (#s 0 and 1,000,000) that only peripherally tie into the crossovers and context of the original Zero Hour and DC One Million series are fun, but Goldstar is no Blue Beetle. Still, removed from the dark and doom-filled regular DC Universe timeline, Booster Gold maintains a sense of fun and adventure. I'd like to see the series get back to re-visiting, from Booster's POV, famous events in DC Universe history. How about Booster in the Haunted Tank fighting alongside Sgt. Rock and teaming up with the Viking Commando! Now that's history!


#7: KING-SIZE SPIDER-MAN SUMMER SPECIAL Warning! The following stories did not really happen! warns the introduction page to King-Size Spider-Man, winding up with Unless you want to read a few fun stories. Then these count. And holy cow, do they count! This is the single most fun-packed Spidey comic in years, and that counts the classic Fun-Size Spider-Man Goes to Fun Town and Teams Up With The Funtastic Four. A retcon or reimagining of Spidey's first meeting with the Falcon, a Chris Giarrusso Mini-Marvels Spidey versus Venom strip are worth the price of admission all by themselves. And remember that iconic eight-word recap of Superman's origin in the first issue of All Star Superman? Well, it's beaten by two words in the intro page's Spider-Man origin, which just happens to be The Most Fun Panel of 2008:



But the webbed icing on the Spider-Cake is "Un-Enchanted Evening" by Paul Tobin and Colleen Coover, my admiration for both of whom runneth over even before this glorious team-up of Clea, Marvel Girl, She-Hulk, Scarlet Witch, Patsy Walker (Hellcat), Millie the Model and...Mary Jane Watson?!? Versus The Enchantress? And they don't need Spidey or Thor to bail them out? Verily, sisters art doing it for themselves! Coover's bright and expressive cartooning and Tobin's funny and brisk dialogue make them a heckuva team (in real life as well as on the page: they're married!) Even better, this tale has spawned, like Happy Days, a heck of a spin-off: Tobin's upcoming Models Inc. miniseries, to be published in 2009. Can't wait for it, and if it's half as good as this story, expect to see it this time next year on my Fun Fifty of 2009!


#6: THE IMMORTAL IRON FIST (In 2007: #2) Another Top Five favorite in 2007 slips a handful of rungs down the ladder but still delivers a face-kickin' adventure and a time-spanning saga. I miss original series writers Ed Brubaker and Matt Fraction, but new scripter Duane (inhale) Swierczynski is admirably carrying the torch of Marvel's immortalist hero Danny Rand...and his entire family from wife Iron Lady to Iron Dog. What, that's not the Iron Fist dynasty? No, it's even better: for the first time in this series we learn that the Iron Fist is not merely one twentieth-century hero but a legacy of champions spanning into the distant past (and future). DC Comics has done this for years with its "legacy" titles like Flash and Justice Society, giving a fuller sense of history to its superhuman worlds, but aside from extending the careers of Captain America and a handful of its heroes from WWII to today, Marvel has eschewed (thank you, Word of the Day Calendar!) the legacy character before this. Fraction, Brubaker, and now Swierczynski have done the concept proud, however: the best of the Immortal issues remind me of Starman, my favorite legacy hero series. Flashbacks and flashforwards fill in the storyline on past and future Iron Fists, and its not simply history-building: as a great man once opined, future events such as these will affect you in the future. In the main title and and one-shot specials like the title-stretchin' The Immortal Iron Fist: Orson Randall and the Death Queen of California,Danny gradually learns the history of the Iron Fists. He uses it in one of the extended arcs of 2008 in which he finds out that no Iron Fist has lived past the age of 33 (and guess which birthday Danny's celebrating this year!) and to plot his assault on the Mystical Eighth City we're gonna be seein' in 2009. The history and plotting shows there's a grand plan behind the story and even tho' the driver has changed, it's a heckuva ride. Immortal Iron Fist is more than my favorite Marvel comic series of 2008; it's shaped up to be, so far, one of my favorite series of all time.


