Saturday, April 20, 2013

Psylocke Psaturday #12: We will, we will, rock you

So riddle me this, Psylocke pfans: What is Betsy Braddock's first superhero identity? Those of you who leaned back, templed your fingers, and scoffed while you said "Why, Psylocke, of course!" may take one giant step back into the alligator pit! (Or, are those crocodiles?)

Either way, Betsy's first superhero identity was Captain Britain. II.


Cover of Captain Britain v.2 #13 (January 1986), pencils and inks by Alan Davis

When Brian Braddock retires from being Captain Britain, Betsy takes over, trained by Captain UK (who is the Captain Britain of Earth-238).


Panels from Captain Britain v.2 #13 (January 1986), script, pencils and co-inks by Alan Davis; co-inks by Noel Davis; letters by Annie Halfacree. Color version from Captain Britain trade paperback (1988), colors by Andy Seddon.

Possibly the reason you may not remember that Betsy was Captain Britain was because she was for less than one issue before she was brutally beaten and blinded by Slaymaster:


So Brian drops a rock on his head.


Thus preventing Chris Claremont from getting his hands on Slaymaster to use in one of his stories. Justice is served.

Which brings us to this week's Psylocke Psurveillance Psummary:
  • Outfit: Dipped in magic, clothed in science.
  • Hair: red, white, and blue.
  • Eyes: none!
Next week: Chris Claremont gets his hands on Betsy to use in one of his stories. Oh dear.


365 Days of DC House Ads, Day 110: DC Annuals House Ads Week, Day 7



Let's wrap up DC Annuals House Ads Week with something unique: the only Vertigo crossover event in their Annuals (and for that sake, some of the few few Vertigo Annuals of all). The Children's Crusade ran throughout the '93 DC Universe situated Vertigo titles. Fittingly, instead of the then-usual practice of Annuals being published in the summer, The Children's Crusade came out in the autumn—whether international or not, a nice subtlety that adds to the "slightly off-kilter" aspect of the Vertigo titles that featured character with origins in the DC superhero universe proper.


House ad for the 1993 Vertigo The Children's Crusade Annuals; printed in Sandman Mystery Theatre #20 (May 1994)

The event was bookended by a pair of Children's Crusade specials written by Neil Gaiman and starring his Dead Boy Detectives (introduced by Gaiman in Sandman #25). The DBDs—Charles Rowland and Edwin Paine—also star in the house ad above, which is redialogued art from the first Children's Crusade special.


Panels from The Children's Crusade #1 (December 1993), script by Neil Gaiman, Pencils by Chris Bachalo, inks by Mike Barreiro, colors by Daniel Vozzo, letters by John Costanza

Since Charles, Edwin, and Avril are looking at an advert for The Children's Crusade crossover, we might guess that they're looking at the exact same advertisment we are. Is your mind sufficiently all explodey yet? Yep: that's what the Vertigo Universe can do to you.

Earlier in the week I challenged you to identify a DC annual, besides Sgt. Rock's Prize Battle Tales Annual #1, that not only was not named after an existing series, but (when the series was eventually published) the series wasn't named after the annual, either. That annual is right here in this ad...spot it yet?...yes, it's Arcana: The Books of Magic Annual #1, the first appearance of Tim Hunter following The Books of Magic miniseries, and well before his regular monthly Vertigo comic The Books of Magic. I'm not certain why "Arcana" popped up between those two. Isn't that one of Zatanna's female cousins? Arcana Zatara. Arcana Zatara. Well, I'd date her.

So, that's Annuals Week.

Today in comics history: Bruce Springsteen has the inspiration for his Nebraska album


Panel from Richard Stark's Parker: The Score (July 2012); adapted from the novel by Richard Stark; script, pencils, inks, color, and letters by Darwyn Cooke


Friday, April 19, 2013

365 Days of DC House Ads, Day 109: DC Annuals House Ads Week, Day 6



House ad for the 1994 DC "Elseworlds" Annuals; printed in Batman Adventures #20 (May 1994)

Today in Comics History: Jean is tremendously excited


Panel from Richard Stark's Parker: The Score (July 2012); adapted from the novel by Richard Stark; script, pencils, inks, color, and letters by Darwyn Cooke

And, because this is the thing I do, I went looking to see if that Look magazine was accurate for the time. Well...no. Steve McQueen was on the cover, but her was in 1970, not 1964:

And the logo Cooke uses is from the mid-1950s. By '64 the Look logo had evolved into a two-thirds page wide masthead with a sidebar:


But I'm not pokin' fun, no no, at Darwyn Cooke. If anything, I am pointing my finger at Look magazine for not cohering to the Darwyn Cooke design.

Thursday, April 18, 2013

Here, have some Witchblade. In German.

