Panel from Thor #258 (April 1977), script by Len Wein, breakdowns by John Buscema, finishes by Tony DeZuniga, colors by Glynis Wein, letters by Joe Rosen
Friday, July 22, 2011
365 Days with the Warriors Three, Day 203
Panel from Thor #258 (April 1977), script by Len Wein, breakdowns by John Buscema, finishes by Tony DeZuniga, colors by Glynis Wein, letters by Joe Rosen
Marvel Bubble Gum Comics, Day 5: Just another brick in the wall
Comics card #34 from Marvel Comics trading card set (1978)
Thursday, July 21, 2011
May contain adult language
"May?" Actually, it certainly does. Excuse that, dear readers. I could black out the offending word but I rather think that would be missing a point. Anyway, here's a letter (and reply from Garth Ennis) published in "Gone to Texas," the letter column of Preacher #35 in March 1998 (Excuse the tiny scan):
Mister Ennis's point? (He does have one.)
With Comic-Con coming up this weekend, remember to be civil, even if asking a confrontational question, to creators and other fans this weekend. Please don't perpetuate the mythology of our fandom being populated by rude uncouth boobs.
Remember it, if for no other reason than Garth Ennis will %$@# you up.
Mister Ennis's point? (He does have one.)
With Comic-Con coming up this weekend, remember to be civil, even if asking a confrontational question, to creators and other fans this weekend. Please don't perpetuate the mythology of our fandom being populated by rude uncouth boobs.
Remember it, if for no other reason than Garth Ennis will %$@# you up.
365 Days with the Warriors Three, Day 202
Page from Marvel Fanfare #35 (November 1987), script by Alan Zelenetz, pencils and inks by Charles Vess, colors by Elaine Lee, letters by John Workman
Marvel Bubble Gum Comics, Day 4: Ripping Yarns
Comics card #17 from Marvel Comics trading card set (1978)
Wednesday, July 20, 2011
365 Days with the Warriors Three, Day 201
Panel from Thor Annual #14 (1989), script by Ron Frenz, pencils by Jim Valentino, inks by Gary Martin, colors by Mike Rockwitz, letters by Michael Heisler
Marvel Bubble Gum Comics, Day 3: This sucks
Comics card #13 from Marvel Comics trading card set (1978)
Tuesday, July 19, 2011
Beautiful: Runaways #18
Beautiful is a feature that focuses on those gorgeous and colorful ways to tell a comic book: its cover. (I think y'all know how crazy I am for comic book covers.) Each installment will spotlight an especially good-lookin' comic book cover that I think is cool, interesting, unique, unusually well-designed...or, in fact, beautiful.
Aieeeeee! One of these people will die in this very issue!
Who could it be? Who could it be?
Oh. That's who it be.
It stunned us in 1973, but these days you'd have to be a fairly green comic book fan to be too shocked by any of the drama or angst promised by comic book covers which promise the death of a major character. It's just been done too often, too many times. Yes, so-and-so will die; get on with it. Shuffle off this mortal coil, awready!
It's gotten to the point where even comics itself makes fun of this trope.
I was too young to catch Amazing Spider-Man #121, and its successors in the death pool sweepstakes have intrigued but never emotionally affected me. Yeah, yeah, yeah, which one of the Fantastic Four is going to die this time...oh, hey, it's H.E.R.B.I.E. You got me, comic book story!
So it's been that I've been moved by such a cover exactly one time in my comic readin' life. And that's Runaways #18. It is...for lack of a better word...beautiful.
Runaways v.2 #18 (September 2006), cover art by Marcos Martin
Whoa, I said, when I first picked up this issue. Wow, I thought. I'd not seen...certainly never in superhero comics...a more gorgeous, poignant, affecting contrast of reading line and cover image. The jubilant figures of the Runaways (even dinosaur Old Lace is laughing away); the large blissful and quiet blue negative space; the small, subtle quiet copy that doesn't even end in an exclamation point. It's a cover that wouldn't have been imaginable in the superhero market in the pre-2000s. No anguish or torment, no screaming heroes, no boldly stoic poses, just happy figures and a simple statement. One of these kids is gonna die. Which one? And you can't not read the comic after that.