#5: ALL STAR SUPERMAN (In 2007: #10) Oh noes! An iconic DC Universe superhero...dead! Sacrificed himself to save us all from terror and destruction! Leaving behind his mourning comrades and friends and millions of grieving fans! What will we do...what will we do? Well, if you're anything like me...declare it the fifth most fun comic of the year! It took us a while to get here, but Messers Grant Morrison and Frank Quitely have, in the space of twelve slim but elegant issues, brought us one of the finest deconstructions and reconstructions of the Supes story since...um, I'd say since Christopher Reeve, but your mileage may vary. Shorn of its DC Universe constraints in the All Star continuity, this Superman faces familiar friends and foes in the classic Morrison way: with quantum physics and solar shifting...and Lex Luthor. Issue #12 is the big finale of the final three issues (all three came out in 2008), featuring the culmination of Lex's deadly plan to destroy Supes which actually looks like it's gonna work. Thankfully, as he did in all those great Silver Age stories, Superman defeats his arch-enemy using the knowledge and power of science!! (Do you know how massive gravity affects the passage of time? Superman does.) For me, the stand-out of this series has been re-reading for subtlety: the wonderful little stage business Morrison plots and Quitely displays of Clark stumbling to prevent an off-stage auto accident, or a bag of oranges tumbling out of Lois's arms when she realizes, hey, maybe if you take off Clark's glasses and give him a spit curl, he looks a little like holy cow could he really be Superm..., and, in the final issue, Quitely's literally portrayal of the old Archimedes saw Give me a lever long enough and a fulcrum on which to place it, and I shall move the world. And us, as well. All Star Superman joins the ranks of Alan Moore's "Whatever Happened to the Man of Tomorrow?" as another of the greatest final grand adventures of our greatest hero.


#4: HARVEST IS WHEN I NEED YOU THE MOST The Force is what gives a Jedi his power, says Obi-Wan Kenobi (old Academy Award-winning actor version). It's an energy field created by all living things. It surrounds us, penetrates us, and binds the galaxy together. Also, there are little tiny little microscopic beings inside us that affect our ability to use the Force and which if you don't have 'em, you'll probably be...no, wait, forget that last part. It's pretty silly. And who are we to disagree with Obi-Wan? Like the Force, Star Wars fandom surrounds us and pulls us all together (how's that for a segue, folks?), and while I've been a pretty big little stuffed fan from way back, I've been (Clone Wars excepted), pretty disappointed by the licensed Expanded Universe adventures, novels, comics and sagas that have filled in every vacant corner of the Georgeiverse. The authorized Star Wars comics especially seem to be lacking the fun, joy, and occasional hysterical giggles that I got from the original first trio of movies. (Where have you gone, Star Wars Tales?) Notice I say "authorized," because like doing the Kessel Run in less than twelve parsecs...sometimes it takes a pirate to deliver.

(Okay, okay, I'll stop it with the Star Wars metaphors now.)

Harvest is When I Need You the Most, a gorgeously-designed minicomic (it's got a glossy tip-in right on the cover) that is most definitely not an official Lucasfilms tie-in, but there's more of delight here than in a truckload of Phantom Menaces. A squadron of noted and talented comics artists have contributed nine tales set in the original SWU: quirky and funny and colorful and sad stories of Luke's friendship with Biggs, Artoo and Wicket's adventures, the Cloud City dinner with Vader after the doors closed behind Han, Leia, and Chewie, and my two favorites, Box Brown's "Obi the Lonely" is Ben Kenobi's quiet desert reflection on what drove Anakin to betray the Jedi, and Shelli Paroline's strikingly gorgeously illustrated (and beautifully spot-colored) "Rancorous Love," in which The Tentacled Go-Go Dancer Tossed to the Monster in Jabba's Pit. For those of you who pay close attention to G-Canon, that's Oola the Twi'lek and the Rancor, but honestly, all you need to know is it's a heartbreaking love story. Between a girl with tentacles on her head and a monster. Cool. You too can buy this bundle of Star Wars joy online: believe me, it's an absolutely fun Star Wars comic and a true celebration of what makes the saga still so alive for me: the joy and delight it is capable of bringing to its fans.