Panels from Witchblade - Neue Serie #1 (Infinity Verlag, 2001); translated from Witchblade #40 (June 2000), script by Paul Jenkins and Rick Veitch, pencils by Keu Cha, inks by D-Tron, assisted by Jeff de los Santos and Andy Kim, colors by Steve Firchow, letters by Robin Spehar and Dennis Heisler

(Click pictures to groß-size)

In der nächsten Ausgabe von Witchblade in Deutsch:


365 Days of DC House Ads, Day 108: DC Annuals House Ads Week, Day 5



House ad for the 1982 DC Annuals, their first annuals since 1964; printed in World's Finest Comics #281 (July 1982)
Ad designed and lettered by Gaspar Saladino


Wednesday, April 17, 2013

365 Days of DC House Ads, Day 107: DC Annuals House Ads Week, Day 4

Tonight's "DC Annuals House Ads Week" installment is a more extensive than usual, so I'm substituting it for my nightly post. Okay? Okay!



House ad for Lobo Annual #1 (May 1993); printed in Sandman #50 (June 1993)
Ad art taken from the cover of Lobo Annual #1: pencils and inks by Christian Alamy

Hoo boy! Bloodlines! Where the Sam Scratch do I even start?

Well, first of all, let me repeat what you've been thinking: a house ad for Lobo in Sandman?!?! Neil Gaiman's Sandman? Not to mention the landmark 50th issue P. Craig Russell Scheherazadestravanga?!? Yup. (And it was only one of two ads for Lobo in that book. To be fair, the Vertigo imprint had only started up three months earlier and was still developing a house identity, so you'd see ads for mainstream DC comics within the first several months of Vertigo titles. But sheesh, Lobo? Not to mention...hoo boy, Bloodlines!

Bloodlines was the DC Annuals 1993 summer crossover event, the third yearly such linewide mega-story: 1991's Armageddon: 2001 and 1992's Eclipso: The Darkness Within started the trend, but Bloodlines pretty much killed it. Although DC's Annuals for the next several years would be themed across the board, they generally kept to single-issue stories within a specific theme: Elseworlds, Year One, Legends of the Dead Earth (virtually Elseworlds of their own)...even the crossover JLApe (never as good as that title made it sound) only affected the Justice League's titles. Just as Marve;'s huge line-wide Annual crossovers like The Evolutionary War and Atlantis Attacks ultimately collapsed under their own weight, Bloodlines drove the nail in the coffin of the twenty-three Annual mega-storyline. Let me sum up the plot: monster aliens infect normal humans in the DC Universe, changing them into superhumans, some of whom later got their own swiftly-cancelled throw-it-at-the-wall and we'll-see-it-it-sticks series. (Ah, Anima, you were too awful for this world.) Now of course is the perfect time to use the line that we all know and love and should probably be the motto of Comics Oughta Be Fun—"Now that [insert character name here] is so popular in comics, movies, and merchandising and a vital part of the DC Universe, it's nice to see where they got their start!"

Sounds straightfoward, huh? But there is nothing subtle about this crossover, a storyline so mega that it actually replaced the individual books' logos for each installment. Hey, remember these 1990s DC books? (It's okay if you don't remember them.)


Yup, bright neon colors, exaggerated 90s anatomy, and big dumb fight sequences were the bread and butter of Bloodlines. Yes, even the grim, dark, shadowy world of Gotham City did not escape the crossover or the over-saturated cover tones. Because when I think "Batman," I think MONSTER GIANT KILLER ALIEN INFECTING HUMANS. (Also: I think of Alfred.)


1993, if you hadn't marked it down on your anniversary calendar, was the year of The Reign of the Supermen, where four heroes stepped up following the death of Kal-El, each claiming possession of one of Superman's books. (Oh, and also claiming to be Superman.) I generally recommend The Reign of the Supermen as one of the more enjoyable runs of the post-Crisis Supes. My recommendation does not include these annuals.


Yup, even the DCU's other big guns were not immune to being drawn into this horrifically hyperactive history. Man, you'd think Hawkman would be glad just to be around and have a title, but noooooo. By the way, if you're looking for Wonder Woman, don't look too hard—she didn't have a 1993 annual. Lucky Diana! Her Justice League comrades were not so fortunate. You know that phrase "the survivors will envy the dead?" Yeah, it's kinda like that.


Now w-w-w-wait just one doggone minute! (I say, in my George Bailey voice.) Just what the heck is the comic that's always 1,000 years ahead of its time, The Legion of Super-Heroes, doing in this crossover? And that's a very good question that begins by telling you this unbelievable fact which must be accepted, no matter how incredible, in order to get to the bottom of all of this: Timber Wolf once had his own miniseries. Got your head around that? Timber Wolf? DC Limited Series? I know, I know...just bear with me here. You'll see where I'm going. Anyway, Timber Wolf...had his own...giggle...miniseries, in which he was...hee hee hee... stuck in the twentieth century...BWAH-HA-HA-HA-HA! Geez, Timber Wolf couldn't even have his own concept for a series; he had to\ steal one from Karate Kid! Anyway, Brin Londo* (Timber Wolf's civilian name is Brin Londo.) was retrieved from his miniseries the twentieth century and brought back to the thirtieth by Legion super-time-scientist Rond Vidar* (Rond Vidar's civilian name is Rond Vidar) but he's got a stowaway with him...the recently Bloodline-infected surfer dude named Jamm. While pal Andrew has already patiently and firmly pounded the nail into this coffin, I can't help but subjecting you also to Jamm. Laddeez and gennlemen...the new character sensation of 3093.: Jamm.


