Panels from Wonder Woman #130 (May 1962), script by Robert Kanigher, pencils by Ross Andru, inks by Mike Esposito
Wait a minute, why is Diana even asking Steve to go out if he's already scheduled something with Wonder Woman? Is she just testing him? Is she trying to play with his mind? Is she as jerky as he is? Why, yes. Yes. And yes.
Well, that's certainly no way to behave on a date, huh? That's like going out to dinner with Clark Kent and just talking about how wonderful Superman is. And I think we've all done that. (Lookin' at you, Lois.) But is vivacious, modern, ambitious military woman Lt. Diana Prince gonna sit back and take this? Why, yes. Yes, she is. Pretty much, yes.
But, in a rare moment when Diana isn't accidentally stabbing herself on the edge of her glasses, and in a common moment when Robert Kanigher is continuing to write sexist captions, Diana puts aside her plot for hidiously demeaning revenge and instead accepts a date from Steve. A date that tells her exactly how worthy she is in Steve's eyes...one hundred dollars, worth, in fact. (And that's in 1962 money!)
Now, if you had any doubt in your mind that Steve Trevor is a cold-hearted snake, just look into his eyes! He's been telling lies; he's a lover boy at play! He don't play by rules, so Diana, don't play the fool! (Also, don't dance with that cartoon cat...he's only in it for the cheezeburgers.)
Let's just skip all the in-between boring bits with a carnival and magic mirrors that show weird reflections of a person's personality and Wonder Woman acting like Bouncing Boy and a high-tech theft plotted by...heh heh heh...Angle Man...hee hee!...and just skip right to The Revenge of Diana, shall we?
Next issue: Lois Lane and Diana Prince: catfight! Or, so Kanigher promises us.
2 comments:
This was really, really amusing to have pop up today, since I've been spending the week perusing Carol Strickland's Wonder Woman Central, which has some choice things to say about this era.
To be fair to Steve Trevor Diana does look like michael jackson in those final panels
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