#3: HERBIE ARCHIVES I've read about Herbie Popnecker for years but never actually read him: the classic cult 1960s comics which, I kept reading in criticism, history, and commentary, still remained among the pantheon of the industry's most enjoyable and charming comic books. One flip through the first volume of the hardcover Herbie Archives in 2008, however, and I was instantly hooked: Shane O'Shea and Ogden Whitney's tubby hero is a hoot and a half, the most unflappable and powerful hero of them all, able to face down the devil, the sun, and alien monsters with a firm stare and a lick of one of his magic lollipops. Dark Horse has digitally restored the original stories without overcoloring them with bright modern techniques: they're clear, sharp and crisp reprints that at the same time look the way they should: like old comics books. Many of the stories are similar, and you're best served by reading only a few at a time, but the brilliance of each one shines through with Herbie's deadpan reaction to everyone and everything, and glorious period metacommentary: UN head U Thant desperately hires him, screaming girls ditch the Beatles for his favor...even Jackie Kennedy swoons for Herbie! That's my cue to say, you will too!


#2: BATMAN: THE BRAVE AND THE BOLD A smiling, swashbuckling Batman? Heresy! Or...to put it another way...fun! Warner Brothers premiered their new Batman cartoon in 2008, and it's a most rollicking and entertaining celebration of Batman (no dark-tinged The definite article needed here). Patterned after the long running Batman team-up comic series (also the source of the title) and featuring a Dick Sprang-influenced beefy, broad Batman, Brave and the Bold preserves Justice League Unlimited's exploration of the DC Universe through its galaxy of guest-star heroes and villains while providing a lighter, less-angst-filled, more swashbuckling approach to the Caped Crusader than any of the previous Batman series. Most of the stories are high on action and light on soap opera: Bruce Wayne so far hasn't appeared once; neither have the supporting Bat-cast. Instead, each episode kicks off mid-stream with a action sequence reminiscent of the James Bond pre-credit sequences and guest-starring a different hero than the main portion of the story. The series shows a great affection for all corners of the DC Universe: hey look, it's Kamandi! And Guy Gardner! And Plastic Man! And...good golly, is that B'wana Beast? (Yes. Yes, it is.) From its energetic jazz score theme song and its always-in-exclamation-point titles to the final gentle lesson learned, this is grand stuff, fit for an audience of kids, adults, Batman fans and newscomers, and most certainly little stuffed bulls. Sure, purists might quibble with some minor liberties taken with characters for the sake of the story (glory-loving Aquaman, teen Black Lightning), but there's many wonderful touches that outweigh this: Batman's voice-over narrative and his role as a senior but approachable mentor to many of the superheroes is a great counterpart to the gruff loner of recent DC animated series. And is it just a rumor, or will we really see Bat-Mite pop up in a future episode? Every TV show...even the best TV show...can only be improved by a guest-starring Bat-Mite. Remember that episode of Friends where Bat-Mite helped Rachel get a job in the fashion industry the same night he impersonated Joey on a double date with two supermodels? Now that...just like The Brave and the Bold...is must see TV.


#1: BATMAN (In 2007: #21) And, if you prefer your Batman of a different tenor...

insert sound effect: record scratching across LP

Hold on! Batman, R.I.P....the most fun comic of 2008?!? Why yes, Bully boosters! As you can tell by numbers 10 and 5 above, I'm a big Grant-groupie, and I've much enjoyed the quantum twists that Morrison's been bringing to DC's big guns over the past couple years. His Batman storylines have been a great delight to me, especially last year's "Club of Heroes" trilogy, and even the disjointed parts of the line-wide "Resurrection of Ra's Al Ghul" were solid Bat-fun in this household. Little did I realize that not only was every story building up to 2008, now forever to be known in comicdom as the year Morrison's Bruce Wayne went totally bat-crap-crazy with the introduction of (say!) Bat-Mite and the Batman of Zur-En-Arrh. It was a storyline that at times made me think Batman (and Morrison) were in over their heads, but hey, as the final chapter of R.I.P. reminds us, "That's the thing about Batman Batman thinks of everything." The over-the-top rampage of a red raging Batman leads a betrayal by someone dangerously close to Bruce, and the usual "entire Bat-cast to the rescue" last act fight-fest, but there's very little else that's by the book in R.I.P....like he's doing in Final Crisis, like he's done in All Star Superman, Morrison's work makes us read carefully, makes us read harder, filling in the obvious stuff between the lines and between the scenes in order to keep the action moving, presenting us with unreliable points of view and...