Runaways has been one of my favorite comics over the past few years. Certainly part of that has been the concept and the plots: super-powered kids discover their parents are villains, and they take off on the run, from the law, from their pasts. They make a brief go at costumes and code names, but that doesn't last long; this is not Avengers or even X-Men. It's more about the soap opera (and I mean that as a complimentary description) that it is about the heroics, and to me the adventures, clever and unique as they are, take a back seat to the personalities and interpersonal relations of the Runaways. For the first time, including the original X-Men, New Mutants, and Teen Titans, these seem like real adolescents (with admittedly cleverer dialogue). I've often felt that the themes and characters of Runaways lends itself to being the best gateway entry into Marvel Comics for fans of manga and young adults novels. Setting the series in the Marvel Universe wasn't necessary, and in fact I remember being annoyed when Cloak and Dagger first made guest appearances. But series creator Brian K. Vaughan and successive writers have kept the crossovers unobtrusive, and when they do happen, they're often good for a giggle.
Panels from Runaways v.2 #12 (April 2004), script by Brian K. Vaughan, pencils by Takeshi Miyazawa, inks by David Newbold, colors by Brian Reber, letters by Randy Gentile
Yes, it's absolutely a wonderful series, but hey! This post is about cover art. My favorite of the Runaways covers is v.2 #18 above, but the entire run of the title has had some amazingly gorgeous design from several different artists. Here's another one of my favorites from Marcos Martin:
David Lafuente contributes several intriguing designs in the series' third volume, including my favorite of all "Wolverine on a cycle" covers from throughout Marvel history:
With his manga-style bigfoot cartooning approach, Humberto Ramos is a natural for the covers, and here's three striking, pensive, and...dare I say it? sassyfemale portraits:
Here's another portrait of Karolina Dean, "Lucy in the Sky with Diamonds," by one of my favorite comic book artists, Chris Bachalo:
Jo Chen has done painted covers for much of the series. The cover of v.2 #21 is probably my second-favorite of the whole comic. It's got nothing to do with the story content inside—very few Runaways covers do—and yet it captures the gleeful and quirky humor and tone of the book. (This cover's also got the infamous stray arrow, and here's one of my own earlier admirations for this cover.)
I've always loved this Jo Chen cover from the storyline where the Runaways go back to the turn of the century. But I'd never noticed, before tonight, the lovely detail that dinosaur Old Lace is blurry in the photograph. Of course she would be...she can't stand still long enough to have her photo taken in those days. Lovely.
Finally, Takeshi Miyazawa's variant cover for the 70th anniversary of Marvel issue of Runaways is one of my favorite portraits of Molly Hayes ever done. Who else in the Marvel U. would wear a tokidoki Wolverine tee? All those other little characters around the border are just plain jealous. And that includes Wolverine himself.
Runaways: a wonderful series with beautiful covers. It strikes me that almost all of the series' cover art is purely portraiture, rather than depicting specific events in the comic. I usually complain about that kind of cover: they can seem monotonous and unmemorable (I'm lookin' at you, Ultimate Comics). But I've never minded a Runaways cover that didn't feature a story plot. I guess that only goes to show: if you're just going to have a portrait of the character(s) on the cover, at least make it beautiful.
That said...whither Runaways? Except for a couple crossover event series teaming up with the Young Avengers, the Runaways haven't appeared in the Marvel Universe for quite some time. Their parents, The Pride, did recently feature in the "Industrial Revolution" storyline of Iron Man: Legacy, a series which also had some pretty gorgeous covers:
Marvel EIC Joe Quesada promised that the book was "being retooled and will be back in some fashion very soon, so stay tuned." I've practically glued myself to my radio comic book dial and we haven't seen a relaunch of the series. C'mon, Marvel, bring the Runaways back. Instead of another Wolverine or Deadpool or Avengers series, how about relaunching one of the most innovative and touching series of the last decade with new stories? How about it? Huh? Huh? Huh? Huh? (I can do this all night, y'know.) Huh? Huh?
