(Detective Comics #426, August 1972)




RUNAWAY COMICS #2: This comic is fun. What a long, 24-hour stretch it's been, full of mostly fun comics and maybe more candy beans than I should have had. But what a fun comic to wrap it all up with: Marvelous Mark Martin's new Runaway Comics (not to be confused with the also-fun but completely different Runaways). A choose-your-own-adventure that Lynne Truss would love, the continuation of the "Montgomery Wart" saga, and if you ever wondered why Gran'paw takes so much medicine, well, worry no more, true bull-liever, 'coz it's all here in this issue which is crammed full of Martin's unique and whimsical art, warped sense of humor and the best sight gags in indie comics. (Why's it called Runaway Comics? Find out at the end of the issue!) All this plus a bonus flipbook "Jabberous"! Now, I know this ain't never gonna happen, but if I ever were to become famous outside the thirty-seven good people who religious read my blog, and if I was so popular as to warrant my own comic book, starring me...well, I'd sure ask Mister Martin, very politely, if he'd draw it for me...as seen in his hi-larious "Montgomery Wart," he draws little animal kids better'n jus' about anyone since Walt Kelly! And if you don't b'lieve me an' start to say 'Yeah, but...'...well then, just talk to the Yeah Butt! (By the way, check out Mark's totally fantabulous blog and website...full of hilarity and butts!)
SUPERMAN #656: This comic is fun. Strong action and characterization (plus a well-written flashback to young Clark Kent) highlight this story of a misunderstood superalien forced to battle Superman. The general plot itself is slightly clichéd; what isn't a cliché is that Kurt Busiek can, as he often does, turn this into a distinctive and vibrant story in which our sympathy is often as much on the side of big Russian brawler Subjekt as well as it is with the guy wearin' the big red "S". It's got one of the elements I like best in superhero comics: it feels like a done-in-one but there's definitely more "to be continued." I'm not terribly fond of prissy fop Arion, who pops (literally) into the last page, but the mystery of Subjekt and the promise of more trademark Busiek back-to-basics Superman action that doesn't overshadow the personalities and character conflicts, makes next issue (#657) a no-brainer to pick up. See ya next month, Big Blue!
CABLE & DEADPOOL #1: Zzzzz...snort! Comic...zzz...fun. Zzzzzzzzz...candy beans...no, mean doll, no! Ummmmmphhh...zzzzzzzzz...I c'n stay awake all night a'right...I'm awake...zzzzzz...Cable 'n' Deadpool #31? Zzzzzzz...fun comic...Deadpool makes me...snort!...giggle...(rolls over)...zzzzzz...no, no, I'm 'wake...Civil War?...zzzzzz...act'ally a fun tie-in...ha ha ha...Deadpool askin' President Bush where the bathroom is...bwah-ha-ha-zzzzzZZZZZZZ. Snort! Candy beans! Zzzzzzzzz.
SOCK MONKEY: THE "INCHES" INCIDENT #1: This comic is fun. The adventures of stuffed animals on the high seas? Sign me up for that! Tony Millionaire's fantastic, surreal and moody yet whimsical creations return for another very welcome miniseries pitting the all-ages friendly versions of his Maakies characters against their evil nemesis: the wicked, wicked Inches the Doll! (Bull-lieve me, I know a thing or two about a thing or two, but I especially know what it is like to have an evil doll as your archenemy!) Nobody captures seafaring adventure quite like Tony Millionaire, and his exquisitely detailed and crosshatched artwork gives a lovely retro Johnny Gruelle or John R. Neill feel to the dynamic artwork. And I learnt what a "delphinus" was, too...so it's educational as well as entertaining! Finally, I happen to know Tony Millionaire is a man of exquisite taste: he likes Patrick O'Brian! So, if you're lookin' for a pull quote from a little stuff bull, how about: For the best entertainment value in comics today, you don't need to be a millionaire, you just need to buy one of his comics! (Haw!) And as the sun comes up and I crack open another thing of candy beans, I do hereby declare that SOCK MONKEY #1 is the most fun comic of the week!