But that stuff, which I'm lovin', is all part of the complaints that I've read about R.I.P.: it's too complicated, it's not linear, it's not connected, it's too disjointed. I respectfully gotta disagree, although I won't argue with you if you didn't care for Batman: R.I.P. Let me put it this way. Another bit of entertainment I loved this year...and it shoulda been somewhere in my Top Fun Fifty if I hadn't forgotten to count it in...is Quantum of Solace, the newest James Bond installment that breaks a lot of the rules of 007 films. Like Morrison's Batman, Quantum challenges us: it's fast-moving (at 106 minutes, Bond #22 is shorter than any other Bond film) but is filled with so many great set pieces and characters that it seems fuller than say, [pick your least favorite Moore or Brosnan film]. It picks up in media res, but neither has a recap at the top of the film nor initial talking head sequences recapping Casino Royale. You can have done your homework and know the business behind the story, or you can leap in and enjoy the ride: either way of experiencing it acceptable and fun, and it's a solid streamlined way to present a story in the same way that contemporary fiction does: not everything is spelled out for you. Sure, the pieces fall into place faster if you realize that Vesper Lynd did such and such or that Batman "actually" went to a planet named Zur-En-Arrh in 1958's Batman #113—or you could just ride along with the story of Batman, a man who has a contingency plan for everything, forming a secondary (and kick-ass) identity that will emerge if under psychological torture, turning the tables on the bad guys.

Enough of that. If you didn't like it, that's cool. But Batman during this year was the comic book in which I couldn't wait to see what happened next: what I wanted from Hush and was still starved for, a roller coaster Bat-Ride that combines Morrison's love of 1950s Bat-tales and the contemporary unflappable, unstoppable, undefeatable "The" Batman. I've mentioned before that although it's a subtle change rather than a big-event reboot, the post-Infinite Crisis Batman is the best improvement on the character since Morrison's JLA #1. After a long period of Batman being a jerk...post-Infinite Crisis Batman is still the greatest strategist and warrior in the DC Universe, but now gives full props, support, and attention to his impressive cast of characters. If Tony Daniel's workmanlike art wasn't entirely to my tastes, the layouts were always crisp and frequently inventive. The true "death" of the storyline may have occurred in Final Crisis, but oh, like Batman hasn't planned for that eventuality. After all, practice makes perfect:



So there you have it, folks. Please join me in a toast and salute to my favorite fun comic of the year, and to the only man who can make dying into 2008's most fun story: Batman.


There ya go, numbers fifty, down to one. That's merely fifty of many, many fun things that came out of 2008, a year in which you might be hard-pressed to find a lot of joy or hope indeed. We live, as the Chinese proverb goes, in interesting times, but, as they also woulda added: Look! Up in the sky! Because there's fireworks everywhere if you look in the right place.

I thank you all who've stuck with this feature despite several installments having day-gaps between them: sometimes real life gets in the way of blogging, as those of you waiting for the next installment of "A Wodehouse a Week" will have discovered. (It resumes next week, promise! Cross my little stuffed heart and hope to cry if I'm wrong!) But this blog absolutely, positively, continues. Of everything fun in 2008, most of all I've found it fun writing this blog and getting your comments and questions, not because I'm an attention-seeking little stuffed animal (well, okay, not completely because) but because I really, truly enjoy celebrating my favorite manta: Comics Oughta Be Fun. They were in 2008...they will be in 2009. And beyond.

Fun Fifty of 2008: Part 1 of 5

All together now:

Overture, curtains, lights!
This is it, the night of nights!
No more rehearsing and nursing a part!
We know every part by heart

Overture, curtains, lights!
This is it, you'll hit the heights!
And oh, what heights we'll hit!
On with the show, this is it!

