Wednesday, October 21, 2015

Today in Comics History: 26-year old movie shuts down internet it didn't predict

Today in Comics History: yadda yadda yadda, blah blah blah, Back to the Future, Part II, la la la la.


Yes, today is the day that Marty McFly went back to the future (actual definitions of the word "back" may include "forward"). And, like the similar celebrations we had on November 5, 1955 and September 2, 1885, the media has gone hog-wild and commercial companies have showered us with a wealth of future-y consumer items like Pepsi in a Tube™, Floaty Skateboard Thing™, Max Spielberg™ Movies, and Fax™ Machines™. Who says that Bob Zemeckis™ didn't have his finger on the pulse of our current year? Well, aside from critics of his 2015 movie The Walk™.

About the only thing that BttFII (pronounced "butt-foo") didn't predict was that on this very day, IDW would release the first issue of an all-new comic book series! Sadly, without a dust jacket.


Cover of Back to the Future (2015 IDW series) #1 (October 2015)

But as the multiple appearances in the films of everybody's favorite BttF characters like "Biff Tannen," and "Clock Tower Lady," and "Michael Jackson" show, history repeats itself. Could the very medium of comic books be a part of a multiple time paradox in that they existed and yet will exist? As Doctor Emmett Brown explained
the encounter could create a time paradox. The results of which could cause a chain reaction that would unravel the very fabric of the space-time continuum and destroy the entire universe!... Granted, that's the worst-case scenario. The destruction however might be limited merely to our own galaxy.
And if you don't understand that, you're just not thinking fourth-dimensionally. Or, you're not remembering that Harvey produced a Back to the Future comic book back in the early 1990s!


Cover of Back to the Future (1991 Harvey series) #1 (November 1991), art by [REDACTED]

(By the way: can you guess which modern master of comic book art drew the covers for this series? Answer below!)

Yep, Harvey. The comic book company that ruled the newsstands during the 1970s with Casper, The Friendly Ghost, Hot Stuff, Sad Sack, Baby Huey, the Infantile Duck with a Severe and Alarming Congenital Disease, and, lest we forget, approximately one zillion Richie Rich comics, published a short-lived BttF comic (and follow-up miniseries) tied into the CBS Saturday morning animated series, which featured Christopher Lloyd in short live-action "science!" segments after each episode — though not as the voice of Doc in the animated series. That actor? Dan "Homer Simpson" Castellaneta. And in the series, Mary Steenburgen and Thomas F. Wilson voiced their animated counterparts! Didn't see the cartoon? (And Bill Nye was in it!) Didn't watch the movies, collect the bubble-gum cards, or read any of the tie-in novelizations? Don't worry: First Issue Handy Recap Page™ has got ya covered:


Splash page of Back to the Future (1991 Harvey series) #1 (November 1991), script by Dwayne McDuffie, pencils by Nelson Dewey, inks by Nelson Dewey and Ken Selig, letters by Grace Kremer

Writer Dwayne McDuffie (the late great) is better known for his DC/Milestone work, co-creating Damage Control, and animation scripting and producing credits, but I can only say, trying to be kind, that the Back to the Future comic book isn't his finest work. Hampered by being two steps removed from the original source material as well as written for the younger audience Harvey marketed to, these are extremely simple plots without the intricacy of the movies' elaborate set pieces. The art by Nelson Dewey was occasionally elaborate and imaginative...


...but often verged on the edge of exceptionally "cartoonish," even for a...well, for a cartoon:


Panels from Back to the Future #2 (January 1992); script by Dwayne McDuffie, pencils, inks, and colors by Nelson Dewey

(An aside: One Little Cool Thing I'm gonna tip my hat to McDuffie for: the mention of Medfield as Hill Valley's twinned city in the above panel. Don't remember Medfield? It, and its titular Medfield College, was the setting for all those crazy-fun live-action Disney comedies of the 1960s-70s like The Absent-Minded Professor, The Computer Wore Tennis Shoes, and Now You See Him, Now You Don't — all of them featuring "mad science" of the sort that Doc Brown would have rightfully given props to!)

Under Dewey's pencil, the simplified caricatures of the animated series could become even more distorted.