At least Marvel keeps its Runaways digests and trade in print, so if you've never read the series, I highly recommend it. Not only are the kids all right, but their covers are absolutely beautiful.
Aieeeeee! One of these people will die in this very issue!
Who could it be? Who could it be?
Oh. That's who it be.
It stunned us in 1973, but these days you'd have to be a fairly green comic book fan to be too shocked by any of the drama or angst promised by comic book covers which promise the death of a major character. It's just been done too often, too many times. Yes, so-and-so will die; get on with it. Shuffle off this mortal coil, awready!
It's gotten to the point where even comics itself makes fun of this trope.
I was too young to catch Amazing Spider-Man #121, and its successors in the death pool sweepstakes have intrigued but never emotionally affected me. Yeah, yeah, yeah, which one of the Fantastic Four is going to die this time...oh, hey, it's H.E.R.B.I.E. You got me, comic book story!
So it's been that I've been moved by such a cover exactly one time in my comic readin' life. And that's Runaways #18. It is...for lack of a better word...beautiful.
Runaways v.2 #18 (September 2006), cover art by Marcos Martin
Whoa, I said, when I first picked up this issue. Wow, I thought. I'd not seen...certainly never in superhero comics...a more gorgeous, poignant, affecting contrast of reading line and cover image. The jubilant figures of the Runaways (even dinosaur Old Lace is laughing away); the large blissful and quiet blue negative space; the small, subtle quiet copy that doesn't even end in an exclamation point. It's a cover that wouldn't have been imaginable in the superhero market in the pre-2000s. No anguish or torment, no screaming heroes, no boldly stoic poses, just happy figures and a simple statement. One of these kids is gonna die. Which one? And you can't not read the comic after that.
Runaways has been one of my favorite comics over the past few years. Certainly part of that has been the concept and the plots: super-powered kids discover their parents are villains, and they take off on the run, from the law, from their pasts. They make a brief go at costumes and code names, but that doesn't last long; this is not Avengers or even X-Men. It's more about the soap opera (and I mean that as a complimentary description) that it is about the heroics, and to me the adventures, clever and unique as they are, take a back seat to the personalities and interpersonal relations of the Runaways. For the first time, including the original X-Men, New Mutants, and Teen Titans, these seem like real adolescents (with admittedly cleverer dialogue). I've often felt that the themes and characters of Runaways lends itself to being the best gateway entry into Marvel Comics for fans of manga and young adults novels. Setting the series in the Marvel Universe wasn't necessary, and in fact I remember being annoyed when Cloak and Dagger first made guest appearances. But series creator Brian K. Vaughan and successive writers have kept the crossovers unobtrusive, and when they do happen, they're often good for a giggle.
Panels from Runaways v.2 #12 (April 2004), script by Brian K. Vaughan, pencils by Takeshi Miyazawa, inks by David Newbold, colors by Brian Reber, letters by Randy Gentile
Yes, it's absolutely a wonderful series, but hey! This post is about cover art. My favorite of the Runaways covers is v.2 #18 above, but the entire run of the title has had some amazingly gorgeous design from several different artists. Here's another one of my favorites from Marcos Martin:
David Lafuente contributes several intriguing designs in the series' third volume, including my favorite of all "Wolverine on a cycle" covers from throughout Marvel history:
With his manga-style bigfoot cartooning approach, Humberto Ramos is a natural for the covers, and here's three striking, pensive, and...dare I say it? sassyfemale portraits:
Here's another portrait of Karolina Dean, "Lucy in the Sky with Diamonds," by one of my favorite comic book artists, Chris Bachalo:
Jo Chen has done painted covers for much of the series. The cover of v.2 #21 is probably my second-favorite of the whole comic. It's got nothing to do with the story content inside—very few Runaways covers do—and yet it captures the gleeful and quirky humor and tone of the book. (This cover's also got the infamous stray arrow, and here's one of my own earlier admirations for this cover.)