Whew. Now let's run some Speedy Gonzales cartoons.

No, no, actually, it's time once again for the event of the Bully-Year, the Third Annual Academy Awards Fun Fifty of the Year, counting down and celebrating the comics (and other pop culture items) that I enjoyed the most in 2008. We're outside on the red carpet with a wide array of fabulous stars, from Mister Benjamin Grimm to Anakin Skywalker, from Donna Noble to Supergirl, and the hard-drinking duo of Iron Man and Homer Simpson! Quit popping your claws at Joan Rivers, Wolverine...I'm sure you'll win an award! And She-Hulk, put Isaac Mizrahi down...I'm sure he didn't mean anything by grabbing you there! Okay, everybody into the theater, because, in the immortal words of The Duchess of York, let's get it started in here!

For those of you who came in late...don't let the Hulk park your car. For the rest of you, let me run over the rules of the Fun Fifty Countdown. It's a very subjective list of what this little stuffed bull enjoyed reading, watching, and even hearing (but no tasting! Don't lick your comic books!) over the past year...in short, the most Fun Stuff of 2008! While there are no prizes given, please feel free to award yourself special bonus Bull-Points if you have picked up and enjoyed one or more of the following fifty things! I'm sure you'll argue over some of my choices (specifically this year's number six fun comic book miniseries, Everyone's Secretly a Skrull and Also Invading, So Why Don't We Put a Convicted Murderer in Charge of S.H.I.E.L.D.*, and Hey, Didn't ROM: Spaceknight Already Do This Gig Back in the Eighties? (*Strategic Homeland Intervention, Enforcement, and Logistics Division)). But while there's no wagering, please feel free to guess what I'm going to name as my favorite fun thing of 2008. It'll join the Pantheon (no, Hulk, wrong Pantheon...get off the stage, please!) of Bully's Funnest Comics of the Year: Banana Sunday (2005), Nextwave (2006), and Booster Gold (2007). So, as the Bully Dancers leave the stage, let's ring up the curtain and start the Countdown! (Hulk! What did I tell you...oh, never mind!)


#50: FINAL CRISIS: SUPERMAN BEYOND 3D You're gonna see a lotta comics by Mister Grant Morrison on this year's Fun Fifty, for a few very good reasons: because he writes wild, way-out, wacky comics that are high-energy, high-concept, and high-entertainment; because I happen to love the guy's writing like nobody's business; but mostly because he wrote approximately seventy-'leven comic books in 2008. (Final Crisis? He wrote it. Richie Rich? He wrote it. Slylock Fox? He wrote it.) Superman Beyond is a two-ish sidebar to Final Crisis, explaining just where the Sam Scratch Supes vanished to during the Earth's greatest moment of need. (Also, when he wasn't hanging around with supped-up teenagers in the future.) It's a fun and fast romp in the Mission: Impossible mode: gather a bunch of experts (in this case, different dimensional versions of Superman) to tackle a terror of cosmic proportions. With guest appearances by Ultraman, Ace the Bat-Hound, and Merryman! And it's in 3D. Holy cow, is that the destruction of the multiverse in three dimensions? It sure is! Strap on your 3D glasses and come along for the ride—it's solid, frantic adventure cranked up to 11 in the Mighty Morrison Mode. (Now, bring us the second issue, Grant!)


#49: EVERYBODY HURTS, EVEN SITH LORDSI picked this minicomic up at SPX in September, and boy howdy, did I enjoy it! A fast but furious read set in the Star Wars universe (but don't sue creator Alex Bullett, Lucasfilms!) pits that master of mean, Darth Vader, against the one foe he cannot defeat: love. And this ain't no girly-whiny Episode III Vader, no sir...this is the kickass Dark Lord of the Sith who asks for what he wants and if he doesn't get it, no one can. All this, plus a female Jedi in a belly shirt (aren't they all?) and a rousingly sniffle-worthy rendition of the saddest song in the galaxy. Plus, the comic is trimmed in the shape of Vader's helmet! I picked up a lot of minicomics this year but this is one of the few that stays with me. How can you pick it up? Um, well, I'm not sure. Live near a great comic store that sells minis, like Quimby's in Chicago? You can probably pick it up there. But for everybody else, you can read part of it at at Alex Bullett's Flickr, and I imagine if you leave a note for Alex there asking how to get the mini he can set you up. But not you, George Lucas!