Panel from Back to the Future #4 (June 1992); script by Dwayne McDuffie (adapted from [an animated series script (?) by] Peyton Reed and Mark Cowen), pencils, inks, colors, and letters by Nelson Dewey

This not a flattering look for the gorgeous Mary Steenburgen:


On the other hand, Nelson Dewey does an amazing job portraying the trilogy's Delorean time machine. That's not surprising considering that while this is virtually his only major comic book work (he's also done stories in Cracked and WHAM-O Giant Comics), but he's illustrated motor cars for many issues of CARtoons, HOT ROD Cartoons,, CYCLEtoons and more magazines of the type likely to be seen on Jeremy Clarkson's coffee table.

I should point out that the covers of the comic book were not drawn by Dewey. Here's another one. Can you guess which comics legend created it yet? (If not, more covers and the answer below!)


Cover of Back to the Future #3 (March 1992), art by [REDACTED]. I've digitally erased the artist's very recognizable signature from this cover to avoid giving the answer away too quickly!

The series' scripts play out fairly innocuous (and not-quite-hilarious) gags…


from Back to the Future #1


Panel from Back to the Future #3 (March 1992); script by Dwayne McDuffie (adapted from the animated series script by Mark and Michael Klastorin, pencils, inks, and colors by Nelson Dewey

...as well as repeating familiar movie tropes:



By the way, that episode/issue where the Doc and Marty went back to Ancient Rome? Might be based on a comment by Christopher Lloyd, in which he said that he always wanted to do one more movie, in which Marty and Doc Brown time-travel back to Ancient Rome. You can still do it, guys.

So! Did you guess who the big-name comic artist responsible for the series' covers is yet? Here's two more covers, and I'm pretty sure you can guess from his familiar renderings of lizards 'n' dinosaurs (if not [CLUE] for his philtrums):



Covers of Back to the Future #2 & 4 (January and June 1992), art by Gil Kane

That's right: all four covers were drawn by veteran comics master Gil Kane, who brings his dynamic style, solid anatomy, and big-ass dinosaurs to even this very cartoony of properties.

While the Back to the Future comic book ended after four issues, it was almost immediately followed by a three-issue miniseries awkwardly titled Back to the Future: Forward to the Future. Because "Forward into the Past!" was already taken. For all intents and purposes, it's basically issues #5-7. Once again it's scripted by McDuffie and drawn by Dewey, who, when he's not good, he's really not that good:


Panels from Back to the Future: Forward to the Future #2 (November 1992), script by Dwayne McDuffie, pencils and letters by Nelson Dewey

This may be because the art was reproduced — for the first two issues, at least — directly from Dewey's pencils, with no inking. Artistic/creative decision, or Harvey's attempt at saving money by not paying Dewey for inking? You be the judge. That said, when it's not focused directly on the characters, Dewey's artwork can be imaginative and detailed.



And he can throw in an impressively whimsical and creative effect now and then:



Panels from Back to the Future: Forward to the Future #3 (January 1993); script by Dwayne McDuffie; pencils, inks, and letters by Nelson Dewey

Still, I can't help but wonder "what if" the property had been drawn by someone like Sergio Aragonés or even McDuffie's Damage Control collaborator Ernie Colon. Maybe in some alternate timeline...? But whatever you say about it, I think we all have to agree: Back to the Future was a comic book published by Harvey.


And considering Harvey Comics' output of the 1990s, Back to the Future sighs with relief that it is not the worst movie-to-comic book adaptation ever made.


Nor was it one of the nearly a dozen Harvey titles based on this long-lifed media property:


Well, we can't all be Richie Rich. Happy October 21, 2015, Back to the Future!

365 Days of Star Wars Comics, Day 294: Banksy brainstorms the sequel to Dismaland


Panels from Lando #4 (November 2015), script by Charles Soule, pencils and inks by Alex Maleev, colors by Paul Mounts, letters by Joe Caramagna

Tuesday, October 20, 2015

My Cassette Store Day 2015 was an aesthetic triumph but a technological fail


Today in Comics History: Blame It on Mister Mole

Hey, remember when everybody an' his brother were trying to figger out who blew up Earth? When after all it was the Mole People?



Panels from "When the Earth Blacked Out!" in Strange Adventures #144 (September 1962), script by John Broome, pencils and inks by Murphy Anderson

Well...that'll happen.