Panels from Legion of Superheroes Annual v.4 #4 (1993); script by Tom Bierbaum and Mary Bierbaum; pencils by Stuart Immonen, Darryl Banks, Joe Phillips, Christopher Taylor, and Nick Napolitano; inks by Ron Boyd, Terry Austin, Wade Von Grawbadger, and Dan Davis, colors by Tom McCraw, letters by Bob Pinaha

Ah, Tom and Mary Birnbaum minus the leveling presence of Keith Giffen, what have you wrought? And five pencillers on an annual? That can't be good news.

Say, what are Jamm's super-powers (BESIDES MAKING ME WANT TO KILL HIM)? Why, he's able to "persuade" people to do anything he wants them to. He...oh dear...jamms his thoughts and wishes into them. Huh, why didn't they call him The Persuader? I mean, it's not like that name would have been taken by anybody else in the 30th Century.


Pausing only to throw her baby into Matter-Eater Lad's mouth, Night Girl accompanies Jamm in a space cruiser. And yeah, then this happens.


Pretty much the whole rest of the comic book is Jamm persuading the female members of the LSH to strip off their clothes, all accompanied by the Adam Ant classic "Strip." Yes, even Kono. Shame on you, Jamm.



These vaguely Comic Code-approved nudie escapades keep on occurin' until Jamm is given A Serious Talking To™ by Legion stuffed shirt Mon-El Lar Gand M'Onel Green Lantern Valor.


And to top it all off: full page pin-up of Jamm. Clip it out and toss it in the wastebasket, kids!


Pin-up from Legion of Superheroes Annual v.4 #4 (1993), pencils and inks by Joe Phillips, colors by Tom McCraw

By the following year the Legion would be off to Oz in their Annual (NO IT REALLY HAPPENED IT'S CANON FANBOYS) and a couple months later they'd be retconned to the Earth-247 post-Zero Hour Legion, aka The Legion I Really Love™. But I hope you've enjoyed this look at the last sputtering gasps of the it-began-excellently "Five Years Later" era of the Legion mashed-up with Bloodlines.

Also, there were Bloodlines trading cards.


Okay, okay, in the interest of being fair (and you're no fun anymore!), there is one good thing, count it, one, to have come out of Bloodlines:


Cover of The Demon Annual #2 (November 1993 AW MAN THIS SERIES REALLY WENT ON THAT LONG?!?), pencils and inks by John McCrea

...which led to one of the best, longer-running, and indeed, one of the most original DC Universe series of the 1990s:


So remember: just as Legends begat Suicide Squad and Justice League, as Zero Hour begat Starman and Legion of Super-Heroes, as The New 52 begat NOTE TO SELF: TRY TO THINK HARDER ABOUT THIS AND FILL IN LATER, yes, the big steaming crap-fest that was Bloodlines gave us a pretty darn good series in Hitman. Which, as they say, only goes to show.

Today in Comics History: The relative price of machine guns is determined


Panel from Richard Stark's Parker: The Score (July 2012); adapted from the novel by Richard Stark; script, pencils, inks, color, and letters by Darwyn Cooke


Today in Comics History: Allowing the police to develop a catchphrase for Bob the Builder is not successful


Page from Before Watchmen: Ozymandias #5 (March 2013), script by Len Wein, pencils and inks by Jae Lee, colors by June Chung, letters by John Workman


Tuesday, April 16, 2013

Today in Comics History: The League of Sinister Cardboard Cut-Outs plots a heist


Page from Richard Stark's Parker: The Score (July 2012); adapted from the novel by Richard Stark; script, pencils, inks, color, and letters by Darwyn Cooke


DC's WTF Mashups, (or, There's nothing wrong with these comic books that a scissors and a roll of tape won't fix)










365 Days of DC House Ads, Day 106: DC Annuals House Ads Week, Day 3



House ad for Batman Annual #2 (Winter 1961); printed in Detective Comics #299 (January 1962)
Cover art: individual panels pencilled by Curt Swan, Sheldon Moldoff, and Dick Sprang, inks by Charles Paris, letters by Ira Schnapp

Ad designed and lettered by Ira Schnapp

Yes, a 1960s Batman Annual is one of the finest things in the world, and if you pair it with french fries it is the best thing ever. Why, where else could you find reprints of some of the most fantastic and fun Batman tales of the 1950s, including all these stories!:


No, sorry...this is not a single page with all these awesome events happening at once...these are indidviaul panels taken from different stories. But you have to admit, if they were all the same story, it would be the most awesomest Batman story in the galaxy. Why, even that guy in the first panel has had his mind blown by the concept...just check out his beswoggled expression!


What's more, this Annual features your exclusive 1962 Batman Calendar. My brain is seriously full of the magnificence of this magazine!


Be sure to clip and save that Batman calendar! You'll be looking at it every day of the year...um, when 2018 rolls around and it's the correct calendar. But it's worth pinning up on your wall for the next five years! We salute you, Batman Annual #2!