#48: GREATEST HITS What If?...The Fab Four became The Fantastic Four? That's the general concept behind my favorite new Vertigo comic in the past couple years: a psychedelic tour through the sixties, seen through the eyes of a documentary filmmaker trying to capture the story behind the headlines of The Mates, the quintessential 1960s superhero quartet, at the same time unraveling a mystery stretching to the modern day. It's a furiously fun concept that I seriously can't believe nobody's done before, and series creators David Tischman and Glenn Fabry fill this miniseries with enough brilliant ideas for comics twice their length. Intentionally confusing, leaping back and forth in time, a whirlwind journey through sex, superheroes, and rock 'n' roll that rewards re-reading and will make a great gateway comic in trade paperback.


#47: SUPERMAN'S PAL JIMMY OLSEN SPECIAL My fave supporting character of the DC Universe (move over, Alfred Pennyworth) gets his own giant-sized Final Crisis tie-in special highlighting the sweater-vested star using his journalistic, detective, and Superman's-Pal skills to crack the mystery of Jim Harper, Guardian, and the clones of The Cadmus Project. While it harkens back to those crazy, kooky Kirby issues of Jimmy Olsen, it's well-integrated into the DCU's current interlocking adventures and is about as modern as an iPhone stapled to Barack Obama: Jimmy Olsen does, indeed, yes, certainly, have sex. (Off screen, but hey, Jimbo!) And if your eyes don't tear up at the scene with Dubblex, well then, you're made of stronger stuff than this fluff-filled little bull toy. One quibble? There's no real conclusion; the story continues in a Superman special. Aw, geez, give Mr. Action his due: a full story that centers around him with a real ending where he doesn't have to press that hypersonic watch to signal Big Blue.


#46: MARVEL ADVENTURES: THE AVENGERS (In 2007: #48) In a year crammed full of Avengers New, Mighty, Dark, and Cheese-Flavored, where monthly Avengers issues featured flashbacks to Skrulls inserting themselves into the lives of superheroes, Jarvis, and Fabian Stankowicz (hey, is he was a Skrull back in Avengers #239, that explains why he attacked David Letterman! Doesn't it?)...well, forgive me if I go hankerin' for some good old-fashioned "Avengers Assembling" on a monthly basis. This series of kid-friendly (but never child-like), done-in-one (but never short-shrifted on action and characterization) brings together Marvel's Greatest Heroes—as Spock would knowingly nod and say, "Ah yes...the Giants." This year they've faced off against Galactus, been popped into each other's bodies, explore Wakanda and go through therapy with Doc Samson. Most issues also feature a Chris Giarrusso "Mini-Marvels" strip, which is always pure delight in four-color form. If you're bemoaning the loss of an energetic and heroic team of Assemblers, your best bet's not on Earth-616: pick up Marvel Adventures: The Avengers and grin with joy.


#45: ZOT!: THE COMPLETE BLACK AND WHITE COLLECTION: 1987-1991 If you've read Understanding Comics and his other comic art theory books, you know that, agree with him or no, how influential Scott McCloud is to contemporary comics. But if you've never read his groundbreaking indie black-and-white comic Zot!, well, then, cowboy, you're livin' at the right time, because it's been reissued in a gorgeously-designed package by HarperCollins, with extensive new commentary by McCloud. At first glance a superhero or science fiction hero in the vein of Astro Boy or Flash Gordon, Zot's story is...especially in the b/w issues collected (#11-36)...also a teen romance, a light soap opera, and a comics whose dialogue and characters still stand as realistic and touching long after the b/w boom went bust. Buy it for yourself, buy it for a friend, buy it for a young adult...just read it, love it, and enjoy it. We live in a golden age of great comics and strips being reprinted, and Zot! rightfully takes it place among them as a treasured collection of a classic comic.