I've always loved this Jo Chen cover from the storyline where the Runaways go back to the turn of the century. But I'd never noticed, before tonight, the lovely detail that dinosaur Old Lace is blurry in the photograph. Of course she would be...she can't stand still long enough to have her photo taken in those days. Lovely.
Finally, Takeshi Miyazawa's variant cover for the 70th anniversary of Marvel issue of Runaways is one of my favorite portraits of Molly Hayes ever done. Who else in the Marvel U. would wear a tokidoki Wolverine tee? All those other little characters around the border are just plain jealous. And that includes Wolverine himself.
Runaways: a wonderful series with beautiful covers. It strikes me that almost all of the series' cover art is purely portraiture, rather than depicting specific events in the comic. I usually complain about that kind of cover: they can seem monotonous and unmemorable (I'm lookin' at you, Ultimate Comics). But I've never minded a Runaways cover that didn't feature a story plot. I guess that only goes to show: if you're just going to have a portrait of the character(s) on the cover, at least make it beautiful.
That said...whither Runaways? Except for a couple crossover event series teaming up with the Young Avengers, the Runaways haven't appeared in the Marvel Universe for quite some time. Their parents, The Pride, did recently feature in the "Industrial Revolution" storyline of Iron Man: Legacy, a series which also had some pretty gorgeous covers:
Marvel EIC Joe Quesada promised that the book was "being retooled and will be back in some fashion very soon, so stay tuned." I've practically glued myself to my At least Marvel keeps its Runaways digests and trade in print, so if you've never read the series, I highly recommend it. Not only are the kids all right, but their covers are absolutely beautiful.
365 Days with the Warriors Three, Day 200
Page from Thor #482 (January 1995), script by Glenn Greenberg, pencils by Robert Walker, inks by Jim Amash, colors by Ovi Hondru, letters by John Workman
Marvel Bubble Gum Comics, Day 2: Hi, Aquaman!
Comics card #8 from Marvel Comics trading card set (1978)
Today in Comics History: July 19, 2001: It's a nice day for a letter to Batman
from Year One: Batman/Ra's al Ghul #1 (DC, June 2005), script by Devin K. Grayson, pencils by Paul Gulacy, inks by Jimmy Palmiotti, colors by Laurie Kronenberg, letters by Phil Balsman
Monday, July 18, 2011
A dish best served cold, with new potatoes and ligonberries on the side
And now, an update to our previous news story: Thor still wants revenge!
For further details, please keep your dial tuned to Asgard 1010 Radio, or follow the hashtag #thorwantsrevenge on Twitter.
For further details, please keep your dial tuned to Asgard 1010 Radio, or follow the hashtag #thorwantsrevenge on Twitter.
Vengeance is Mine, Sayeth the Thor
This just in...Thor wants revenge!
Panels from Thor #166 (July 1969), script by Stan Lee, pencils by Jack Kirby, inks by Vince Colletta, letters by Sam Rosen
To sum up: Thor wants revenge.
More on this story as it develops.
Panels from Thor #166 (July 1969), script by Stan Lee, pencils by Jack Kirby, inks by Vince Colletta, letters by Sam Rosen
More on this story as it develops.
365 Days with the Warriors Three, Day 199
Screenshot from Thor: Son of Asgard videogame by Marvel Entertainment (2011)
Marvel Bubble Gum Comics, Day 1: Magnetic personality
The Mid-Day Matinee this week, all week: Marvel Bubble Gum Comics! When you opened one of these packs in 1978, you not only got a stick of sugarless gum but also Marvel comic strip cards featuring goofy gags and silly spoofs featuring all your favorite superheroes! (Unless you like Gambit.) The gum is long gone but the giggles remain the same!
Comics card #7 from Marvel Comics trading card set (1978)
Sunday, July 17, 2011
365 Days with the Warriors Three, Day 198
Panel from Thor #255 (January 1977), script by Len Wein, pencils and inks by Tony DeZuniga, colors by Glynis Wein, letters by Irving Watanabe
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