Saturday, October 24, 2015

Let's Kill Hitler: Midnight, and the kitties are sleeping


In our initial Let's Kill Hitler post (and if there's a phrase that's gonna give me some weird-ass Google referrals, that's it), we saw that Midnighter wouldn't kill Baby Hitler.


Panel from Midnighter (2007 series) #2 (February 2007), script by Garth Ennis, pencils by Chris Sprouse, inks by Karl Story, colors by Randy Mayor, letters by Phil Balsman

But here's the question we've all been asking ourselves on the comicsblogosphere: would Midnighter kill the Adult Hitler?



Panels from Midnighter (2007 series) #1 (January 2007), script by Garth Ennis, pencils by Chris Sprouse, inks by Karl Story, colors by Randy Mayor, letters by Phil Balsman

So, of course, time travel back to World War I, naturally:



Panels from Midnighter #2

And typically, time cops arrive to stop him.




Panels from Midnighter (2007 series) #3 (March 2007); script by Garth Ennis, pencils by Chris Sprouse and Joe Phillips; inks by Jasen Rodriguez, Scott Williams, and Saleem Crawford; colors by Wildstorm FX

Obviously then, they fight a lot and then get zapped to Berlin, April 1945:


So, you can probably then guess the end of the story.


Panel from Midnighter (2007 series) #4 (April 2007), script by Garth Ennis, pencils and inks by Peter Snejbjerg, colors by Randy Mayor, letters by Phil Balsman

Is it bad that I don't find the fact that Midnighter didn't actually kill Hitler in the story as distressing as the fact that they couldn't keep the same penciller on the book for four straight issues?

So anyway, did Midnighter kill Hitler?


Busted: He had opportunity in two time historical periods. But he didn't.

Let's Kill Hitler


Hey, the New York Times would like to know if you (yes, you) would kill Baby Hitler? Well, wouldja? (As opposed to say, just punching Adult Hitler.)


I imagine after they decided 'let's poll everyone to see if they'd kill Baby Hitler,' it wasn't that far a leap to making the infographic look like a rattle. I'm betting that at one point during the design process, that rattle had a toothbrush mustache.

Anyway, would you kill Baby Hitler? Booster Gold wouldn't!


Panels from Booster Gold (2007 series) #25 (December 2009), script and pencils by Dan Jurgens, inks by Norm Rapmund, colors by Hi-Fi, letters by Travis Lanham

Even Midnighter (The Batman from Another Universe, Who's Now in the Same Universe As Batman So Why Bother, Really?™) wouldn't kill Baby Hitler.


Panel from Midnighter (2007 series) #2 (February 2007), script by Garth Ennis, pencils by Chris Sprouse, inks by Karl Story, colors by Randy Mayor, letters by Phil Balsman

We've established that heroes and anti-heroes wouldn't kill Baby Hitler (the vote is still out on, say, the Punisher or Wolverine), but would comic book characters kill adult Hitler?

Well, let's find out today, all day, on Let's Kill Hitler!

Friday, October 23, 2015

Where the Heck? IV: The Quest for Credit Where Credit Is Due

So, Iron Man #1 be creditin' the original creators of Shellhead like this:


Credits page from Invincible Iron Man (2015 series) #1 (December 2015)

Which is to say, as I've been complaining about quite a bit in the recent past (1, 2, 3), not at all)…(sigh)

But Iron Man #2 be creditin' the creators like this:


Credits page from Invincible Iron Man (2015 series) #2 (December 2015)

Hey, let's take a closer look:


Hooray! Thank you, Marvel, for properly crediting Larry Lieber and Don Heck as co-creators of Iron Man for the first time since Secret Wars began this summer.

Also, for the first time ever this week:


Credits from Batman and Robin Eternal #3 (December 2015)

I might quibble about using the word "with" instead of "and," but after 75+ years, this is a good step.

Next up: getting proper credit for the most essential Star Wars character of them all in each and every Star Wars comic book:

Jaxxon the Giant Green Star Wars Rabbit created by Roy Thomas and Howard Chaykin


Today in Comics History: In today's politically correct atmosphere, the General Lee tries to disguise its make and model



Panels from All-New Ghost Rider #8 (December 2014), script by Felipe Smith, pencils by Damion Scott, inks by Cory Hamscher, colors by Val Staples and Esther Sanz, letters by Joe Caramagna

365 Days of Star Wars Comics, Day 296: From the Fan Fiction Adventures of Luke Skywalker, Episode II


Panel from "The Paradise Detour" in the Star Wars syndicated comic strip (August 14, 1983), script by Archie Goodwin, pencils and inks by Al Williamson

Thursday, October 22, 2015

365 Days of Star Wars Comics, Day 295: George Lucas wakes up after a nightmare that he created the character "Jar Jar Binks"


Panels from Star Wars: Dark Times: Out of the Wilderness #2 (September 2011), script by Randy Stradley, pencils and inks by Douglas Wheatley, colors by Dan Jackson, letters by Michael Heisler

Wednesday, October 21, 2015

Today in Comics History: 26-year old movie shuts down internet it didn't predict

Today in Comics History: yadda yadda yadda, blah blah blah, Back to the Future, Part II, la la la la.