#44: JOHNNY BOO: THE BEST LITTLE GHOST IN THE WORLD Of course I love Johnny Boo: just like me, he's the cutest little thing around—a boy ghost with the "Boo Power" to face off against the Ice Cream Monster and make friends galore, which already makes him more socially acceptable than Casper, who frightens off everybody left and right. Johnny Boo is one of those rare comics for kids that are thankfully accessible for adults: without being maudlin or dumbed-down, it's entertaining and compelling, like the best children's lit. There's a wonderful sense of just peering in on Johnny's daily life that brings James Kochalka's characters and fluid artwork closer to the reader. Certainly the best comic about a ghost this year, and joyful joy! It's the first in a series, with Johnny Boo Volume 2 arriving soon. Simply...(don't hit me)...bootiful.


#43: ST. TRINIAN'S: THE ENTIRE APPALLING BUSINESS I leapt for joy when I learned Overlook Press, already doing a bang-up job reissuing the Complete P. G. Wodehouse in attractive uniform hardcover editions, was also publishing Ronald Searle's complete cartoons of the macabre, manical, murderous little moppets of St. Trinian's School for Girls, where backstabbing isn't a metaphor, devil worship is the accepted religion, and Wednesday Addams woulda felt right at home. This gorgeous and hilarious package contains all the Searle cartoons, so if you only know the Belles of St. Trinian's from the fun but decidedly watered-down movie series (including the recent remake with Rupert Everett in drag), you owe it to yourself to see the master at work:




#42: THE MUPPET SHOW: THE COMIC BOOK PREVIEW What's the best thing about attending San Diego Comic-Con?

This.:

What's the second best thing? Getting a chance to pick up special preview issues of forthcoming comics! And there's none I'm looking forward to more than BOOM! Studios's The Muppet Show comic book, for which they issued a special preview illustrated by one of my favorite artists, the incomparable Roger Langridge, creator of Fred the Clown (the closest thing to a Buster Keaton comic book) and all-around Goon Show fan. Roger's artwork in this jam-packed but all-too-swift preview is (like the felt and foam creations of Jim Henson and associates), wonderfully detailed, energetic, and funny, and golly, I can't wait for the full-fledged comic from BOOM!, which oughta be around the corner in 2009. Check out a preview cover at Roger's blog, and seriously, pay no attention to the whiners and the naysayers complaining about his work: Langridge's art shows great love and respect for the characters and the storylines from The Muppet Show, and as a felt-and-fluff guy myself, I can't wait to see the series.


#41: RASL (In 2007: #45) It's a candy and a gum! Oh wait, I've made another one of my silly mistakes. It's actually a comic book: Jeff Smith's follow-up to the galactically-acclaimed Bone, and he couldn't go further in another direction from Bone if he tried. Speaking of preview issues, I picked up the (oversized) RASL preview at 2007's Comic-Con and loved it to pieces (not literally), so I was very much lookin' forward to diving into the full series. Mysterious, compelling, and beautifully-drawn (of course!), RASL is the mystery of a dimension-jumping thief hunted across reality as he leaps from place to place trying to put right what once went w finding worlds startlingly similar to his own except in the smaller details. And...so far, that's just about it, really, three issues into the comic. Critics of the series have complained it comes out too infrequently (four times a year) and is decompressed to such an extent that reading one issue gives only a fraction of the story, but hey, the first four issues of Bone took a year to come out, and while delightful, you can't glean the story just by reading one issue. In other words, if you're impatient for it, just wait. Like Bone, I think massive public praise for RASL will happen when the story is published in collected volumes (volume one is coming out very soon; click on the Amazon link above to pre-order it), but if you value the journey and the mystery, enjoy the quarterly single issues like me to see how the story grows and evolves. I bet in several years when it's finished, nobody'll remember the grumbling about the wait between issue #3 and 4.


Tomorrow: More fun stuff, you betcha! Want a sneak preview? Heck no! It's a surprise.

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Aw, okay. (inhale) Tomorrow: Dying heroes! Darn dirty apes! A movie you haven't seen yet! And an old radio show you probably don't know exists? All this and more in tomorrow's installment of...The Fun Fifty of 2008!