365 Days of Star Wars Comics, Day 293: I'm Pretty Sure I Can Prove George Lucas Saw King Kong


Panel from Star Wars: Lost Tribe of the Sith: Spiral #5 (December 2012), script by John Jackson Miller, pencils by Andrea Mutti, inks by Pierluigi Baldassini, colors by Michael Atiyeh, letters by Michael Heisler

Monday, October 19, 2015

365 Days of Star Wars Comics, Day 292: Love Stinks


Panels from Everybody Hurts (Even Sith Lords) minicomic (2008), script and art by Alex Bullett

Sunday, October 18, 2015

365 Days of Star Wars Comics, Day 291: Poor, poor, pitiful me


Panels from "Emo Luke Skywalker" in And Don't Forget the Droids (2009), script and art by Matthew Reidsma

Saturday, October 17, 2015

Today in Comics History: The City of Townville is Under Attack!


Splash page from Deadface #3 (October 1987); script, pencils, inks and letters by Eddie Campbell

365 Days of Star Wars Comics, Day 290: Be careful what you wish for, Leia


Panels from Princess Leia #4 (June 2015), script by Mark Waid, pencils by Terry Dodson, inks by Rachel Dodson, colors by Jordie Bellaire, letters by Joe Caramagna

Friday, October 16, 2015

365 Days of Star Wars Comics, Day 289: Noooooobody expects the Sith Inquisition


Page from Star Wars: Darth Vader and the Ghost Prison #1 (May 2012); script by Haden Blackman; pencils, inks, and colors by Agustin Alessio, letters by Michael Heisler

Thursday, October 15, 2015

365 Days of Star Wars Comics, Day 288: Chewbacca adopts a space urchin


Panels from Chewbacca #1 (December 2015), script by Gerry Duggan; pencils, inks, and colors by Phil Noto; letters by Joe Caramagna

Wednesday, October 14, 2015

365 Days of Star Wars Comics, Day 287: From the Fan Fiction Adventures of Luke Skywalker, Episode I


Panels from Star Wars (1977 series) #17 (November 1978), plot by Chris Claremont, script by Archie Goodwin, pencils by Herb Trimpe, inks by Al Milgrom, colors by Marie Severin, letters by Rick Parker

Tuesday, October 13, 2015

365 Days of Star Wars Comics, Day 286: Zod visits the Star Wars Universe


Panel from Star Wars: Dark Empire II #4 (March 1995); script by Tom Veitch; pencils, inks, and colors by Cam Kennedy; letters by Todd Klein

Monday, October 12, 2015

Today in Comics History: Fin Fang Foom is forcibly ejected by bouncers from Appleby's


Panel from "October Incident: 1966" in All-New Miracleman Annual #1 (February 2015), script by Grant Morrison, pencils and inks by Joe Quesada, colors by Richard Isanove, letters by Chris Eliopoulos

Today in Comics History: Secret Agent Lex Luthor is equipped with picture-in-picture vision

Panels from Grayson #9 (August 2015); co-plot by Tim Seeley, co-plot and script by Tom King, pencils and inks by Mikel Janín, colors by Jeromy Cox, letters by Carlos M. Mangual
(Click picture to it's hard to draw a train without making the panel extra-wide-size)


365 Days of Star Wars Comics, Day 285: Elderly Hank McCoy becomes a chef for the Rebel Alliance, as far as I can tell


Panel from Star Wars: Dark Times: A Spark Remains #1 (July 2013), script by Randy Stradley, pencils and inks by Douglas Wheatley, colors by Dan Jackson, letters by Michael Heisler

Today in Comics History: Christopher Columbus and Napoleon Bonaparte get into an argument about which one of them is more popular so they time-travel to the 20th century to find out if…look, I don't write these comics, I just post about them




Panels from "Across the Ages!" in Strange Adventures #60 (September 1955), script by John Broome, pencils by Jerry Grandenetti, inks by Joe Giella

I included the indicia and the header in these scans so I could prove I'm not just makin' this stuff up.

Sunday, October 11, 2015

Countdown to Halloween: Jack Kirby's Monsters! Night Eleven: God Loves, Monster Gor-Kills

Gor-Kill! You know he's a monster who's bad, bad news, because he has two terrible words — "gore" and "kill" — in his name. It's sort of like "Slaughter-Wrecker" or "Deathblood" or "Carnage-Trump."


Cover of Tales of Suspense #12 (November 1960), pencils by Jack Kirby, inks by George Klein, colors by Stan Goldberg, letters by Artie Simek

Ever notice how lots of the titles of Marvel Monster-era stories are direct claims to fame? "I Created the Colossus!" "I Am the Living Ghost!" "I Created...Sporr! The Thing That Could Not Die!" "Only I Know When the World Will End!!!" Yeah, yeah, yeah, Stan...just like modern times, even back in the Atlas Age it's all about you. I bet you're gonna tell us next that you alone know the dread secret of Gor-Kill, the living demon, huh?