AGENTS OF ATLAS #3: This comic is fun. Like Eternals, this is another mid-miniseries issue that slows down the action for a massive infodump, but there's enough forward movement and travelin' around for the Agents to make it forgiveable. (It'll definitely read better in the trade, however). This is one of the more dense Marvel reads in the past month, so I feel I'm definitely getting my money's worth: this ain't a comic you can read once in ten minutes; take your time and savor every talkin' monkey, conveniently-tressed Venus panel. Any comic that covers Africa, Uranus (tee hee), San Francisco and Atlantis in one issue and manages to get in an extending esophagus sight gag is tops in this little bull's book. And whee! Namora's still alive? Hooray! (turns to the last page) Uh...nevermind.
52 WEEK 22: This comic is fun. Maybe it's the lack of sleep or too many candy beans, but I'm jittery and jumpy as a bull on a planet orbiting a red sun! There's a whole lotta fifty-twoin' action goin' on here: Lex throws another (unlikely) candidate into the "who is Supernova" ring, Will Magnus single-handedly retcons out of existence an unpopular storyline, Super-Chief's back (in accordance with the cover blurb, I squeak in excitement "Hello, Super-Chief!"), and speaking of cover blurbs, the best pun of the week: "Magnus: Robot Hunted!" Plus, is Silverblade really returning on 10/13? I'll be first in line if he is!
AMERICAN SPLENDOR #2: This comic is fun. So, Bully (you're saying), how can you say you don't really like a comic book in which nothing really happens (ahemANTMANahem) and still give American Splendor a big fat green fun? If there's a definition of a generally plotless comic, it's got to be Harvey Pekar's long-running American Splendor series. No superheroes, no intense action, no fisticuffs...just a regular joe's regular life. He's not battling supervillains, but Harvey does face off against an overflowing toilet, a failed auto inspection, trying to find an address while driving in a snowstorm and much more. I can appreciate the quiet desperation and small triumphs of Harvey's life, but John tells me that it's even more appropriate when you get to be near Harvey's age and a victory over a plumbing problem is a major deal. "I know exactly what lying awake at night obsessing about having to fix a gurgling toilet is like, Bully," he tells me, and gosh, John oughta know. But even if your days are not filled with bills and bureaucracy, even if you're a happy little stuffed bull like me whose life is all candy beans and multiple Monopoly sets and marathon Cash in the Attic TV-watching sessions, you can still appreciate this for Harvey's keen and sharp dialogue and the fantastic assortment of moody and apt artwork in this issueI especially enjoyed Eddie Campbell's contribution. Although it's not listed on the cover of this book, Vertigo's American Splendor is only a limited series, but I hope it's successful enough to warrant another miniseries in the future: even with the attention from the wonderful film starring Paul Giamatti, Harvey Pekar deserves a wider audience. He can definitely count a little stuff bull among his fans now. And PS: Happy Birthday, Harvey!
THE IRREDEEMABLE ANT-MAN #1: This comic is sorta fun. I'm not especially a big Robert Kirkman fan at all, but I do like Phil Hester's artwork and I do really like the concept if not always the execution of Ant-Man, so I did have to try this new miniseries out, tho' 'm not certain if I'll be pickin' up number 2. The concept's clever enough: grunt level S.H.I.E.L.D.* personnel discover Hank Pym's new, and slightly silly-lookin' Ant-Man costume, and many hijinks ensure. The execution's a bit slow and stilted though; it takes a loooooong time to get to that point, although there's a welcome action sequence at the beginning of the story. I did at least feel I got my money's worthy with this book because it's the exact opposite of decompression: dense and packed with dialogue and panels. It just didn't capture my interest and imagination enough to warrant a second look, however, and the basic concept's been done better with Kevin Rubio's Tag and Bink series.
FRIENDLY NEIGHBORHOOD SPIDER-MAN #13: This comic is fun. What could have been a visually confusing comic (what with its three Mysterios) is helped by clear art and coloring plus an extremely well-written first recap page, making this one of the most accessible of the various Marvel Universe Spider-Man titles. As with last issue, it's nice to see Flash Thompson acting like a hero and not a jerk, and Peter David has Spidey's wisecracks and bluffing down to a T. (And how can you resist a book that features The Best Line of the Week: "I'm just using my most dangerous power of all: my spider-bull." And oh ho ho, Miss Arrow ain't what she seems to be, is she? After a rough start with The Other, Friendly Neighborhood Spider-Man is fast turning out to be my favorite Spidey title, giving us the classic fast-moving, hard-punching, savvy and smart Spider-Man, even if he is wrapped in red and gold armor.