Yes, today is the day that Marty McFly went back to the future (actual definitions of the word "back" may include "forward"). And, like the similar celebrations we had on November 5, 1955 and September 2, 1885, the media has gone hog-wild and commercial companies have showered us with a wealth of future-y consumer items like Pepsi in a Tube™, Floaty Skateboard Thing™, Max Spielberg™ Movies, and Fax™ Machines™. Who says that Bob Zemeckis™ didn't have his finger on the pulse of our current year? Well, aside from critics of his 2015 movie The Walk™.

About the only thing that BttFII (pronounced "butt-foo") didn't predict was that on this very day, IDW would release the first issue of an all-new comic book series! Sadly, without a dust jacket.


Cover of Back to the Future (2015 IDW series) #1 (October 2015)

But as the multiple appearances in the films of everybody's favorite BttF characters like "Biff Tannen," and "Clock Tower Lady," and "Michael Jackson" show, history repeats itself. Could the very medium of comic books be a part of a multiple time paradox in that they existed and yet will exist? As Doctor Emmett Brown explained
the encounter could create a time paradox. The results of which could cause a chain reaction that would unravel the very fabric of the space-time continuum and destroy the entire universe!... Granted, that's the worst-case scenario. The destruction however might be limited merely to our own galaxy.
And if you don't understand that, you're just not thinking fourth-dimensionally. Or, you're not remembering that Harvey produced a Back to the Future comic book back in the early 1990s!


Cover of Back to the Future (1991 Harvey series) #1 (November 1991), art by [REDACTED]

(By the way: can you guess which modern master of comic book art drew the covers for this series? Answer below!)

Yep, Harvey. The comic book company that ruled the newsstands during the 1970s with Casper, The Friendly Ghost, Hot Stuff, Sad Sack, Baby Huey, the Infantile Duck with a Severe and Alarming Congenital Disease, and, lest we forget, approximately one zillion Richie Rich comics, published a short-lived BttF comic (and follow-up miniseries) tied into the CBS Saturday morning animated series, which featured Christopher Lloyd in short live-action "science!" segments after each episode — though not as the voice of Doc in the animated series. That actor? Dan "Homer Simpson" Castellaneta. And in the series, Mary Steenburgen and Thomas F. Wilson voiced their animated counterparts! Didn't see the cartoon? (And Bill Nye was in it!) Didn't watch the movies, collect the bubble-gum cards, or read any of the tie-in novelizations? Don't worry: First Issue Handy Recap Page™ has got ya covered:


Splash page of Back to the Future (1991 Harvey series) #1 (November 1991), script by Dwayne McDuffie, pencils by Nelson Dewey, inks by Nelson Dewey and Ken Selig, letters by Grace Kremer

Writer Dwayne McDuffie (the late great) is better known for his DC/Milestone work, co-creating Damage Control, and animation scripting and producing credits, but I can only say, trying to be kind, that the Back to the Future comic book isn't his finest work. Hampered by being two steps removed from the original source material as well as written for the younger audience Harvey marketed to, these are extremely simple plots without the intricacy of the movies' elaborate set pieces. The art by Nelson Dewey was occasionally elaborate and imaginative...


...but often verged on the edge of exceptionally "cartoonish," even for a...well, for a cartoon:


Panels from Back to the Future #2 (January 1992); script by Dwayne McDuffie, pencils, inks, and colors by Nelson Dewey

(An aside: One Little Cool Thing I'm gonna tip my hat to McDuffie for: the mention of Medfield as Hill Valley's twinned city in the above panel. Don't remember Medfield? It, and its titular Medfield College, was the setting for all those crazy-fun live-action Disney comedies of the 1960s-70s like The Absent-Minded Professor, The Computer Wore Tennis Shoes, and Now You See Him, Now You Don't — all of them featuring "mad science" of the sort that Doc Brown would have rightfully given props to!)

Under Dewey's pencil, the simplified caricatures of the animated series could become even more distorted.


Panel from Back to the Future #4 (June 1992); script by Dwayne McDuffie (adapted from [an animated series script (?) by] Peyton Reed and Mark Cowen), pencils, inks, colors, and letters by Nelson Dewey

This not a flattering look for the gorgeous Mary Steenburgen:


On the other hand, Nelson Dewey does an amazing job portraying the trilogy's Delorean time machine. That's not surprising considering that while this is virtually his only major comic book work (he's also done stories in Cracked and WHAM-O Giant Comics), but he's illustrated motor cars for many issues of CARtoons, HOT ROD Cartoons,, CYCLEtoons and more magazines of the type likely to be seen on Jeremy Clarkson's coffee table.

