Monday, June 23, 2008

Mission: Impossibullpen II: Shoot or Be Shooter

Doc Doom's Time MachineLet's hop into your friendly neighborhood [take yer pick] Wayback Machine / TARDIS / Delorean / Guardian of Forever, set the controls for January 1984, and make certain to stop by your local drugstore, 7-11 or comic book shop to pick up that month's Marvel Comics, because we shall never see the likes of them again. Books cover-dated January 1984 were published during Marvel's first and only Assistant Editor's Month, a mostly-line-wide stunt that suggested while the main Marvel editors were out of town at 1983's San Diego Comic-Con, the inmates were in charge of the asylum Marvel. Beware: it's Assistant Editors' Month declared most of the covers of that month's comics, many of which featured humorous, parody and outrageous stories that ranged from the Avengers appearing on Late Night with David Letterman, John Byrne appearing as an observer at the galactic trial of Reed Richards, Aunt May and Franklin Richards fighting Galactus, Snowbird fighting Kolomaq in a blinding snowstorm, a team of kid Avengers, and Bernie America facing off against the menace of MOSKULL.

Uncanny X-Men Annual #7One comic released during Assistant Editors' Month, although not stamped or branded as such, is Uncanny X-Men Annual #7, which pitted our jolly gene-twisted guys against the menace that is...can ya believe it: The Impossible Man! What, him again? But that trick never works! This time fer shure!

It's a lovely brilliant sunny day in Salem Center, and instead of being off sulking somewhere about their unintelligible history, the X-Men are out, as they often were, playing baseball. (Ah, those were the days.) Batting cleanup is the Kossack Kid, Peter Rasputin, who smacks the ol' horsehide so far it takes off into orbit. Or...does it?
Uncanny X-Men Annual #7 panels
All panels from Uncanny X-Men Annual #7 (1984), written by Chris Claremont, art by Michael Golden and Bret Blevins and a whole lotta inkers, coloring by Glynis Wein, lettering by Tom Orzechowski, Michael Higgins, and Rick Parker


You can say goodbye to a fun afternoon picnic at Xavier's School for Genetically Overactive Youngsters...just like he did with Peter Parker's wedding reception, Galactus is crashing the party!
Uncanny X-Men Annual #7 panels


Whoa, looks like eating that last planet has made Galactus a little green, huh? That's because (unknown for the moment to the X-Men), the artist formerly known as Galen is actually the green 'n' purple Impossible Man. Claremont forgets in this story and in a later New Mutants annual that Impy can actually change color, but no worries about that now. Masquerading as the Devourer of Worlds, Impy steals the X-Mansion, leaving behind nothing but the X-Men's basement and Wolverine's Thingmaker set.

Pursued around the globe by the X-Men, the Impossible Man is stealing some of the greatest and most unique treasure of the Marvel Universe: Nick Fury's eye-patch (ick, he really needs to wash behind that thing more), Zabu the sabretooth tiger, Dr. Strange's sigil window, the Hellfire Club's Black Queen outfit (va-va-voom!), the Fantasticar, and...as we see towards the end of the book, even a few trinkets from places very definitely not the Marvel Universe:
Uncanny X-Men Annual #7 panels


As it eventually turns out, there's no malice to the Impossible Man's heists: he's just "borrowing" each item for a galactic scavenger hunt. And what could be more of a prize than capturing the one, the only, Stan Lee? trouble is, as Impy finds, Marvel's offices are no longer where they were last time he (and we) saw 'em:
Uncanny X-Men Annual #7 panels


Which means that across town, at Marvel's new 1980s offices, Mark Gruenwald and Eliot R. Brown come face-to-face with Zabu the sabertooth and a purple-'n'-green miniature Ghost Rider:
Uncanny X-Men Annual #7 panels


Writer/editor Larry Hama and artist Michael Golden, relaxin' in the reddest room in the history of architecture, are visited by the impossible Man in his search for Stan before Colossus and Wolverine catch up with him. Check out the dig at Stan's hairpiece...ouch!
Uncanny X-Men Annual #7 panels


And if it's the eighties...who else do expect to guest-star during a visit to the Marvel Bullpen but eight-foot-three EIC Jim Shooter (accompanied by Marvel's then-VP Publishing Michael Hobson). Ah, those were the days...
Uncanny X-Men Annual #7 panels


Finally apprehending the Impossible Man in the middle of the Marvel offices, Wolverine thinks it's a good idea to let Impy take Stan (Obviously he foresaw the creation of Stripperella)...
Uncanny X-Men Annual #7 panels


...while Storm, even in her mid-eighties Mohawk punk look, is the empathic and considerate X-Man:
Uncanny X-Men Annual #7 panels


... Chris Claremont and Paul Smith try to duck the blame while Louise Simonson plays peacemaker...
Uncanny X-Men Annual #7 panels


...and as the X-Men take Impy away, Kitty Pryde, the Hermione Grainger of her time, apologizes on behalf of everybody for the chaos, the confusion, and very possibly, the entire story:
Uncanny X-Men Annual #7 panels


...leaving the 1980s Bullpen to clean up, contact the insurance company, and very probably write a comic book about the entire experience.
Uncanny X-Men Annual #7 panels
Uncanny X-Men Annual #7 panels


That ain't the end, of course. There's some typical mid-eighties Claremont obsession with Impy taking on the appearance of Tom Selleck (pictured) accompanied by Kitty Pryde and Illyana Rasputin in their bathing suits (luckily, not pictured):
Uncanny X-Men Annual #7 panels


And then assistant X-Editor Eliot Brown shows up again to apologize for the whole shebang...
Uncanny X-Men Annual #7 panels


...give us the title of the story...
Uncanny X-Men Annual #7 panels


...show us just how many cooks it takes to make an x-broth...
Uncanny X-Men Annual #7 panels


...and blow the whole ferschluggin' thing up:
Uncanny X-Men Annual #7 panels


Whew. Well, there you go: Marvel superheroes visit the 1980s Marvel Comics offices. And yeah, it's pretty silly, but it's also a lot of fun, something that's sadly missing from most of today's comics. Why, Joe Quesada would never let Marvel superheroes rain such chaos down upon his modern-day Marvel offices, now, you can bet on that!

Or...can you?

(That's a hint to tune in tomorrow for more twenty-first century Bullpen excitement than you can shake a pen of bulls at, folks!)


4 comments:

Christian Zamora said...

These kind of stories are so missed these days. I mean, I do love big drama, but from time to time, just a little goof here or there would make it for diversity. As much as I like the Marvel Universe, it rings redundant at times. The whole initiative thing, and now the Secret Invasion paints everything with a gloomy feel.

I also remember an old back up story of an old Teen Titans issue. It had this feel and it dealt with George Pérez and Marv Wolfman. Back then it read like a riot. I think I should dig some more through my old funny books :D

Sea-of-Green said...

Ah, I HAVE this issue somewhere! Yeah, back when the X-men actually had a sense of humor and broke the third wall on occasion! Gawd, I miss those days ...

SallyP said...

Heh. I have this one too, buried in my boxes. It was always nice to have a calmer or sillier issue every once in a while...complete mayhem gets dull after a while. Although there was plenty of mayhem in this issue.

Anonymous said...

As I said a couple of entries back, I have great love for this issue, simply because it's just plain FUN (even back then, before GRIM AND DARK became the way things were done, Uncanny X-Men was quite angst filled.) It's just one hilarious gag after another, and the Bullpen Rampage is priceless. I read this comic so much I am reminded of a line from an Ambush Bug letters page, done in character as the Bug himself: "I still have that comic. Though it's in liquid form."