Splash page from "I Alone Know the Dread Secret of Gor-Kill, the Living Demon!" in Tales of Suspense #12 (November 1960), plot by Stan Lee (?), script by Larry Lieber (?), pencils by Jack Kirby, inks by Dick Ayers, colors by Stan Goldberg, letters by Artie Simek

I'm probably not spoiling anything by telling you that "dread secret" is actually pretty darn obvious: Gor-Kill is made of water. And not that artisanal, three-bucks-a-bottle water: he's made out of good old-fashioned natural crystal-clear mountain stream water. Yes, long before the backlash against the ecological damage bottle water does to our world, Gor-Kill was kickin' it old school!


Frankly, I don't know why he wasn't just called "Hy-Dro," or "Ahh-Kwaa," or "Raindrops on Roses and Whiskers on Kittens." What I do know is that he's terrifying this tiny Balkan village where the streets are paved with gold and people climb up on rooftops just for the heck of it. Awooooo, spooky water monster came from the sea or from the dam! But they don't realize he's made of water. Stupid peasants! Dr. Frankenstein was right, you all deserve to die!


How do you fight a water monster? Well, your attack plans have to be fluid arghhhh no I'm sorry for that one


The entire membership of The Guys with Unusual Ties bands up to battle Gor-Kill! Even Ramon, the guy who didn't have a tie but who had a cool green and yellow shirt, so they let him in anyway.


Only one man in the entire village realizes the deadly, moist truth of Gor-Kill! Ah ha, so that's why the story is titled "I Alone Know the Dread Secret of Gor-Kill, the Living Demon!" Y'know, I think more wacky crackpot conspiracy theory books oughta be titled like Marvel Monster stories. "I Alone Know the Dread Secret of the Kennedy Assassination!" "I Alone Have Seen That Jet Fuel Cannot Melt Steel!" "I Alone Know That Vaccinations Cause Autism!" Oh, if only it were just you, Jenny McCarthy.


The severed talking heads of the village elders are immediately sent to scoff at the obvious solution! Although, to his credit, Professor Xavier looks merely vaguely skeptical.


Two days of continuous water attacks by Gor-Kill have battered the once peaceful community into helplessness! I think we can all agree that this was perhaps not the best time for ruler Victor von Doom to declare "Brownie, you're doing a heckuva job!"


So 'round about now you're thinkin' what I am: science ways to destroy Gor-Kill. Let's see: we could deoxidize him to redeuce him to separate hydrogen and oxygen molecules! Or, we could shoot big flamethrowers at him until he turns into steam and floats away! Or, we could reduce the pressure in a big jar so that he flows into it against his will!

Eh, heck with up. Let's jus' blow him up with dynamite.. Boom! It's a sure-fire method of destruction, because as we all know, booms have never created anything.


Twist ending? Well, sorta. Our narrator may have alone known the dread secret of Gor-Kill, the living demon, but nobody believes him, and he gets locked up in the hoosegow for improperly using the town's cache of dynamite that they were saving for, I dunno, the beginning of World War I, I guess. Insert your own Law and Order thunk-thunk! here:


Haw haw! It's funny because he's incarcerated!

Ten of a Kind: In Norway, "Lillemor" means "You're gonna die, kids."

According to the internet (without which life itself would be improbable), the average life expectancy in Norway is 81.45 years.

Not, however, according to these here Norwegian comics.












Well, yes: I do know these are Norwegian reprints of British comics. But hey, if you can’t poke fun at the Norwegians, who can you? What’re they gonna do...not let us see their famous movies like Kon-Tiki, Gurin with the Foxtail, and Arne Skouen's Nine Lives, or withhold their net exports of 884 billion dollars of petroleum resources, or not let us ride on their public transport system, which consists of 4,114 kilometres (2,556 mi) of standard gauge lines, of which 242 kilometres (150 mi) is double track and 64 kilometres (40 mi) high-speed rail (210 km/h) while 62% is electrified at 15 kV 16 2⁄3 Hz AC? I think not.

Have fun livin' in Norway, kids! You’re gonna die.

(More Ten of a Kind here.)

365 Days of Star Wars Comics, Day 284: Where's Waldo in the Star Wars Universe?

Two-page spread from Star Wars: Rebellion #1 (April 2006); script by Rob Williams, pencils and inks by Brandon Badeaux, colors by Wil Glass, letters by Michael Heisler
(Click picture to minor skirmish-size)