I should point out that the covers of the comic book were not drawn by Dewey. Here's another one. Can you guess which comics legend created it yet? (If not, more covers and the answer below!)


Cover of Back to the Future #3 (March 1992), art by [REDACTED]. I've digitally erased the artist's very recognizable signature from this cover to avoid giving the answer away too quickly!

The series' scripts play out fairly innocuous (and not-quite-hilarious) gags…


from Back to the Future #1


Panel from Back to the Future #3 (March 1992); script by Dwayne McDuffie (adapted from the animated series script by Mark and Michael Klastorin, pencils, inks, and colors by Nelson Dewey

...as well as repeating familiar movie tropes:



By the way, that episode/issue where the Doc and Marty went back to Ancient Rome? Might be based on a comment by Christopher Lloyd, in which he said that he always wanted to do one more movie, in which Marty and Doc Brown time-travel back to Ancient Rome. You can still do it, guys.

So! Did you guess who the big-name comic artist responsible for the series' covers is yet? Here's two more covers, and I'm pretty sure you can guess from his familiar renderings of lizards 'n' dinosaurs (if not [CLUE] for his philtrums):



Covers of Back to the Future #2 & 4 (January and June 1992), art by Gil Kane

That's right: all four covers were drawn by veteran comics master Gil Kane, who brings his dynamic style, solid anatomy, and big-ass dinosaurs to even this very cartoony of properties.

While the Back to the Future comic book ended after four issues, it was almost immediately followed by a three-issue miniseries awkwardly titled Back to the Future: Forward to the Future. Because "Forward into the Past!" was already taken. For all intents and purposes, it's basically issues #5-7. Once again it's scripted by McDuffie and drawn by Dewey, who, when he's not good, he's really not that good:


Panels from Back to the Future: Forward to the Future #2 (November 1992), script by Dwayne McDuffie, pencils and letters by Nelson Dewey

This may be because the art was reproduced — for the first two issues, at least — directly from Dewey's pencils, with no inking. Artistic/creative decision, or Harvey's attempt at saving money by not paying Dewey for inking? You be the judge. That said, when it's not focused directly on the characters, Dewey's artwork can be imaginative and detailed.



And he can throw in an impressively whimsical and creative effect now and then:



Panels from Back to the Future: Forward to the Future #3 (January 1993); script by Dwayne McDuffie; pencils, inks, and letters by Nelson Dewey

Still, I can't help but wonder "what if" the property had been drawn by someone like Sergio Aragonés or even McDuffie's Damage Control collaborator Ernie Colon. Maybe in some alternate timeline...? But whatever you say about it, I think we all have to agree: Back to the Future was a comic book published by Harvey.


And considering Harvey Comics' output of the 1990s, Back to the Future sighs with relief that it is not the worst movie-to-comic book adaptation ever made.


Nor was it one of the nearly a dozen Harvey titles based on this long-lifed media property:


Well, we can't all be Richie Rich. Happy October 21, 2015, Back to the Future!

365 Days of Star Wars Comics, Day 294: Banksy brainstorms the sequel to Dismaland


Panels from Lando #4 (November 2015), script by Charles Soule, pencils and inks by Alex Maleev, colors by Paul Mounts, letters by Joe Caramagna

Tuesday, October 20, 2015

My Cassette Store Day 2015 was an aesthetic triumph but a technological fail


Today in Comics History: Blame It on Mister Mole

Hey, remember when everybody an' his brother were trying to figger out who blew up Earth? When after all it was the Mole People?



Panels from "When the Earth Blacked Out!" in Strange Adventures #144 (September 1962), script by John Broome, pencils and inks by Murphy Anderson

Well...that'll happen.

365 Days of Star Wars Comics, Day 293: I'm Pretty Sure I Can Prove George Lucas Saw King Kong


Panel from Star Wars: Lost Tribe of the Sith: Spiral #5 (December 2012), script by John Jackson Miller, pencils by Andrea Mutti, inks by Pierluigi Baldassini, colors by Michael Atiyeh, letters by Michael Heisler

Monday, October 19, 2015

365 Days of Star Wars Comics, Day 292: Love Stinks


Panels from Everybody Hurts (Even Sith Lords) minicomic (2008), script and art by Alex Bullett

Sunday, October 18, 2015

365 Days of Star Wars Comics, Day 291: Poor, poor, pitiful me


Panels from "Emo Luke Skywalker" in And Don't Forget the Droids (2009), script and art by Matthew Reidsma